FROM ROCK 'N 'ROLL TO HARD CORE PUNK - UKZN ...

Conclusion
153
This chapter has explored the theories informing gender studies
in relation to rock, and has also discussed the contribution made
by women to the Durban rock scene. Rock has generally been
perceived as a male discourse, an 'unfeminine' space, and women
who have participated in rock in Durban have been subjects of the
'male gaze'. My own experience as the only women in a rock band,
as well as that of the women Durban rock musicians reveals that
women are still not as prominent in the Durban rock scene as men;
family responsibilities coupled with the demanding work hours of
a rock musician; male domination and lack of encouragement
towards women becoming involved, are the main reasons for this.
I feel that it is also vital that attitudes towards women in rock
(in South Africa) change from that of sex object (and window
dressing) to that of artist, both on the part of male musicians,
audiences and the press. In addition, women need to become more
proactive in creating an environment which allows their status
as rock musicians to improve. The feminist counter-culture
described by Bayton has still to become a reality in South
African rock circles.