FROM ROCK 'N 'ROLL TO HARD CORE PUNK - UKZN ...

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10 _____. <strong>'N</strong>ightmare' (single), EMI, 1981. Powerage. 'World War 3' (Self-produced single), 1983. _________. 'stop Apartheid' (self-produced single), 1985. _________. 'The Last Dove' (self-produced single), 1987. _________. 'World Today' (self-produced single), 1987. _________. 'System', Live in Durban 29th of July 1988. Recording courtesy of Ernesto Marques. Rockwell, Gene. 'Heart' (single), Continental, 1965. A Stiff Fix. 'I'm Not Taking This' (self-produced cassette), 1985. Six of the Best. (South African punk compilation album), WEA Records, WIL 7000, 1979. The Streetrockers, 'Going To War' (single), C&G Records, 1985. The Third Eye. The Third Eye: Awakening, Polydor 277002B, 1969. ______________ . The Third Eye: Searching, Polydor, 1970. ______________.Brother, Polydor 277043, 1970. The Third Eye. 'Fire' (single), Trutone, 1969. The Usuals. Law of the Jungle, Southern Front, 1982. 1982. 'Rules and Regulations' (single), Southern Front, Wild Youth, 'Wot 'Bout Me?' & 'Radio Youth' (self-produced single), 1978 Wild Youth, 'Record Companies', off punk compilation album Six of the Best, 1979.
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Lindy van der Meulen FROM ROCK 'N '
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ABSTRACT This thesis introduces the
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INTRODUCTION Reasons for Research T
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Thus, my twenty year period spans a
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Theoretical Perspectives Broad Theo
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13 rock musicians. Although I never
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18 a culture not different from my
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Chapter 5 20 Chapter Five addresses
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22 The line-up of the band went thr
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24 Africa. Although South Africa (o
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28 venues opened up in Durban which
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31 'sessions', and therefore were i
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33 bills. The separation of populat
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36 a 'golden decade' of opportuniti
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38 would give to South African pop
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49 have caused Durban rock bands to
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52 During this period, the scope fo
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43 57 If you make a jigsaw puzzle,
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62 members. This did not seem to af
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71 Durban Rag concert in early 1984
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75 Usuals played mainly reggae and
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78 The streetrockers played a comme
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80 greatest gift to song - the orga
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Figure 3. 83 The Mods From left to
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Figure 5. 85 Young Fan in a Paper F
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Figure 8 (please turn over). 88 Cro
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Figure 10. 90 Wild Youth and Fans i
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Figure 13. 93 Powerage From left to
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95 CHAPTER 3 ROCK MUSIC IN DURBAN I
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99 government and big business were
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101 Britain, Durban youngsters stro
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106 changing. We were lucky. We cam
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110 Nothing really changed I'm glad
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11 5 The Workers' resistance moveme
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11 9 a final attempt to regain cont
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121 Another song entitled 'System'
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125 use of a maskanda-like guitar r
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130 CHAPTER 4 WOMEN AND ROCK IN DUR
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132 relationship of women to the ge
Page 142: 134 in the workplace [or band] .dO
Page 145: 137 family and band life. In practi
Page 153 and 154: 145 music and bitterly resented the
Page 156 and 157: 148 participate more actively in ro
Page 159 and 160: ..' 151 played by men (bass, electr
Page 161 and 162: Conclusion 153 This chapter has exp
Page 164: and when 156 less formally organize
Page 167 and 168: 159 South Africa). Durban record co
Page 169 and 170: 161 of Warner Brothers) and EMI. Th
Page 171 and 172: 163 Independent Record Companies an
Page 173: 165 local rock was inferior. Accord
Page 178: 170 strike one as particularly ente
Page 181: CONCLUSION 173 CHAPTER 6 This thesi
Page 185 and 186: 2 Cullen, J. 'Bruce Springstein's A
Page 187 and 188: 4 Martin, D. (tiansl V. Morrison),
Page 189 and 190: Newspapers and Magazines The Daily
Page 191: 8 ________• 'Love You A Little Mo
Page 195 and 196: CHAPTER 2: CASSETTE 12 APPENDIX LIS
Page 197: CHAPTER 4: 14 The songs recorded he
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