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DEDICATION AOAL~, in deepening beauty, ye float near, Forms, dimly imaged in the days gone by Is that old fancy to the heart still dear ? To that old spell will ye again reply? Ye throng before my view, divinely clear, Like sunbeams conquering a cloudy sky! Then have me at your will! My bosom burns, Magic is breatlLng-youth and joy returns I Pictures you bring with you of happy years, Loved shades of other days are rising fast. First-Iovo with early Friendship reappears Like half remembered legends of the past. Wounds bleed anew;-the Plaint pursues with tears The wanderer through life's labyrinthine waste; And names the Good, already past away, Cheated, alas! of half life's little day. nut, ah! they eannot hear my closing !'ong, Those hearts, for whom its earlier notes were tried; Departed is, alas! the friC'ndly throng. And dumb tho echoes all, that first replied. If some still live this stranger world among. Fortune hath scattered them at distance wide; To men unknOITI1 my griefs I now impart, \\,h05e very praises leaye me sick at heart. ©Biblioteca Nacional de Colombia
DEDICATION Again it comes! a long unwonted feeling A wish for that calm solemn spirit-land; My wavering song lisps faint, like murmurs, stealing O'er Aeol's harp by varying breezes fanned. Tears follow tears, my weaknesses revealing, And silent shudders show a heart unmanned; WHAT IS, in the far distance seems to be, The PAST, the PAST alone is true to me. ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
Page 35 and 36: THE TRAGICAL HISTORY OF DOCTOR FAUS
Page 37 and 38: THE TRAGICAL HISTORY OF DOCTOR FAUS
Page 39 and 40: SCENE I And universal body of the l
Page 41 and 42: SCENE I To pradise magic and concea
Page 43 and 44: SCENE II. BEFORE FAUSTUS'S HOUSE En
Page 45 and 46: SCENE III 11 Jehovae I Ignei, aerii
Page 47 and 48: SCENE III Am not tormented with ten
Page 49 and 50: SCENE IV 15 WAGNER. Well, do you he
Page 51 and 52: SCENE V 17 GOOD ANGEL. art. FAUSTUS
Page 53 and 54: SCENE V lD Be-enter MEPRISTOPRILlS
Page 55 and 56: SCENE V 21 Wherein thou hast given
Page 57 and 58: SCENE VI 23 GOOD ANGEL. thee. EVIL
Page 59 and 60: SCENE VI 25 Re·enter Good Angel an
Page 61 and 62: SCENE VI 27 FAUSTUS. Away, envious
Page 63 and 64: SCENE VII Thorough a rock of stone,
Page 65 and 66: SCENE VII 31 I give you fair warnin
Page 67 and 68: SCENE VIII 33 nALPH. Why, Robin, "W
Page 69 and 70: SCENE IX From Constantinople am I h
Page 71 and 72: SCENE X 37 grace, in that manner th
Page 73 and 74: SCENE XI 39 BORSE·COURSER. Do you
Page 75 and 76: SCENE XI 41 MEPIDSTOPHILIS. Be gone
Page 77 and 78: 43 SCENE XIII A ROOM IN THE HOUSE O
Page 79 and 80: SCENE XlII 45 OLD MAN. I go, sweet
Page 81 and 82: 47 SCENE XIV. THE SAME Enter FAUSTU
Page 83 and 84: SCE~E XIV Fair Nature's eyE', rise,
Page 85: GOETHE'S FAUST PART I TRANSLATED BY
Page 89 and 90: 50 FAUST How I delight to see the p
Page 91 and 92: 58 FAUST And he who gives one is a
Page 93 and 94: 60 FAtJST Restore the dissonant to
Page 95 and 96: 62 FAUST Give me, oh! give youth's
Page 97 and 98: · 64 PROLOGUE IN HEA YEN TilE LORD
Page 99 and 100: 66 FAUST Child though he be of huma
Page 102 and 103: NIGHT Deep truths, to others unreve
Page 104 and 105: NIGHT The tumults of my soul are st
Page 106 and 107: NIGHT Rolled and unrolled. In crims
Page 108 and 109: NIGHT ';5 [Enter WAGNER in his dres
Page 110 and 111: NIGHT A lumber-room of dusty docume
Page 112 and 113: NIGHT 79 We seize what this world g
Page 114 and 115: NIGHT Old Furniture-cumbrous and me
Page 116 and 117: NIGHT Pale Fancy hears sad Spirits
Page 118 and 119: NIGHT Chorus of Angels. The Lord ha
Page 120 and 121: 87 BEFORE THE GATE Persons of all d
Page 122 and 123: BEFORE THE GATE SECOND CITIZEN. or
Page 124 and 125: BEFORE THE GATE Look, only look, wi
Page 126 and 127: BEFORE THE GATE Of the black sickne
Page 128 and 129: DEFDRE THE GATE What you have from
Page 130 and 131: BEFORE THE GATE A living stream, th
Page 132 and 133: 99 FAUST'S STUDY Enter FAUST, with
Page 134 and 135: FAUST'S STUDY But can what I see be
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FAUST'S STUDY 103 If thou be a serf
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FAUST'S STUDY 105 ~y proper element
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FAUST'S STUDY 107 Choose, and the r
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FAUST'S STUDY In breezy air streami
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III FAUST'S STUDY FAUST-IY!EPHISTOP
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FAUST'S STUDY 113 And the old music
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FAUST'S STUDY U5 Cheerfully-from th
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FAUST'S STUDY 117 A?d hail the happ
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FAUST'S STUDY In the impenetrable c
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FAUST'S STUDY 121 .A~d all that his
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FAUST'S STUDY The withered spirit s
