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BEFORE THE GATE Look, only look, with gaiety how active, Thro' fields and gardens they disperse themselves ! Row the wide water, far as we can see, ls joyous with innumerable boats! See, there, one almost sinking with its load, Parts from the shore; yonder the hill-top paths Are sparkling in the distance with gay dresses! And, hark! the sounds of joy from the far village! This is the people's very heaven on earth! The high, the low, in pleasure all uniting- Rere may I feel that I too am a man! WAGNER_ Doctor, to steal about with you, 'tis plain Is creditable, brings its own great gain. But otherwise, I'd never throwaway My time in such a place. I so detest Everything vulgar-hear them! how they play Their creaking fiddles-hark the kettle-drums; And their damned screaming to the ear that comes Worse, if 'twere possible, than all the rest. They rave like very devils let loose on earth This they call singing !-this, they say, is mirth! (PEASANTS dancing and singing). The shepherd for the dance is drest In ribands, wreath, and flashy vest; Round and round like mad they spin To the fiddle's lively din_ AU are dancing full of glee, All beneath the linden tree! 'Tis merry and merry-heigh-ho, heigh-ho, Blithe goes the fiddle-bow! Soon he runs to join the rest; Up to a pretty girl he prest; With elbow raised and pointed toe, Bent to her with his best bow- Pressed her hand: with feigned surprise, Up she raised her timid eyes! "Tis strange that you should use me so, ©Biblioteca Nacional de Colombia
92 FAUST So, so-hoigh-ho- 'Tis rude of you to use me so_' All into the set advance, Right they dance, and left they dance Gowns and ribands how they fling, Flying with the flying ring; They grew red, and faint, and warm, And rested, sinking, arm in arm, Slow, slow, heigh-ho, Tired in elbow, foot, and toe! , And do not make so free,' she said; , I fear that you may never wed; Men are cruel '-and he prest The maiden to his beating breast. Hark! again, the sounds of glee Swelling from the linden tree. 'Tis merry, 'tis merry-heigh-ho, heigh-ho, Blithe goes the fiddle-bow! OLD PE.A.S~T. This, doctor, is so kind of you, A man of rank and learning too; \Vho, but yourself, would condescend Thus ,,;th the poor, the poor man's friend, To join our sports? In this brown cheer Accept the pledge we tender here, A draught of life may it become And years on years, oh! may you reach, As cheerful as these beads of foam, As countless, too, a. year for each! FAUST. Blest be the draught restorative! I pledge you-happy may you live! (The people collect in. a circle round Mm. OLD PEiSA~T. glee, And share in his festivity: In this ha.th fortune fairly dealt With him who, in the evil day Yes! witness thou the poor man's ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
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SCENE VII Thorough a rock of stone,
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SCENE VII 31 I give you fair warnin
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SCENE VIII 33 nALPH. Why, Robin, "W
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SCENE IX From Constantinople am I h
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SCENE X 37 grace, in that manner th
Page 73 and 74: SCENE XI 39 BORSE·COURSER. Do you
Page 75 and 76: SCENE XI 41 MEPIDSTOPHILIS. Be gone
Page 77 and 78: 43 SCENE XIII A ROOM IN THE HOUSE O
Page 79 and 80: SCENE XlII 45 OLD MAN. I go, sweet
Page 81 and 82: 47 SCENE XIV. THE SAME Enter FAUSTU
Page 83 and 84: SCE~E XIV Fair Nature's eyE', rise,
Page 85 and 86: GOETHE'S FAUST PART I TRANSLATED BY
Page 87 and 88: DEDICATION Again it comes! a long u
Page 89 and 90: 50 FAUST How I delight to see the p
Page 91 and 92: 58 FAUST And he who gives one is a
Page 93 and 94: 60 FAtJST Restore the dissonant to
Page 95 and 96: 62 FAUST Give me, oh! give youth's
Page 97 and 98: · 64 PROLOGUE IN HEA YEN TilE LORD
Page 99 and 100: 66 FAUST Child though he be of huma
Page 102 and 103: NIGHT Deep truths, to others unreve
Page 104 and 105: NIGHT The tumults of my soul are st
Page 106 and 107: NIGHT Rolled and unrolled. In crims
Page 108 and 109: NIGHT ';5 [Enter WAGNER in his dres
Page 110 and 111: NIGHT A lumber-room of dusty docume
Page 112 and 113: NIGHT 79 We seize what this world g
Page 114 and 115: NIGHT Old Furniture-cumbrous and me
Page 116 and 117: NIGHT Pale Fancy hears sad Spirits
Page 118 and 119: NIGHT Chorus of Angels. The Lord ha
Page 120 and 121: 87 BEFORE THE GATE Persons of all d
Page 122 and 123: BEFORE THE GATE SECOND CITIZEN. or
Page 126 and 127: BEFORE THE GATE Of the black sickne
Page 128 and 129: DEFDRE THE GATE What you have from
Page 130 and 131: BEFORE THE GATE A living stream, th
Page 132 and 133: 99 FAUST'S STUDY Enter FAUST, with
Page 134 and 135: FAUST'S STUDY But can what I see be
Page 136 and 137: FAUST'S STUDY 103 If thou be a serf
Page 138 and 139: FAUST'S STUDY 105 ~y proper element
Page 140 and 141: FAUST'S STUDY 107 Choose, and the r
Page 142 and 143: FAUST'S STUDY In breezy air streami
Page 144 and 145: III FAUST'S STUDY FAUST-IY!EPHISTOP
Page 146 and 147: FAUST'S STUDY 113 And the old music
