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Backing Module BK-7m MFX types and parameters r ● Woofer Trans Down (0~127)—Adjusts the rate at which the woofer rotation slows down when the rotation is switched from Fast to Slow. ● Woofer Level (0~127)—Volume of the woofer. ● Tweeter Slow Speed (0.05~10.0Hz)—Low-speed rotation speed of the tweeter. ● Tweeter Fast Speed (0.05~10.0Hz)—High-speed rotation speed of the tweeter. ● Tweeter Trans Up (0~127)—Adjusts the rate at which the tweeter rotation speeds up when the rotation is switched from Slow to Fast. ● Tweeter Trans Down (0~127)—Adjusts the rate at which the tweeter rotation slows down when the rotation is switched from Fast to Slow. ● Tweeter Level (0~127)—Volume of the tweeter. ● Spread (0~10)—Sets the rotary speaker stereo image. The higher the value set, the wider the sound is spread out. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high frequency range. ● Level (0~127)—Output level. 58. 3D Chorus This applies a 3D effect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right. ● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is used. LPF: cuts the frequency range above the Cutoff value. HPF: cuts the frequency range below the Cutoff value. ● Cutoff Frequency (200~8000Hz)—Basic frequency of the filter. ● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the incoming direct signal and the moment when the chorus starts working. ● Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed. ● Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Chorus Depth (0~127)—Modulation intensity. ● Phase (0~180 deg)—Spatial spread of the sound. ● Output Mode (Speaker, Phones)—Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers or PHONES when using headphones. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high frequency range. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 59. 3D Flanger This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right. ● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is used. LPF: cuts the frequency range above the Cutoff value. HPF: cuts the frequency range below the Cutoff value. ● Cutoff Frequency (200~8000Hz)—Basic frequency of the filter. ● Pre Delay (0.0~100.0ms)—Adjusts the delay time from when the direct sound begins until the flanger sound is heard. ● Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation speed. ● Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Depth (0~127)—Depth of modulation. 116 ● Phase (0~180 deg)—Spatial spread of the sound. ● Feedback (–98%~0~+98%)—Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (–) settings will invert the phase. ● Output Mode (Speaker, Phones)—Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers or PHONES when using headphones. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high frequency range. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 60. 3D Step Flgr This applies a 3D effect to the step flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right. ● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is used. LPF: cuts the frequency range above the Cutoff value. HPF: cuts the frequency range below the Cutoff value. ● Cutoff Frequency (200~8000Hz)—Basic frequency of the filter. ● Pre Delay (0.0~100.0ms)—Adjusts the delay time from when the direct sound begins until the flanger sound is heard. ● Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation speed. ● Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Depth (0~127)—Depth of modulation. ● Phase (0~180 deg)—Spatial spread of the sound. ● Feedback (–98%~0~+98%)—Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (–) settings will invert the phase. ● Step Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the step rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Step Rate [Hz] (0.10~20.00Hz)—Rate (period) of pitch change. ● Step Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Output Mode (Speaker, Phones)—Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers or PHONES when using headphones. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high frequency range. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 61. Band Chorus A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges. ● Split Frequency (200~8000Hz)—Frequency at which the low and high ranges will be divided. ● Low Pre Delay (0.0~100.0ms)—Delay time from when the original sound is heard to when the low-range chorus sound is heard. ● Low Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the low modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range chorus sound is modulated.
Backing Module BK-7m r MFX types and parameters ● Low Rate [note] (Musical Notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Low Depth (0~127)—Modulation depth for the low-range chorus sound. ● Low Phase (0~180 deg)—Spaciousness of the low-range chorus sound. ● High Pre Delay (0.0~100.0ms)—Delay time from when the original sound is heard to when the high-range chorus sound is heard. ● High Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the high modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range chorus sound is modulated ● High Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● High Depth (0~127)—Modulation depth for the high-range chorus sound. ● High Phase (0~180 deg)—Spaciousness of the high-range chorus sound. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct sound (D) and the chorus sound (W). ● Level (0~127)—Output level. 62. Band Flanger A flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges. ● Split Frequency (200~8000Hz)—Frequency at which the low and high ranges will be divided. ● Low Pre Delay (0.0~100.0ms)—Delay time from when the original sound is heard to when the low-range flanger sound is heard. ● Low Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the low modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range flanger sound is modulated. ● Low Rate [note] (Musical Notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Low Depth (0~127)—Modulation depth for the low-range flanger sound. ● Low Phase (0~180 deg)—Spaciousness of the low-range flanger sound. ● Low Feedback (–98%~0~+98%)—Proportion of the low-range flanger sound that is to be returned to the input (negative values invert the phase). ● High Pre Delay (0.0~100.0ms)—Delay time from when the original sound is heard to when the high-range flanger sound is heard. ● High Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the high modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range flanger sound is modulated. ● High Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● High Depth (0~127)—Modulation depth for the high-range flanger sound. ● High Phase (0~180 deg)—Spaciousness of the high-range flanger sound. ● High Feedback (–98%~0~+98%)—Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase). ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 63. Band Step Flg A step flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges. ● Split Frequency (200~8000Hz)—Frequency at which the low and high ranges will be divided. ● Low Pre Delay (0.0~100.0ms)—Delay time from when the original sound is heard to when the low-range flanger sound is heard. ● Low Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the low modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range flanger sound is modulated. ● Low Rate [note] (Musical Notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Low Depth (0~127)—Modulation depth for the low-range flanger sound. ● Low Phase (0~180 deg)—Spaciousness of the low-range flanger sound. ● Low Feedback (–98%~0~+98%)—Proportion of the low-range flanger sound that is to be returned to the input (negative values invert the phase). ● Low Step Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the low step rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● Low Step Rate [Hz] (0.10~20.00Hz)—Rate at which the steps will cycle for the low-range flanger sound. ● Low Step Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● High Pre Delay (0.0~100.0ms)—Delay from when the original sound is heard to when the high-range flanger sound is heard. ● High Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the high modulation rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range flanger sound is modulated. ● High Rate [note] (musical notes)—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● High Depth (0~127)—Modulation depth for the high-range flanger sound. ● High Phase (0~180 deg)—Spaciousness of the high-range flanger sound. ● High Feedback (–98%~0~+98%)—Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase). ● High Step Rate [sync] (Hz, Note)—Use this parameter to specify whether (“Note”) or not (“Hz”) the high step rate should be synchronized to the Arranger or Recorder tempo. Depending on your choice, the setting range of the following parameter refers to a speed (Hz) or a note value. ● High Step Rate [Hz] (0.10~20.00Hz)—Rate at which the steps will cycle for the high-range flanger sound. ● High Step Rate (note) musical notes—Rate parameters can be set as a note-value of a tempo if you set the “Sync” parameter above to “Note”. Specify the value of the desired note. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 117
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Owner’s Manual r
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Backing Module BK-7m r Using the BK
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Backing Module BK-7m r Performance
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