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5 Sachs, A. 'Black is Beautiful, Brown is Beautiful, White is Beautiful: Towards a Rainbow Culture in a United South Africa', Further Thoughts on Culture, Cape Town: SA Constitution Studies Centre, 1992. Shepherd, J. 'Music and Male Hegemony', in R. Leppert & S. McClary. Music and Society: The Politics of Composition, Performance and Reception, Cambridge: Cambridge University Press, 1987, pp . 1 51 - 171 . Street, J. 'Popular Music and the Local State', Popular Music, 12 / 1 ( 1993), pp . 43-55 . Thompson, P. The Voice of the Past: Oral History, Oxford: Oxford University Press, 1978. Wa Thiong'o, N. Moving the Centre: The Struggle for Cultural Freedoms, Nairobi: East African Educational Publishers, 1993. Wallis, R & MaIm, K. Big Sounds From Small Peoples, London: Constable; 1984. Walser, R. Running With The Devil, London: University Press of New England, 1993. Wicke, P. Rock Music: Culture, Aesthetics and Sociology (transl Rachel Fogg) , Cambridge: Cambridge University Press, 1990 (German version first published 1987 in Leipzig).
Newspapers and Magazines The Daily News 1965 - 1985. City Press, 1984. 6 Dome (University of Natal student body newspaper) 1968 - 1978. Fair Lady 1980 - 1985. The Mail & Guardian, November 1995. Music Maker 1978 - 1980. Music Scene 1980 - 1985. The Natal Mercury 1965 - 1985. The Natal Witness 1965 - 1985. Personality Magazine 1965 - 1985. Rand Daily Mail, 1979. Teenage Personality 1965 - 1975. The Sunday Tribune 1965 - 1985. The Sunday Times 1965 - 1985. 'Tonight', Daily News 1978 - 1985. 'Town and Around', The Natal Mercury .1980 - 1985. 'Trend', Daily News, 1970 - 1972. 'Women's Weekly', The Natal Mercury, 1979.
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Lindy van der Meulen FROM ROCK 'N '
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ABSTRACT This thesis introduces the
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INTRODUCTION Reasons for Research T
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Thus, my twenty year period spans a
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Theoretical Perspectives Broad Theo
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13 rock musicians. Although I never
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18 a culture not different from my
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Chapter 5 20 Chapter Five addresses
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22 The line-up of the band went thr
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24 Africa. Although South Africa (o
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28 venues opened up in Durban which
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31 'sessions', and therefore were i
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33 bills. The separation of populat
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36 a 'golden decade' of opportuniti
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38 would give to South African pop
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49 have caused Durban rock bands to
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52 During this period, the scope fo
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43 57 If you make a jigsaw puzzle,
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62 members. This did not seem to af
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71 Durban Rag concert in early 1984
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75 Usuals played mainly reggae and
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78 The streetrockers played a comme
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80 greatest gift to song - the orga
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Figure 3. 83 The Mods From left to
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Figure 5. 85 Young Fan in a Paper F
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Figure 8 (please turn over). 88 Cro
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Figure 10. 90 Wild Youth and Fans i
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Figure 13. 93 Powerage From left to
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95 CHAPTER 3 ROCK MUSIC IN DURBAN I
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99 government and big business were
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101 Britain, Durban youngsters stro
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106 changing. We were lucky. We cam
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110 Nothing really changed I'm glad
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11 5 The Workers' resistance moveme
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11 9 a final attempt to regain cont
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121 Another song entitled 'System'
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125 use of a maskanda-like guitar r
Page 138 and 139: 130 CHAPTER 4 WOMEN AND ROCK IN DUR
Page 140 and 141: 132 relationship of women to the ge
Page 142: 134 in the workplace [or band] .dO
Page 145: 137 family and band life. In practi
Page 153 and 154: 145 music and bitterly resented the
Page 156 and 157: 148 participate more actively in ro
Page 159 and 160: ..' 151 played by men (bass, electr
Page 161 and 162: Conclusion 153 This chapter has exp
Page 164: and when 156 less formally organize
Page 167 and 168: 159 South Africa). Durban record co
Page 169 and 170: 161 of Warner Brothers) and EMI. Th
Page 171 and 172: 163 Independent Record Companies an
Page 173: 165 local rock was inferior. Accord
Page 178: 170 strike one as particularly ente
Page 181: CONCLUSION 173 CHAPTER 6 This thesi
Page 185 and 186: 2 Cullen, J. 'Bruce Springstein's A
Page 187: 4 Martin, D. (tiansl V. Morrison),
Page 191: 8 ________• 'Love You A Little Mo
Page 194 and 195: Interviews 11 Baney, Brian, A Stiff
Page 196 and 197: 13 11. Leopard, 'Underestimator', f
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