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BoxOffice® Pro - October 2012

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ON THE HORIZON<br />

MAMA<br />

MEET UNIVERSAL’S NEWEST MONSTER<br />

■ Guillermo del Toro executive produced this Canadian<br />

horror by Spain’s Andres Muschietti, which is<br />

why you’ll otherwise see this film called “Guillermo<br />

del Toro presents Mama.” The film began as an ambitious<br />

short—a captivating two-shot thriller directed<br />

by Muschietti that featured a mother who lost her<br />

children and was using a waifish pair of orphans in<br />

a ghostly bid to recover her own babies. Consistent<br />

with his interest in frightful families and new talent,<br />

del Toro globbed on as a “producer/mentor” early on<br />

and tapped Hollywood’s go-to girl Jessica Chastain<br />

(Tree of Life, The Help) to star as the wife of a dedicated<br />

family man (Nikolaj Coster-Waldau) whose young<br />

nieces were lost in the woods for five years. As the<br />

couple’s own children are dead, this seems like an opportunity<br />

to recover the joy they lost when they lost<br />

their kids, but the nieces seem guided by something<br />

outside of them—a ghostly presence they suggest is<br />

their mother. Chastain was the eternal mother in Tree<br />

of Life; let’s see what she can do with this Mama.<br />

DISTRIBUTOR Universal CAST Jessica Chastain,<br />

Nikolaj Coster-Waldau, Megan Charpentier DI-<br />

RECTOR Andrew Muschiett SCREENWRITERS Neil<br />

Cross, Andres Muschietti, Barbara Muschietti<br />

PRODUCERS J. Miles Dale, Barbara Muschietti<br />

GENRE Horror RATING TBA RUNNING TIME TBA<br />

RELEASE DATE January 18, 2013<br />

THE LAST STAND<br />

ARNOLD MEETS ASIA<br />

■ South Korea has enjoyed an inspiring tidal wave of<br />

great pictures in the last decade. Americans became<br />

aware when Bong Joon-ho’s The Host hit the states with<br />

the fury of The Blair Witch. That environmentally aware<br />

monster movie proclaimed its dedication to American<br />

horror (most notably, John Carpenter’s The Thing), and<br />

an allegiance was struck. But then things got really kooky.<br />

Later titles like Oldboy (Park Chan-wook) showed off<br />

stunning action, while Poetry (Lee Chang-dong) recast<br />

horror in a more insidious context. And now the cross-<br />

Pacific cultural mash-up comes full circle: The Last Stand<br />

is the first Hollywood blockbuster with a Korean director<br />

at the helm. Early word on the film boosts it as a “neo-<br />

Western” in the vein of James Mangold’s 3:10 to Yuma<br />

remake, but it’s made by a man who takes the concept of<br />

the Western into totally different terrain—director Kim<br />

Jee-woon made a glorious cult splash with his oddball<br />

steampunk train-heist flick The Good, the Bad, the Weird.<br />

Here, he’s tasked with directing the après-Governator<br />

Arnold Schwarzenegger in his first starring role since<br />

T3. It’s a good role for him—Arnie plays the sheriff of a<br />

small, sleepy border town who’s pressed to stop a recently<br />

escaped cartel leader from reaching home and collecting<br />

$200 million. Hey, anything’s possible this side of Korea.<br />

DISTRIBUTOR Lionsgate CAST Arnold Schwarzenegger,<br />

Eduardo Noriega, Forest Whitaker, Jaimie<br />

Alexander, Harry Dean Stanton, Johnny Knoxville,<br />

Peter Stormare, Luis Guzmán DIRECTOR Kim Jeewoon<br />

SCREENWRITER Andrew Knauer PRODUCER<br />

Lorenzo di Bonaventura GENRE Neo-Western RAT-<br />

ING TBA RUNNING TIME TBA RELEASE DATE January<br />

18, 2013<br />

42 BOXOFFICE PRO OCTOBER <strong>2012</strong>

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