Page 148 and 149: FAUST'S STUDY U5 Cheerfully-from th
Page 150 and 151: FAUST'S STUDY 117 A?d hail the happ
Page 152 and 153: FAUST'S STUDY In the impenetrable c
Page 154 and 155: FAUST'S STUDY 121 .A~d all that his
Page 156 and 157: FAUST'S STUDY The withered spirit s
Page 158 and 159: FAUST'S STUDY ~or days and days you
Page 160 and 161: FAUST'S STUDY 127 STUDENT. This, si
Page 162 and 163: FAUST'S STUDY -;;:.You are well mad
Page 164 and 165: 131 AUERBACH'S CELLAR IN LEIPZIG SE
Page 166 and 167: AUERBACH'S CELLAR 133 Gentlemen, I
Page 168 and 169: AUERBACH'S CELLAR 135 FROSCH. You'r
Page 170 and 171: AUERBACH'S CELLAR 137 And as he set
Page 172 and 173: AUERBACH'S CELLAR 139 ALTMAYER. No,
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AUERBACH'S CELLAR 141 BRANDER. See
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WITCH'S KITCHEN 143 Meats, simple,
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WITCH'S KITCHEN 145 MEPHISTOPHELES.
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WITCH'S KITCHEN 147 Let but your ow
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WITCH'S KITCHEN 149 THE WITCH. Sata
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WITCH'S KITCHEN Now be The square o
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WITCH'S KITCHEN 153 Fair form -too
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THE STREET And to your will the sof
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A NEAT LITTLE ROOM 157 Receive me,
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A NEAT LITTLE ROOM 159 Come-corne-w
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161 PROMENADE FAUST walking up and
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PROMENADE 163 ~o~s nothing-knows no
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THE NEIGHBOUR'S HOUSE 165 To Martha
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THE NEIGHBOUR'S HOUSE 167 The rotti
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THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
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THE STREET And that enigma, man's m
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THE GARDEN 173 This idle roaming ro
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FAUST. MARGARET. THE GARDEN 175 Thi
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THE GARDEN 177 FAUST. Angelic creat
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FOREST AND CAVERN 179 Thy presence-
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FOREST AND CAVERN 181 Wouldst grudg
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FOREST AND CAVERN 183 With Bwelling
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MARGARET'S OWN ROOM 185 My peace is
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MARTHA'S GARDEN 187 FAUST. What do
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MARTHA'S GARDEN 189 The women fancy
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AT THE WELL 191 Now for the stool a
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A LITTLE SHRINE Into my chamber bri
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BEFORE MARGARET'S DOOR 195 And will
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BEFORE MARGARET'S DOOR 197 PEOPLE.
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CATHEDRAL 199 Didst come, and from
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W ALPURGIS NIGHT 201 The road is lo
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WALPURGIS NIGHT How the song of ech
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W ALPURGIS NIGHT 205 Wild work is o
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W ALPURGIS NIGHT 207 CHORUS OF WITC
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WALPURGIS NIGHT 209 Hopelessly I st
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WALPURGIS NIGHT 211 Well now, what
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W ALPURGIS NIGHT 213 Poor things! p
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W ALPURGIS NIGHT 215 What means the
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WALPURGIS NIGHT 217 Who sa.ng so lo
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W ALPURGIS NIGHT'S DREAM: 221 INQUI
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WALPURGIS NIGHT'S DREAM 225 SHREWD
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A GLOOMY DAY 227 have sunk into the
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PRISON 229 And is to die because sh
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PRL'30N 231 'Tis he, 'tis he-my pan
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PRISON What good is it to fly? lily
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PRISON 235 MEPHISTOPHELES (to FAUST
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The World's Classics (SIZE 6 x 4 IN
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The World's Classics List of Titles
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The World's Classics List of Titles
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©Biblioteca Nacional de Colombia

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