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80<br />
greatest gift to song - the organisation that swept<br />
their differences into the spruit that flows south of<br />
Fun Valley. 82<br />
Punk and hard core punk bands continued to organise concerts, but<br />
did so on a larger scale. In some instances punk bands from<br />
Johannesburg would join with Durban bands for concerts. One such<br />
concert was held at the Natal University Student Union Hall in<br />
July 1984. Five Johannesburg bands and two relatively newly<br />
formed local bands (Special Branch and Sanity Inspectors)<br />
performed.<br />
Another series of defiance concerts, entitled Free People's<br />
Concerts took place in Johannesburg, Durban and Cape Town from<br />
1971 -1987, with the exception of 1976 and 1977 when they were<br />
banned. These concerts were initiated by a dedicated Durbanite,<br />
David Marks, whose record and Publishing company, Third Ear, is<br />
well known for putting local artists on the map.<br />
Conclusion<br />
Durban has been an important centre for the development of rock<br />
in South Africa. It was the birthplace of rock'n'roll, spawned<br />
some important progressive rock bands, and became the centre of<br />
the punk movement in South Africa. Durban also has the<br />
distinction of spawning the first all-women punk rock band in<br />
\<br />
South Africa, as well as an important number of bands which drew<br />
on multi-cultural influences.<br />
The reasons suggested for Durban's centrality in the development<br />
of rock are rooted in the strong influence of colonisation over<br />
Natal. Even once South Africa had been declared a republic, the<br />
majority of white Natalians still regarded England as their<br />
cultural and social base. Thus, the enthusiastic appropriation<br />
of rock in Durban and relentless imitation of British bands by<br />
local ones has been interpreted as a means of identifying with<br />
82 s. Jacobs, City Press, 11th of March 1984.