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WITCH'S KITCHEN 147 Let but your own fancy mingle With the jargon and the jingle, As you listen to the lays; Bring the meaning you are gleaning, Give the poet all the praise. FAUST (as before). My heart's on fice-let us depart . .A MEPHISTOPHELES. This is the true poetic artnd I have never met with prettier poets, COuld they but keep the secrets of their trade. [The cauldron, which the Female CAT.APE has forgotten to attend to, begins to boil otler--a great blaze arises, and streams up the chimney.-THE WITCH comes down through the flame with horrid screams. b TIlE WITCH. Ou! Ou! Ou! Ou! arnned beast! cursed sow !- ~hhe ~ot has boiled over-the broth's overturned, e liquor is lost, and the Mist ress is burned! Damned beast And what is this? [Seeinq FAUST and MEPHISTOPHELES. And who are ye ? What brings ye here? Who sent ye here? May fiery pain Burn bone and brain ! [Dips the skimming ladle in the cauldron, and sprinkles the flames at FAUST, MEPlilSTOPHELES, and the CAT-ApEs-the APES whine. AiEPHISTOPHELES (flourishes the fan, and breaks pots 1I II and glasses). Broken, broken! ai -broth splashing, l?aa.sses crashing, It ~ent for the words you've spoken! ~ 18.a.ll in sport, my honey! l\. oth~g but a frolic funny ! li'i~tPlll~ time, old carrion odious, Y WIth thy voice melodious! [Tru: WITCH steps back with rage and a tonishment. L~ ©Biblioteca Nacional de Colombia
148 FAUST Knowest thou no more than that 0' me, Thou raw-boned old Anatomy! Skeleton! the devil blast her! -Know you not your Lord and Master? Shall I dash the old deceiver's Bones into a thousand shivers ? Smash her, and cats, and crocks together? -Know ye not my vest's red leather? Know ye not the cock-tail feather? What mask is there upon my features, To hide me thus from my own creatures? And am I called upon to mention My name, my rank, and my pretension ? THE WITCH. Pardon, my Lord, this rough salute ; I do not see the cloven foot,- And where are your two ravens ?-Where- MEPHISTOPHELES. Enough, old fool,-for once I spare ;- 'Tis long since we have met, and strange Has been, in such a time, the change- The world '6 grown wise-in e,ery movement Is seen the Spirit of Improvement; Reform to everything extended- Among the rest the devil is mended; For court has left his 'tildernesses, Thrown off his ancient savage dresses; The curling tail and talons horrid, And horns to guard the wTinkled forehead. All gone-the northern phantom '6 vanished, By modern education banished! -As to the foot-against my will, I bear that witness with me still; 'Twould injure me in the good graces Of some who figure in high places; So, what I can, I do tG hide it, And for the purpose, am provided With padded calves-and thus am able To limp no more than's fashionable Many young men, that I might mention, Avail themselves of the invention. ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
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SCENE VII Thorough a rock of stone,
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SCENE VII 31 I give you fair warnin
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SCENE VIII 33 nALPH. Why, Robin, "W
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SCENE IX From Constantinople am I h
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SCENE X 37 grace, in that manner th
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SCENE XI 39 BORSE·COURSER. Do you
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SCENE XI 41 MEPIDSTOPHILIS. Be gone
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43 SCENE XIII A ROOM IN THE HOUSE O
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SCENE XlII 45 OLD MAN. I go, sweet
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47 SCENE XIV. THE SAME Enter FAUSTU
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SCE~E XIV Fair Nature's eyE', rise,
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GOETHE'S FAUST PART I TRANSLATED BY
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DEDICATION Again it comes! a long u
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50 FAUST How I delight to see the p
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58 FAUST And he who gives one is a
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60 FAtJST Restore the dissonant to
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62 FAUST Give me, oh! give youth's
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· 64 PROLOGUE IN HEA YEN TilE LORD
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66 FAUST Child though he be of huma
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NIGHT Deep truths, to others unreve
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NIGHT The tumults of my soul are st
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NIGHT Rolled and unrolled. In crims
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NIGHT ';5 [Enter WAGNER in his dres
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NIGHT A lumber-room of dusty docume
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NIGHT 79 We seize what this world g
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NIGHT Old Furniture-cumbrous and me
