FROM ROCK 'N 'ROLL TO HARD CORE PUNK - UKZN ...

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Interviews 11 Baney, Brian, A Stiffix/Bash Street Kids/Land of Oy, Durban, 21st of June, 1994. Clark, Don. C&G Records, Westville, 21st of April, 1994. Ellis, Richard, The Usuals, Durban, 6th of June, 1994. Fataar, Steve. The Flames, University of Natal, 19th of May, 1994. Gershanov, Mervyn. The Mods/The Gonks, Durban, 31st of March, 1994. Gladstone, Steve. Screaming Foetus/No Mercy (Durban metal bands) , 19th of July, 1994. Henson, Kenny. Abstract Truth/Freedom's Children/Finch and Henson, Durban, 7th of October, 1994. Kitchen, Syd. Syd Kitchen and the Utensils/The Kitchen Brothers, Durban, 5th of April, 1994 Lange, Karen. The Nubiles/Leopard/The Rotors/Powerage, Durban, 18th of July, 1994. Marks, David. 3rd Ear Records, Durban, 20th of March, 1993. Pavid, Robbie. The Mods/The Third Eye/Abstract Truth, Pinetown, 1st of February, 1994. Rattray, Lance. Powerage, Durban, 23rd of June, 1994. Rose, Rubin. Wild Youth/Powerage, Durban, 20th of May 1994 and 23rd of November, 1995. Ross, Craig. The Gonks/The Third Eye, Durban, 29th of March 1994. Selby, Dawn. The Third Eye, Durban, 17th of February, 1994. Selby, Ran. The Third Eye, Westville, 10th of February, 1994.
CHAPTER 2: CASSETTE 12 APPENDIX LIST OF SONGS FEATURED ON The songs chosen to correlate with Chapter Two are included merely for the reader's interest. They represent a selection of Durban bands and simply allow the reader to hear what the bands sounded like. The songs are recorded in the order in which the bands are discussed in the text. 1. Dickie Loader and The Blue Jeans, 'Do You Wanna Know A Secret?' (Paul McCartney and John Lennon), On The Town, 1963. 2. The Flames, '8 Days a Week' (Paul McCartney and John Lennon) , Burning Soul, 1968. 3. The Gonks, <strong>'N</strong>obody But Me', (single), 1967. 4. The Mods, 'After the Fox', (single), 1967. 5. The Third Eye, 'Fire' (single), 1969. 6. The Third Eye, 'Retain Your Half Ticket', Searching, 1970. 7. Abstract Truth, 'Oxford Town' (Bob Dylan), Totum, 1971. 8. Finch and Henson, 'Oh Brother' Finch and Henson: Greatest Hits, 1982. 9. The Fourth Reich, ' Anywhere Anyhow', Recording of a live performance in Durban made available by Ernesto Marques, 1977. 10. Wild Youth, 'Radio Youth', (self-produced single), 1978.
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Lindy van der Meulen FROM ROCK 'N '
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ABSTRACT This thesis introduces the
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INTRODUCTION Reasons for Research T
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Thus, my twenty year period spans a
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Theoretical Perspectives Broad Theo
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13 rock musicians. Although I never
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18 a culture not different from my
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Chapter 5 20 Chapter Five addresses
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22 The line-up of the band went thr
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24 Africa. Although South Africa (o
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28 venues opened up in Durban which
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31 'sessions', and therefore were i
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33 bills. The separation of populat
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36 a 'golden decade' of opportuniti
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38 would give to South African pop
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49 have caused Durban rock bands to
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52 During this period, the scope fo
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43 57 If you make a jigsaw puzzle,
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62 members. This did not seem to af
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71 Durban Rag concert in early 1984
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75 Usuals played mainly reggae and
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78 The streetrockers played a comme
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80 greatest gift to song - the orga
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Figure 3. 83 The Mods From left to
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Figure 5. 85 Young Fan in a Paper F
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Figure 8 (please turn over). 88 Cro
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Figure 10. 90 Wild Youth and Fans i
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Figure 13. 93 Powerage From left to
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95 CHAPTER 3 ROCK MUSIC IN DURBAN I
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99 government and big business were
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101 Britain, Durban youngsters stro
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106 changing. We were lucky. We cam
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110 Nothing really changed I'm glad
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11 5 The Workers' resistance moveme
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11 9 a final attempt to regain cont
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121 Another song entitled 'System'
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125 use of a maskanda-like guitar r
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130 CHAPTER 4 WOMEN AND ROCK IN DUR
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132 relationship of women to the ge
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134 in the workplace [or band] .dO
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Page 153 and 154: 145 music and bitterly resented the
Page 156 and 157: 148 participate more actively in ro
Page 159 and 160: ..' 151 played by men (bass, electr
Page 161 and 162: Conclusion 153 This chapter has exp
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Page 167 and 168: 159 South Africa). Durban record co
Page 169 and 170: 161 of Warner Brothers) and EMI. Th
Page 171 and 172: 163 Independent Record Companies an
Page 173: 165 local rock was inferior. Accord
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Page 181: CONCLUSION 173 CHAPTER 6 This thesi
Page 185 and 186: 2 Cullen, J. 'Bruce Springstein's A
Page 187 and 188: 4 Martin, D. (tiansl V. Morrison),
Page 189 and 190: Newspapers and Magazines The Daily
Page 191: 8 ________• 'Love You A Little Mo
Page 196 and 197: 13 11. Leopard, 'Underestimator', f
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FROM ROCK 'N 'ROLL TO HARD CORE PUNK - UKZN ...

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