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FROM ROCK 'N 'ROLL TO HARD CORE PUNK - UKZN ...

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124<br />

Police interference in both punk concerts and those at which The<br />

Usuals played most certainly occurred, and was usually in the<br />

cause of curfew regulations. The manner in which curfews were<br />

enforced, however, brings into question the real motive behind<br />

police presence at concerts. Richard Ellis remembers ,an incident<br />

when the band played three minutes over their midnight curfew on<br />

a religious holiday, and were subjected to a number of police<br />

entering the venue and kicking over drums and equipment in the<br />

effort to enforce the curfew! This kind of abuse could only stem<br />

from a deeper ideological conflict which, in a politically­<br />

charged atmosphere, came to the surface. The fact that The<br />

Usuals' music defied apartheid divisions, and spoke out blatantly<br />

against the system was surely a better cause for police<br />

interference than the petty violation of a curfew. Although such<br />

a statement cannot be proven, it certainly has some merit.<br />

The fact that reggae rhythms formed much of the basis for The<br />

Usuals' sound, was not incidental. It is true that reggae was<br />

enjoying worldwide popularity in the early 1980s, and therefore<br />

it was not an entirely new sound in South Africa. The fact that<br />

The Usuals were an all-white band, however, made their use of<br />

reggae fairly unconventional, since most white bands at the time<br />

were either punk, new wave or mainstream rock. Reggae was very<br />

much a politicised music, one which represented a struggle for<br />

freedom and a confirmation of black identity. Thus its use in a<br />

apartheid-ridden South Africa by an all-white band could be<br />

viewed as potentially explosive, and should be treated with<br />

particular interest.<br />

As has been mentioned, The Usuals superimposed many musical<br />

layers on top of its reggae foundation, and thus created an Afro­<br />

rock-reggae sound which was quite unique. An example is <strong>'N</strong>o Great<br />

Shakes' off their Law of the Jungle album. <strong>'N</strong>o Great Shakes' has<br />

an Afro-reggae feel with which one cannot help but link with the<br />

urban black musician. His presence is communicated through the

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