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ALTERNATIVE CONTENT<br />
TRAVIS BARKER<br />
GETS TATTOOED<br />
DURING FILMING<br />
FOR DOCUMENTARY<br />
TATTOO NATION BEING<br />
RELEASED BY D&E<br />
ENTERTAINMENT IN<br />
EARLY 2013<br />
There are some parameters. Alternative<br />
content, for example, plays once or twice on<br />
cinema screens rather than four to six shows a<br />
day, seven days a week. Some alternative content<br />
companies, though, are indeed programming<br />
feature films under that kind of schedule.<br />
“The world of independent film and the world<br />
of alternative content are in effect slowly merging,”<br />
says Ira Deutchman, managing partner of<br />
Emerging Pictures.<br />
Film releases under the alternative-content<br />
model include deserving independent and<br />
documentary films that might not otherwise<br />
see the light of a projector. “Tons of films a<br />
month are being distributed on VOD, and it’s<br />
difficult for them to separate themselves from<br />
others,” says Jonathan Chaupin, director of film<br />
marketing and distribution for D&E Entertainment,<br />
who scours not only festivals but<br />
Kickstarter for content. “It helps filmmakers<br />
negotiate their other revenue streams if they got<br />
exposure at the theatrical level.”<br />
Deutchman cites Joffrey: Mavericks of<br />
American Dance as a surprise success story for<br />
Emerging Pictures. “It was a film that could<br />
have been done any number of ways, but we<br />
collaborated with the filmmakers to make it<br />
into an event,” he says. “It was done from Lincoln<br />
Center, where it was the opening night of<br />
NCM Fathom will present Lawrence of Arabia 50th<br />
Anniversary Event: Digitally Restored on Thursday,<br />
<strong>October</strong> 4, <strong>2012</strong>, featuring an exclusive introduction<br />
from Lawrence of Arabia star and Academy Award<br />
nominee Omar Sharif.<br />
a series called Dance on Camera, and it turned<br />
out that we did very, very nice box office just<br />
about everywhere that it played.”<br />
Meanwhile, Monumental, a documentary in<br />
which Kirk Cameron retraces the steps of the<br />
Pilgrims, did well for Fathom with the promotional<br />
backing of its star and other celebrities<br />
like Glenn Beck, whose comedy stage shows<br />
have also been distributed by Fathom. Fathom<br />
is also repackaging classic movies like The Birds,<br />
Lawrence of Arabia and To Kill a Mockingbird<br />
with extra never-before-seen-content, and<br />
Emerging Pictures is programming series<br />
around filmmakers like Jacque Tati, Charlie<br />
Chaplin, Alfred Hitchcock and Kurosawa.<br />
Cinedigm is bullish on this idea of series<br />
programming. “We’re very focused on beginning<br />
to launch what we call channels—alternative<br />
content channels into theaters,” says Chris<br />
McGurk, CEO, citing documentaries, action<br />
sports and urban programming as good candidates<br />
for regular weeknight series. “We hope to<br />
have three or four of these alternative content<br />
programs debuting in theaters in the next 12<br />
months. And each one of those would have at<br />
least one new content presentation per month.<br />
… You’re talking about a very high volume of<br />
new content being presented to exhibitors.”<br />
(more Alternative Content on page 32)<br />
30 BOXOFFICE PRO OCTOBER <strong>2012</strong>