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ON THE HORIZON<br />
MAMA<br />
MEET UNIVERSAL’S NEWEST MONSTER<br />
■ Guillermo del Toro executive produced this Canadian<br />
horror by Spain’s Andres Muschietti, which is<br />
why you’ll otherwise see this film called “Guillermo<br />
del Toro presents Mama.” The film began as an ambitious<br />
short—a captivating two-shot thriller directed<br />
by Muschietti that featured a mother who lost her<br />
children and was using a waifish pair of orphans in<br />
a ghostly bid to recover her own babies. Consistent<br />
with his interest in frightful families and new talent,<br />
del Toro globbed on as a “producer/mentor” early on<br />
and tapped Hollywood’s go-to girl Jessica Chastain<br />
(Tree of Life, The Help) to star as the wife of a dedicated<br />
family man (Nikolaj Coster-Waldau) whose young<br />
nieces were lost in the woods for five years. As the<br />
couple’s own children are dead, this seems like an opportunity<br />
to recover the joy they lost when they lost<br />
their kids, but the nieces seem guided by something<br />
outside of them—a ghostly presence they suggest is<br />
their mother. Chastain was the eternal mother in Tree<br />
of Life; let’s see what she can do with this Mama.<br />
DISTRIBUTOR Universal CAST Jessica Chastain,<br />
Nikolaj Coster-Waldau, Megan Charpentier DI-<br />
RECTOR Andrew Muschiett SCREENWRITERS Neil<br />
Cross, Andres Muschietti, Barbara Muschietti<br />
PRODUCERS J. Miles Dale, Barbara Muschietti<br />
GENRE Horror RATING TBA RUNNING TIME TBA<br />
RELEASE DATE January 18, 2013<br />
THE LAST STAND<br />
ARNOLD MEETS ASIA<br />
■ South Korea has enjoyed an inspiring tidal wave of<br />
great pictures in the last decade. Americans became<br />
aware when Bong Joon-ho’s The Host hit the states with<br />
the fury of The Blair Witch. That environmentally aware<br />
monster movie proclaimed its dedication to American<br />
horror (most notably, John Carpenter’s The Thing), and<br />
an allegiance was struck. But then things got really kooky.<br />
Later titles like Oldboy (Park Chan-wook) showed off<br />
stunning action, while Poetry (Lee Chang-dong) recast<br />
horror in a more insidious context. And now the cross-<br />
Pacific cultural mash-up comes full circle: The Last Stand<br />
is the first Hollywood blockbuster with a Korean director<br />
at the helm. Early word on the film boosts it as a “neo-<br />
Western” in the vein of James Mangold’s 3:10 to Yuma<br />
remake, but it’s made by a man who takes the concept of<br />
the Western into totally different terrain—director Kim<br />
Jee-woon made a glorious cult splash with his oddball<br />
steampunk train-heist flick The Good, the Bad, the Weird.<br />
Here, he’s tasked with directing the après-Governator<br />
Arnold Schwarzenegger in his first starring role since<br />
T3. It’s a good role for him—Arnie plays the sheriff of a<br />
small, sleepy border town who’s pressed to stop a recently<br />
escaped cartel leader from reaching home and collecting<br />
$200 million. Hey, anything’s possible this side of Korea.<br />
DISTRIBUTOR Lionsgate CAST Arnold Schwarzenegger,<br />
Eduardo Noriega, Forest Whitaker, Jaimie<br />
Alexander, Harry Dean Stanton, Johnny Knoxville,<br />
Peter Stormare, Luis Guzmán DIRECTOR Kim Jeewoon<br />
SCREENWRITER Andrew Knauer PRODUCER<br />
Lorenzo di Bonaventura GENRE Neo-Western RAT-<br />
ING TBA RUNNING TIME TBA RELEASE DATE January<br />
18, 2013<br />
42 BOXOFFICE PRO OCTOBER <strong>2012</strong>