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38<br />
would give to South African pop music. 19<br />
Between 1970 and 1971, The Flames, now known as Flame, did a<br />
concert tour of South Africa, and then toured The United<br />
States as a support act for the Beach Boys. It was during their<br />
concert tour of South Africa, that Flame received a high profile<br />
in the South African press, and their Durban concerts at<br />
Westridge stadium were sell-outs, albeit marred by a high police<br />
presence during their performances:<br />
[Flame] have something which is absent in many<br />
local groups. They get through to their audiences.<br />
Their communication is incredible. Seldom have I seen<br />
a pop group get the audience to their feet and<br />
dancing. Flame did -- twice ... The only blemish on<br />
the evening was the unfortunate fact that in terms of<br />
the government permit to play before White audiences,<br />
as a Non-White group, they had to appear on stage<br />
first and then leave immediately after playing. 2o<br />
In 1972, Flame broke up and Blondie Chaplin and Ricky Fataar were<br />
invited to join The Beach Boys. The two did so, and remained<br />
members until 1973 (as bassist and drummer respectively) when<br />
they left to pursue successful individual careers as session<br />
musicians in the United States.<br />
Of all the members of Flame, it is perhaps Steve Fataar that has<br />
the most prominent place in Durban rock. When Flame dissolved in<br />
1972, he returned to Durban where he has played with various<br />
combinations of local musicians such as Kenny Henson, Roger Lucey<br />
and Richard Ellis. In 1978, he formed his own group with his<br />
younger brother Issy Fataar, and they later formed the group<br />
Smack.<br />
19<br />
Quo<br />
t<br />
e<br />
d f<br />
rom Stephen Close (of Cheshlre,<br />
.<br />
England), letter to the editor<br />
Trend, 24th of December, 1970.<br />
20 Quoted from Carl Coleman, Trend, 14th of January, 1971.