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NIGHT Pale Fancy hears sad Spirits
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NIGHT Chorus of Angels. The Lord ha
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87 BEFORE THE GATE Persons of all d
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BEFORE THE GATE SECOND CITIZEN. or
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BEFORE THE GATE Look, only look, wi
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BEFORE THE GATE Of the black sickne
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DEFDRE THE GATE What you have from
Page 130 and 131: BEFORE THE GATE A living stream, th
Page 132 and 133: 99 FAUST'S STUDY Enter FAUST, with
Page 134 and 135: FAUST'S STUDY But can what I see be
Page 136 and 137: FAUST'S STUDY 103 If thou be a serf
Page 138 and 139: FAUST'S STUDY 105 ~y proper element
Page 140 and 141: FAUST'S STUDY 107 Choose, and the r
Page 142 and 143: FAUST'S STUDY In breezy air streami
Page 144 and 145: III FAUST'S STUDY FAUST-IY!EPHISTOP
Page 146 and 147: FAUST'S STUDY 113 And the old music
Page 148 and 149: FAUST'S STUDY U5 Cheerfully-from th
Page 150 and 151: FAUST'S STUDY 117 A?d hail the happ
Page 152 and 153: FAUST'S STUDY In the impenetrable c
Page 154 and 155: FAUST'S STUDY 121 .A~d all that his
Page 156 and 157: FAUST'S STUDY The withered spirit s
Page 158 and 159: FAUST'S STUDY ~or days and days you
Page 160 and 161: FAUST'S STUDY 127 STUDENT. This, si
Page 162 and 163: FAUST'S STUDY -;;:.You are well mad
Page 164 and 165: 131 AUERBACH'S CELLAR IN LEIPZIG SE
Page 166 and 167: AUERBACH'S CELLAR 133 Gentlemen, I
Page 168 and 169: AUERBACH'S CELLAR 135 FROSCH. You'r
Page 170 and 171: AUERBACH'S CELLAR 137 And as he set
Page 172 and 173: AUERBACH'S CELLAR 139 ALTMAYER. No,
Page 174 and 175: AUERBACH'S CELLAR 141 BRANDER. See
Page 176 and 177: WITCH'S KITCHEN 143 Meats, simple,
Page 178 and 179: WITCH'S KITCHEN 145 MEPHISTOPHELES.
Page 182 and 183: WITCH'S KITCHEN 149 THE WITCH. Sata
Page 184 and 185: WITCH'S KITCHEN Now be The square o
Page 186 and 187: WITCH'S KITCHEN 153 Fair form -too
Page 188 and 189: THE STREET And to your will the sof
Page 190 and 191: A NEAT LITTLE ROOM 157 Receive me,
Page 192 and 193: A NEAT LITTLE ROOM 159 Come-corne-w
Page 194 and 195: 161 PROMENADE FAUST walking up and
Page 196 and 197: PROMENADE 163 ~o~s nothing-knows no
Page 198 and 199: THE NEIGHBOUR'S HOUSE 165 To Martha
Page 200 and 201: THE NEIGHBOUR'S HOUSE 167 The rotti
Page 202 and 203: THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
Page 204 and 205: THE STREET And that enigma, man's m
Page 206 and 207: THE GARDEN 173 This idle roaming ro
Page 208 and 209: FAUST. MARGARET. THE GARDEN 175 Thi
Page 210 and 211: THE GARDEN 177 FAUST. Angelic creat
Page 212 and 213: FOREST AND CAVERN 179 Thy presence-
Page 214 and 215: FOREST AND CAVERN 181 Wouldst grudg
Page 216 and 217: FOREST AND CAVERN 183 With Bwelling
Page 218 and 219: MARGARET'S OWN ROOM 185 My peace is
Page 220 and 221: MARTHA'S GARDEN 187 FAUST. What do
Page 222 and 223: MARTHA'S GARDEN 189 The women fancy
Page 224 and 225: AT THE WELL 191 Now for the stool a
Page 226 and 227: A LITTLE SHRINE Into my chamber bri
Page 228 and 229: BEFORE MARGARET'S DOOR 195 And will
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BEFORE MARGARET'S DOOR 197 PEOPLE.
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CATHEDRAL 199 Didst come, and from
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W ALPURGIS NIGHT 201 The road is lo
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WALPURGIS NIGHT How the song of ech
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W ALPURGIS NIGHT 205 Wild work is o
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W ALPURGIS NIGHT 207 CHORUS OF WITC
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WALPURGIS NIGHT 209 Hopelessly I st
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WALPURGIS NIGHT 211 Well now, what
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W ALPURGIS NIGHT 213 Poor things! p
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W ALPURGIS NIGHT 215 What means the
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WALPURGIS NIGHT 217 Who sa.ng so lo
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W ALPURGIS NIGHT'S DREAM: 221 INQUI
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WALPURGIS NIGHT'S DREAM 225 SHREWD
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A GLOOMY DAY 227 have sunk into the
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PRISON 229 And is to die because sh
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PRL'30N 231 'Tis he, 'tis he-my pan
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PRISON What good is it to fly? lily
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PRISON 235 MEPHISTOPHELES (to FAUST
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The World's Classics (SIZE 6 x 4 IN
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The World's Classics List of Titles
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The World's Classics List of Titles
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