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WALPURGIS NIGHT'S DREAM 225 SHREWD FELLOWS Call us Sans-souci-for you know That each of us, a gay philosopher, If on his feet he cannot go, Walks on his head, nor fears a toss over. AWKWARD CLUMSY CREATURES Oh once, Heaven help us! we could dance: How pompously we then did swagger! Now shoes out-worn, And sore feet torn, Along the course we faintly stagger. WILL-O' -THE-WISPS From the sink and slough we come, From the hole of steaming nitre; And yet, in all this dazzling room, Shine there sparks more gay or brighter? FALLING STAR Rapidly I shot from high, ·With fiery course in brightness starry; Here broken on the gra.ss I lie, With none to help me, none to carry. HEAVY BODIES Places-places-round go we- Where we dance how bare the Bod is; Spirits move, and all may see Spirits have substantial bodies. PUCK Like awkward elephants they thump The ground with clumsy hoofs and heavy; Strange shadows! Puck alone is plump, The sleekest spirit at the levee. ARIEL If wings be yours-boon Nature's gift And if the spirit so disposes, I'A UST Q ©Biblioteca Nacional de Colombia
226 FAUST Then follow Ariel-follow swift Your guide to yonder hill of roses. ORCHESTRA (pianissimo) Daylight I-the cloud· built stage-the wreaths Of vapour,-where are they? On reed and rush the free air breathes, And sweeps the dream away. A GLOOMY DA Y.-A PLAIN FAUST. In misery-in despair-long wandering in wretchedness over the wide world; and now taken up -shut up in the prison as a malefactor-this gentle. unhappy creature-for horrid tortures. To this-and has it come to this? Treacherous, worthless Spirit! and this hast thou been concealing from me! Stand, there, stand! Aye! roll the devil eyes furiously round in thy head-aye! stand and defy me with thy insup· portable presence. Taken up-in distress irretrievable -given over to evil spirits-abandoned to--manman that passes judgement, and is devoid of feeling; and all this, while you have been lulling and rocking me and deluding me among loathsome dissipations, and hiding from me her continually increasing wretched· ness, and have left her to perish without help! MEPHISTOPHELES. She is not the first! FAUST. Dog! abhorred monster! turn him. ob, thou infinite Spirit, turn the reptile again into his dog's shape, in which it was often his pleasure to scamper before me by night, to roll before the feet of the unthink· ing passer· by, and as he fell to fasten on his shoulders. Turn him again into his darling shape, that he may crouch upon his belly before me in the sand, and that I may trample upon him with my foot-the outcast! Not the first! Misery-misery-by no human soul is it to be fathomed how more than one creature should ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
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SCENE VII Thorough a rock of stone,
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SCENE VII 31 I give you fair warnin
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SCENE VIII 33 nALPH. Why, Robin, "W
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SCENE IX From Constantinople am I h
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SCENE X 37 grace, in that manner th
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SCENE XI 39 BORSE·COURSER. Do you
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SCENE XI 41 MEPIDSTOPHILIS. Be gone
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43 SCENE XIII A ROOM IN THE HOUSE O
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SCENE XlII 45 OLD MAN. I go, sweet
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47 SCENE XIV. THE SAME Enter FAUSTU
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SCE~E XIV Fair Nature's eyE', rise,
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GOETHE'S FAUST PART I TRANSLATED BY
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DEDICATION Again it comes! a long u
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50 FAUST How I delight to see the p
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58 FAUST And he who gives one is a
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60 FAtJST Restore the dissonant to
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62 FAUST Give me, oh! give youth's
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· 64 PROLOGUE IN HEA YEN TilE LORD
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66 FAUST Child though he be of huma
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NIGHT Deep truths, to others unreve
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NIGHT The tumults of my soul are st
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NIGHT Rolled and unrolled. In crims
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NIGHT ';5 [Enter WAGNER in his dres
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NIGHT A lumber-room of dusty docume
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NIGHT 79 We seize what this world g
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NIGHT Old Furniture-cumbrous and me
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NIGHT Pale Fancy hears sad Spirits
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NIGHT Chorus of Angels. The Lord ha
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87 BEFORE THE GATE Persons of all d
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BEFORE THE GATE SECOND CITIZEN. or
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BEFORE THE GATE Look, only look, wi
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BEFORE THE GATE Of the black sickne
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DEFDRE THE GATE What you have from
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BEFORE THE GATE A living stream, th
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99 FAUST'S STUDY Enter FAUST, with
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FAUST'S STUDY But can what I see be
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FAUST'S STUDY 103 If thou be a serf
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FAUST'S STUDY 105 ~y proper element
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FAUST'S STUDY 107 Choose, and the r
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FAUST'S STUDY In breezy air streami
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III FAUST'S STUDY FAUST-IY!EPHISTOP
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FAUST'S STUDY 113 And the old music
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FAUST'S STUDY U5 Cheerfully-from th
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FAUST'S STUDY 117 A?d hail the happ
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FAUST'S STUDY In the impenetrable c
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FAUST'S STUDY 121 .A~d all that his
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FAUST'S STUDY The withered spirit s
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FAUST'S STUDY ~or days and days you
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FAUST'S STUDY 127 STUDENT. This, si
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FAUST'S STUDY -;;:.You are well mad
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131 AUERBACH'S CELLAR IN LEIPZIG SE
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AUERBACH'S CELLAR 133 Gentlemen, I
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AUERBACH'S CELLAR 135 FROSCH. You'r
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AUERBACH'S CELLAR 137 And as he set
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AUERBACH'S CELLAR 139 ALTMAYER. No,
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AUERBACH'S CELLAR 141 BRANDER. See
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WITCH'S KITCHEN 143 Meats, simple,
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WITCH'S KITCHEN 145 MEPHISTOPHELES.
