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AUERBACH'S CELLAR 139 ALTMAYER. No, gentlemen, this won't do! Now look me straight in the face, old mountebank: I see you but bamboozle us !- MEPHISTOPHELES. Yes! yes! A very likely story-to play tricks On noble guests like you! now fast-make ready Out with the word-pray, sir, what wine shall I give you ?- ALTMAYER. Any and all! whatever I can get. (After all the holes are bored and stopped, MEPHIS- TOPHELES, with strange gestures.) Grapes are of the vine-branch born; The buck-goat's is a branch of horn Wine is sap-and grapes are wood, The wooden board yields wine as good. All is clear to him that seeth- Lift the veil and look beneath, It is but a deeper glance Under Nature's countenance- Now behold-your prophet saith Miracles-if you have faith. Every man draw up his stopper, And drink such wine as he thinks proper. ALL (as they draw the stoppers, and the wine each has chosen runs into his glass). Flow on, bright rill-flow on and fill Our hearts with joy-flow on at will ! MEPHISTOPHELES. Drink-but be cautious how you spill : There's danger if a drop but falls. [They drink repeatedly. ALL (sing). That we will-that we will ! Happy as the cannibals: Like five hundred swine we swill. MEPHISTOPHELES. Look at them, they're the happiest of men. ©Biblioteca Nacional de Colombia
140 FAUST FAUST. Take me away-I'll not come here again. MEPHISTOPHELES. Wait till you see them in their glory ; We'll soon have fun ! SIEBEL (drinking carele8sly, spills some of the wine, "!.Chich turns to flame) . Help, help! fire, fire ! Hell fire! MEPHISTOPHELES. Down, friendly Element! - be still, I say- -This time 'twas but a drop of purgatory! SIEBEL. What means the fellow? Damn him-he shall pay Dearly for this; you'd think he did not know us. FROSOH (to MEPHISTOPHELES). Better take care no tricks like this to show us. ALTMAYER. The sooner we get rid of him the better There's nothing to be had from such a debtor. SIEBEL. You, sir, are guilty of strange impropriety; Playing your mountebank pranks in such society. lI1EPHISTOPHELES. Silence, old wine·tub ! SIEBEL. Broomstick! one would think He might rest satisfied with these feats of his, Without being impudent into the bargain. BRANDER. Be silent, and thankful that we do not flog you! ALTXAYER (draws a stopper out of the table; fire flies out). I'm burnt-I'm burning! SIEBEL. Kill him-kill the scoundrel! He's a magician !-Kill him! he's fair game! [They draw their knives and attack MEPHISTOPHELES. (MEPHISTOPHELES with solemn (le8ture8). Wandering voices mock the ear! Forms, that phantoms are, appear! Be ye far away, and near! Be ye there! and be ye here ! [They stand (lazin(l on each other in ama:emenl • .ALT~1.AYER. FROSOH. SIEBEL. Where am I ?-in what lovely land? What a show of vineyards near! Clustering grapes invite the hand. ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
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SCENE VII Thorough a rock of stone,
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SCENE VII 31 I give you fair warnin
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SCENE VIII 33 nALPH. Why, Robin, "W
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SCENE IX From Constantinople am I h
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SCENE X 37 grace, in that manner th
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SCENE XI 39 BORSE·COURSER. Do you
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SCENE XI 41 MEPIDSTOPHILIS. Be gone
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43 SCENE XIII A ROOM IN THE HOUSE O
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SCENE XlII 45 OLD MAN. I go, sweet
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47 SCENE XIV. THE SAME Enter FAUSTU
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SCE~E XIV Fair Nature's eyE', rise,
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GOETHE'S FAUST PART I TRANSLATED BY
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DEDICATION Again it comes! a long u
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50 FAUST How I delight to see the p
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58 FAUST And he who gives one is a
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60 FAtJST Restore the dissonant to
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62 FAUST Give me, oh! give youth's
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· 64 PROLOGUE IN HEA YEN TilE LORD
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66 FAUST Child though he be of huma
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NIGHT Deep truths, to others unreve
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NIGHT The tumults of my soul are st
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NIGHT Rolled and unrolled. In crims
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NIGHT ';5 [Enter WAGNER in his dres
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NIGHT A lumber-room of dusty docume
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NIGHT 79 We seize what this world g
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NIGHT Old Furniture-cumbrous and me
