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BoxOffice® Pro - October 2012

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Wanda’s leadership has suggested a desire<br />

to acquire cinema assets in different territories<br />

around the world. What was the fi rst place<br />

outside China where Wanda sought to acquire<br />

cinemas? That would be the good ole U.S. of<br />

A. Subsequently, Wanda indicated an interest<br />

in Europe, and I have heard several reports<br />

of conversations to acquire large exhibition<br />

companies on that continent too.<br />

Wanda’s leadership has expressed interest<br />

in the strength of the American exhibition<br />

industry and the desire to learn more from<br />

cinema operations in the world’s most developed<br />

market. That speaks volumes about the<br />

strength of our market.<br />

If the Chinese government were somehow<br />

trying to make a soft power play into the<br />

United States, how would the acquisition of a<br />

cinema company even make that goal possible?<br />

Would Wanda and AMC risk commercial<br />

disaster by showing lots of Chinese movies?<br />

Would the Chinese censor the themes that<br />

could be included in the AMC movie slate?<br />

These are ridiculous concepts that fly<br />

in the face of the capitalist underpinnings<br />

of this large investment. Chairman Wang<br />

has indicated his desire to keep the existing<br />

executive team in place at AMC, to learn from<br />

his investment as the experiences here might<br />

help him overseas, and to make a healthy<br />

return. And of course the growing strength<br />

of Wanda’s combined box office returns and<br />

screen count may give the company added<br />

leverage with suppliers.<br />

GROWING TIES BETWEEN CHINA AND<br />

THE UNITED STATES MAY OPEN UP<br />

THE MARKET IN CHINA<br />

The potential benefits of the Wanda-AMC<br />

deal are not limited to the American market.<br />

China’s current movie and cinema market<br />

lacks freedom. The government strictly limits<br />

the number of foreign movies that may be imported<br />

for exhibition each year. A government<br />

censorship authority decides which movies<br />

contain appropriate themes, and Chinese law<br />

limits investment in cinema operations by foreign<br />

companies. The Wanda-AMC deal, taken<br />

in combination with other strengthening ties<br />

between the two countries, may help loosen<br />

these restrictions.<br />

There has been some progress lately in the<br />

market. In February of this year, U.S. and<br />

Chinese negotiators announced an agreement<br />

to increase the number of U.S. fi lms allowed<br />

to be shown in Chinese movie theaters and<br />

provide a more equitable share of revenue for<br />

U.S. fi lm companies after a strong push by<br />

the Motion Picture Association of America for<br />

such reforms.<br />

Subsequent to the agreement, fi lm industry<br />

ties between the two countries have grown in a<br />

number of ways. Disney, DreamWorks Animation<br />

and News Corp. (owners of Twentieth<br />

Century Fox) formed coproduction partnerships<br />

that will include some of their biggest<br />

movies. DreamWorks, in particular, is going<br />

into China in a big way by forming Oriental<br />

DreamWorks, a Shanghai-based joint venture<br />

to develop entertainment projects including<br />

theme parks and live productions.<br />

Coupled with these advances in China, it is<br />

possible and perhaps even likely that Wanda’s<br />

experience in the U.S. cinema market may<br />

translate into greater openness back home.<br />

The Chinese government seeks to develop<br />

the domestic exhibition infrastructure in the<br />

country to serve rapidly rising demand. What<br />

better way to expand the exhibition market<br />

than to allow more entries by foreign interests?<br />

Wanda’s experience in the United States will<br />

surely inform its fellow countrymen that cinema<br />

operations in a freer market can produce<br />

growth and returns. And a simple sense of<br />

fairness suggests that if China’s biggest cinema<br />

player can come into our country, and perhaps<br />

Europe, then non-Chinese exhibition interests<br />

should have greater access to the growing<br />

market in China.<br />

We live in a global marketplace. Movies<br />

provide an international language. The times<br />

are changing. I welcome the confidence placed<br />

in American exhibition by one of the most<br />

significant business conglomerates in China,<br />

and I look forward to greater foreign development<br />

in the Chinese market too.<br />

www.sylvania.com/cinema<br />

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OCTOBER <strong>2012</strong> BOXOFFICE PRO 9

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