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WITCH'S KITCHEN 147 Let but your ow
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WITCH'S KITCHEN 149 THE WITCH. Sata
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WITCH'S KITCHEN Now be The square o
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WITCH'S KITCHEN 153 Fair form -too
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THE STREET And to your will the sof
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A NEAT LITTLE ROOM 157 Receive me,
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A NEAT LITTLE ROOM 159 Come-corne-w
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161 PROMENADE FAUST walking up and
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PROMENADE 163 ~o~s nothing-knows no
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THE NEIGHBOUR'S HOUSE 165 To Martha
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THE NEIGHBOUR'S HOUSE 167 The rotti
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THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
Page 204 and 205: THE STREET And that enigma, man's m
Page 206 and 207: THE GARDEN 173 This idle roaming ro
Page 208 and 209: FAUST. MARGARET. THE GARDEN 175 Thi
Page 210 and 211: THE GARDEN 177 FAUST. Angelic creat
Page 212 and 213: FOREST AND CAVERN 179 Thy presence-
Page 214 and 215: FOREST AND CAVERN 181 Wouldst grudg
Page 216 and 217: FOREST AND CAVERN 183 With Bwelling
Page 218 and 219: MARGARET'S OWN ROOM 185 My peace is
Page 220 and 221: MARTHA'S GARDEN 187 FAUST. What do
Page 222 and 223: MARTHA'S GARDEN 189 The women fancy
Page 224 and 225: AT THE WELL 191 Now for the stool a
Page 226 and 227: A LITTLE SHRINE Into my chamber bri
Page 228 and 229: BEFORE MARGARET'S DOOR 195 And will
Page 230 and 231: BEFORE MARGARET'S DOOR 197 PEOPLE.
Page 232 and 233: CATHEDRAL 199 Didst come, and from
Page 234 and 235: W ALPURGIS NIGHT 201 The road is lo
Page 236 and 237: WALPURGIS NIGHT How the song of ech
Page 238 and 239: W ALPURGIS NIGHT 205 Wild work is o
Page 240 and 241: W ALPURGIS NIGHT 207 CHORUS OF WITC
Page 242 and 243: WALPURGIS NIGHT 209 Hopelessly I st
Page 244 and 245: WALPURGIS NIGHT 211 Well now, what
Page 246 and 247: W ALPURGIS NIGHT 213 Poor things! p
Page 248 and 249: W ALPURGIS NIGHT 215 What means the
Page 250 and 251: WALPURGIS NIGHT 217 Who sa.ng so lo
Page 252 and 253: W ALPURGIS NIGHT'S DREAM: 221 INQUI
Page 256 and 257: A GLOOMY DAY 227 have sunk into the
Page 258 and 259: PRISON 229 And is to die because sh
Page 260 and 261: PRL'30N 231 'Tis he, 'tis he-my pan
Page 262 and 263: PRISON What good is it to fly? lily
Page 264 and 265: PRISON 235 MEPHISTOPHELES (to FAUST
Page 266 and 267: The World's Classics (SIZE 6 x 4 IN
Page 268 and 269: The World's Classics List of Titles
Page 270 and 271: The World's Classics List of Titles
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