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BoxOffice® Pro - October 2012

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ALTERNATIVE CONTENT<br />

TRAVIS BARKER<br />

GETS TATTOOED<br />

DURING FILMING<br />

FOR DOCUMENTARY<br />

TATTOO NATION BEING<br />

RELEASED BY D&E<br />

ENTERTAINMENT IN<br />

EARLY 2013<br />

There are some parameters. Alternative<br />

content, for example, plays once or twice on<br />

cinema screens rather than four to six shows a<br />

day, seven days a week. Some alternative content<br />

companies, though, are indeed programming<br />

feature films under that kind of schedule.<br />

“The world of independent film and the world<br />

of alternative content are in effect slowly merging,”<br />

says Ira Deutchman, managing partner of<br />

Emerging Pictures.<br />

Film releases under the alternative-content<br />

model include deserving independent and<br />

documentary films that might not otherwise<br />

see the light of a projector. “Tons of films a<br />

month are being distributed on VOD, and it’s<br />

difficult for them to separate themselves from<br />

others,” says Jonathan Chaupin, director of film<br />

marketing and distribution for D&E Entertainment,<br />

who scours not only festivals but<br />

Kickstarter for content. “It helps filmmakers<br />

negotiate their other revenue streams if they got<br />

exposure at the theatrical level.”<br />

Deutchman cites Joffrey: Mavericks of<br />

American Dance as a surprise success story for<br />

Emerging Pictures. “It was a film that could<br />

have been done any number of ways, but we<br />

collaborated with the filmmakers to make it<br />

into an event,” he says. “It was done from Lincoln<br />

Center, where it was the opening night of<br />

NCM Fathom will present Lawrence of Arabia 50th<br />

Anniversary Event: Digitally Restored on Thursday,<br />

<strong>October</strong> 4, <strong>2012</strong>, featuring an exclusive introduction<br />

from Lawrence of Arabia star and Academy Award<br />

nominee Omar Sharif.<br />

a series called Dance on Camera, and it turned<br />

out that we did very, very nice box office just<br />

about everywhere that it played.”<br />

Meanwhile, Monumental, a documentary in<br />

which Kirk Cameron retraces the steps of the<br />

Pilgrims, did well for Fathom with the promotional<br />

backing of its star and other celebrities<br />

like Glenn Beck, whose comedy stage shows<br />

have also been distributed by Fathom. Fathom<br />

is also repackaging classic movies like The Birds,<br />

Lawrence of Arabia and To Kill a Mockingbird<br />

with extra never-before-seen-content, and<br />

Emerging Pictures is programming series<br />

around filmmakers like Jacque Tati, Charlie<br />

Chaplin, Alfred Hitchcock and Kurosawa.<br />

Cinedigm is bullish on this idea of series<br />

programming. “We’re very focused on beginning<br />

to launch what we call channels—alternative<br />

content channels into theaters,” says Chris<br />

McGurk, CEO, citing documentaries, action<br />

sports and urban programming as good candidates<br />

for regular weeknight series. “We hope to<br />

have three or four of these alternative content<br />

programs debuting in theaters in the next 12<br />

months. And each one of those would have at<br />

least one new content presentation per month.<br />

… You’re talking about a very high volume of<br />

new content being presented to exhibitors.”<br />

(more Alternative Content on page 32)<br />

30 BOXOFFICE PRO OCTOBER <strong>2012</strong>

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