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NIGHT Pale Fancy hears sad Spirits
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NIGHT Chorus of Angels. The Lord ha
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87 BEFORE THE GATE Persons of all d
Page 122 and 123: BEFORE THE GATE SECOND CITIZEN. or
Page 124 and 125: BEFORE THE GATE Look, only look, wi
Page 126 and 127: BEFORE THE GATE Of the black sickne
Page 128 and 129: DEFDRE THE GATE What you have from
Page 130 and 131: BEFORE THE GATE A living stream, th
Page 132 and 133: 99 FAUST'S STUDY Enter FAUST, with
Page 134 and 135: FAUST'S STUDY But can what I see be
Page 136 and 137: FAUST'S STUDY 103 If thou be a serf
Page 138 and 139: FAUST'S STUDY 105 ~y proper element
Page 140 and 141: FAUST'S STUDY 107 Choose, and the r
Page 142 and 143: FAUST'S STUDY In breezy air streami
Page 144 and 145: III FAUST'S STUDY FAUST-IY!EPHISTOP
Page 146 and 147: FAUST'S STUDY 113 And the old music
Page 148 and 149: FAUST'S STUDY U5 Cheerfully-from th
Page 150 and 151: FAUST'S STUDY 117 A?d hail the happ
Page 152 and 153: FAUST'S STUDY In the impenetrable c
Page 154 and 155: FAUST'S STUDY 121 .A~d all that his
Page 156 and 157: FAUST'S STUDY The withered spirit s
Page 158 and 159: FAUST'S STUDY ~or days and days you
Page 160 and 161: FAUST'S STUDY 127 STUDENT. This, si
Page 162 and 163: FAUST'S STUDY -;;:.You are well mad
Page 164 and 165: 131 AUERBACH'S CELLAR IN LEIPZIG SE
Page 166 and 167: AUERBACH'S CELLAR 133 Gentlemen, I
Page 168 and 169: AUERBACH'S CELLAR 135 FROSCH. You'r
Page 170 and 171: AUERBACH'S CELLAR 137 And as he set
Page 174 and 175: AUERBACH'S CELLAR 141 BRANDER. See
Page 176 and 177: WITCH'S KITCHEN 143 Meats, simple,
Page 178 and 179: WITCH'S KITCHEN 145 MEPHISTOPHELES.
Page 180 and 181: WITCH'S KITCHEN 147 Let but your ow
Page 182 and 183: WITCH'S KITCHEN 149 THE WITCH. Sata
Page 184 and 185: WITCH'S KITCHEN Now be The square o
Page 186 and 187: WITCH'S KITCHEN 153 Fair form -too
Page 188 and 189: THE STREET And to your will the sof
Page 190 and 191: A NEAT LITTLE ROOM 157 Receive me,
Page 192 and 193: A NEAT LITTLE ROOM 159 Come-corne-w
Page 194 and 195: 161 PROMENADE FAUST walking up and
Page 196 and 197: PROMENADE 163 ~o~s nothing-knows no
Page 198 and 199: THE NEIGHBOUR'S HOUSE 165 To Martha
Page 200 and 201: THE NEIGHBOUR'S HOUSE 167 The rotti
Page 202 and 203: THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
Page 204 and 205: THE STREET And that enigma, man's m
Page 206 and 207: THE GARDEN 173 This idle roaming ro
Page 208 and 209: FAUST. MARGARET. THE GARDEN 175 Thi
Page 210 and 211: THE GARDEN 177 FAUST. Angelic creat
Page 212 and 213: FOREST AND CAVERN 179 Thy presence-
Page 214 and 215: FOREST AND CAVERN 181 Wouldst grudg
Page 216 and 217: FOREST AND CAVERN 183 With Bwelling
Page 218 and 219: MARGARET'S OWN ROOM 185 My peace is
Page 220 and 221: MARTHA'S GARDEN 187 FAUST. What do
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MARTHA'S GARDEN 189 The women fancy
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AT THE WELL 191 Now for the stool a
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A LITTLE SHRINE Into my chamber bri
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BEFORE MARGARET'S DOOR 195 And will
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BEFORE MARGARET'S DOOR 197 PEOPLE.
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CATHEDRAL 199 Didst come, and from
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W ALPURGIS NIGHT 201 The road is lo
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WALPURGIS NIGHT How the song of ech
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W ALPURGIS NIGHT 205 Wild work is o
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W ALPURGIS NIGHT 207 CHORUS OF WITC
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WALPURGIS NIGHT 209 Hopelessly I st
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WALPURGIS NIGHT 211 Well now, what
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W ALPURGIS NIGHT 213 Poor things! p
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W ALPURGIS NIGHT 215 What means the
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WALPURGIS NIGHT 217 Who sa.ng so lo
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W ALPURGIS NIGHT'S DREAM: 221 INQUI
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WALPURGIS NIGHT'S DREAM 225 SHREWD
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A GLOOMY DAY 227 have sunk into the
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PRISON 229 And is to die because sh
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PRL'30N 231 'Tis he, 'tis he-my pan
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PRISON What good is it to fly? lily
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PRISON 235 MEPHISTOPHELES (to FAUST
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The World's Classics (SIZE 6 x 4 IN
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The World's Classics List of Titles
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The World's Classics List of Titles
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