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FAUST'S STUDY ~or days and days you
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FAUST'S STUDY 127 STUDENT. This, si
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FAUST'S STUDY -;;:.You are well mad
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131 AUERBACH'S CELLAR IN LEIPZIG SE
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AUERBACH'S CELLAR 133 Gentlemen, I
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AUERBACH'S CELLAR 135 FROSCH. You'r
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AUERBACH'S CELLAR 137 And as he set
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AUERBACH'S CELLAR 139 ALTMAYER. No,
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AUERBACH'S CELLAR 141 BRANDER. See
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WITCH'S KITCHEN 143 Meats, simple,
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WITCH'S KITCHEN 145 MEPHISTOPHELES.
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WITCH'S KITCHEN 147 Let but your ow
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WITCH'S KITCHEN 149 THE WITCH. Sata
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WITCH'S KITCHEN Now be The square o
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WITCH'S KITCHEN 153 Fair form -too
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THE STREET And to your will the sof
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A NEAT LITTLE ROOM 157 Receive me,
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A NEAT LITTLE ROOM 159 Come-corne-w
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161 PROMENADE FAUST walking up and
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PROMENADE 163 ~o~s nothing-knows no
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THE NEIGHBOUR'S HOUSE 165 To Martha
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THE NEIGHBOUR'S HOUSE 167 The rotti
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THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
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THE STREET And that enigma, man's m
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THE GARDEN 173 This idle roaming ro
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FAUST. MARGARET. THE GARDEN 175 Thi
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THE GARDEN 177 FAUST. Angelic creat
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FOREST AND CAVERN 179 Thy presence-
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FOREST AND CAVERN 181 Wouldst grudg
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FOREST AND CAVERN 183 With Bwelling
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MARGARET'S OWN ROOM 185 My peace is
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MARTHA'S GARDEN 187 FAUST. What do
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MARTHA'S GARDEN 189 The women fancy
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AT THE WELL 191 Now for the stool a
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A LITTLE SHRINE Into my chamber bri
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BEFORE MARGARET'S DOOR 195 And will
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BEFORE MARGARET'S DOOR 197 PEOPLE.
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CATHEDRAL 199 Didst come, and from
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W ALPURGIS NIGHT 201 The road is lo
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WALPURGIS NIGHT How the song of ech
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W ALPURGIS NIGHT 205 Wild work is o
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W ALPURGIS NIGHT 207 CHORUS OF WITC
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WALPURGIS NIGHT 209 Hopelessly I st
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WALPURGIS NIGHT 211 Well now, what
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W ALPURGIS NIGHT 213 Poor things! p
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W ALPURGIS NIGHT 215 What means the
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WALPURGIS NIGHT 217 Who sa.ng so lo
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W ALPURGIS NIGHT'S DREAM: 221 INQUI
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WALPURGIS NIGHT'S DREAM 225 SHREWD
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A GLOOMY DAY 227 have sunk into the
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PRISON 229 And is to die because sh
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PRL'30N 231 'Tis he, 'tis he-my pan
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PRISON What good is it to fly? lily
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PRISON 235 MEPHISTOPHELES (to FAUST
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The World's Classics (SIZE 6 x 4 IN
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The World's Classics List of Titles
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The World's Classics List of Titles
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