FROM ROCK 'N 'ROLL TO HARD CORE PUNK - UKZN ...
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6<br />
temporary and fluctuating 'grassroots' bands which never 'make<br />
it' even on a provincial level play an important part in the life<br />
of their communities. The experience of belonging to a band in<br />
itself is a valuable one, and this too should not be overlooked.<br />
But, unfortunately, it would be impossible for this thesis to<br />
discuss every band that has ever existed in Durban, since there<br />
are hundreds.<br />
It has, therefore, been necessary to create certain constraints<br />
within which to work. These constraints have guided me in the<br />
process of including or excluding bands. The bands which are<br />
discussed comply with most, if not all of these constraints, and<br />
without exception they comply to constraint number one.<br />
Constraints:<br />
I have discussed only those bands which made<br />
recordings that were accessible to me. Since the music<br />
itself forms an important element of this thesis, I<br />
could not consider including bands who did not make<br />
recordings or whose recordings were inaccessible to<br />
me. The recordings that I have made use of are both<br />
private and commercial.<br />
I have chosen to focus on those bands which were<br />
representative of a particular style or trend in the<br />
Durban rock scene.<br />
The bands that I have chosen to discuss are also<br />
bands that made some sort of impact locally, and in<br />
some cases, nationally. By this, I denote bands who<br />
were popular in that they received media coverage or<br />
because they were unusual in some way.<br />
I have placed particular emphasis on those bands which<br />
wrote and performed original compositions, since I<br />
felt that music written by Durban musicians is perhaps