2. Turn the D32XD/D16XD on - Korg

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LoDamp (Low Damp) THRU, 21Hz...8.00kHz Sets <strong>the</strong> damping amount in <strong>the</strong> low range HiDamp (High Damp) 53Hz...20.0kHz, THRU Sets <strong>the</strong> damping amount in <strong>the</strong> high range In Level (Input Level) 0...100% Sets <strong>the</strong> input level to <strong>the</strong> effect : Type The left/right panning of <strong>the</strong> delay can be modified by changing <strong>the</strong> connections of <strong>the</strong> left and right delay. Be aware that different sounds must be input to <strong>the</strong> left and right channels in order for this parameter to be effective. 11: St.Modulation Dly (Stereo Modulation Deley) This stereo delay uses an LFO to sweep <strong>the</strong> delay time. The pitch also varies. You will obtain a delay sound with swell and shimmering. You can also control <strong>the</strong> delay time using a modulation source. L Time (L Delay Time) 0...<strong>2.</strong>500sec (1.250sec) Sets <strong>the</strong> left delay time R Time (R Delay Time) 0...<strong>2.</strong>500sec (1.250sec) Sets <strong>the</strong> right delay time *LFO Speed 0.0<strong>2.</strong>..20.00Hz Sets <strong>the</strong> LFO speed Dry:Wet Dry, 1:99...99:1, Wet Sets <strong>the</strong> balance between <strong>the</strong> effect and dry sounds *L Depth 0...200 Sets <strong>the</strong> depth of <strong>the</strong> left LFO modulation *R Depth 0...200 Sets <strong>the</strong> depth of <strong>the</strong> right LFO modulation LFO Wave (LFO Waveform) Triangle, Sine Selects LFO Waveform LFO Shape –100...+100% Determines how much <strong>the</strong> LFO waveform is changed L Fdback (L Feedback) –100...+100% Sets <strong>the</strong> feedback amount of left delay R Fdback (R Feedback) –100...+100% Sets <strong>the</strong> feedback amount of right delay L Phase (L LFO Phase) –180...+180deg Sets <strong>the</strong> phase obtained when <strong>the</strong> left LFO is reset R Phase (R LFO Phase) –180...+180deg Sets <strong>the</strong> phase obtained when <strong>the</strong> right LFO is reset : L LFO Phase [degree], : R LFO Phase [degree] “L LFO Phase” and “R LFO Phase” specify <strong>the</strong> phase difference between <strong>the</strong> two LFO’s when <strong>the</strong>y are reset. This allows <strong>the</strong> pitch change of <strong>the</strong> sweep to be set independently for left and right. 12: St.Dynamic Delay (Stereo Dynamic Delay) This stereo delay controls <strong>the</strong> level of delay according to <strong>the</strong> input signal level. You can use this as a ducking delay that applies delay to <strong>the</strong> sound only when you input signals at a high velocity or only when <strong>the</strong> volume level is low. L Time (L Delay Time) 0...<strong>2.</strong>730sec (1.360sec) Sets <strong>the</strong> left delay time R Time (R Delay Time) 0...<strong>2.</strong>730sec (1.360sec) Sets <strong>the</strong> right delay time Feedback –100...+100% Sets <strong>the</strong> feedback amount Dry:Wet Dry, 1:99...99:1, Wet Sets <strong>the</strong> balance between <strong>the</strong> effect and dry sounds Threshold 0...100 Adjusts <strong>the</strong> level at which compression Attack 0...1.00sec Sets <strong>the</strong> attack time of level control Release 0...10.0sec Sets <strong>the</strong> release time of level control Offset 0...100% Sets <strong>the</strong> offset of level control Control (Control Target) None, WetLevel, Feedback Selects from no control, output, and feedback LoDamp (Low Damp) THRU, 21Hz...8.00kHz Sets <strong>the</strong> damping amount in <strong>the</strong> low range HiDamp (High Damp) 53Hz...20.0kHz, THRU Sets <strong>the</strong> damping amount in <strong>the</strong> high range Spread 0...100% Sets <strong>the</strong> width of <strong>the</strong> stereo image of <strong>the</strong> effect sound Polarity [+]Plus, [–]Minus Reverses level control : Control Target This parameter selects no level control, delay output control (effect balance), or feedback amount control. : Polarity, : Threshold, : Offset, : Attack, : Release The “Offset” parameter specifies <strong>the</strong> value for <strong>the</strong> “Control Target” parameter (when level control is not being applied), expressed as a ratio relative to <strong>the</strong> parameter setting. If “Polarity” is set to [+] Plus, “Control Target” will be <strong>the</strong> value of <strong>the</strong> parameter multiplied by <strong>the</strong> “Offset” when <strong>the</strong> input signal is lower than <strong>the</strong> “Threshold,” or will be <strong>the</strong> value of <strong>the</strong> parameter when <strong>the</strong> input signal is above <strong>the</strong> “Threshold.” If “Polarity” is set to [–] Minus, “Control Target” will be <strong>the</strong> value of <strong>the</strong> parameter when <strong>the</strong> input signal is lower than <strong>the</strong> “Threshold,” or will be <strong>the</strong> value of <strong>the</strong> parameter multiplied by <strong>the</strong> “Offset” when <strong>the</strong> input signal is above <strong>the</strong> “Threshold.” The “Attack” and “Release” parameters specify attack time and release time of delay level control. 13: Auto Panning Delay This stereo delay effect pans <strong>the</strong> delay sound left and right using <strong>the</strong> LFO. L Time (L Delay Time) 0...<strong>2.</strong>730sec (1.360sec) Sets <strong>the</strong> left delay time R Time (R Delay Time) 0...<strong>2.</strong>730sec (1.360sec) Sets <strong>the</strong> right delay time *Speed (Panning Speed) 0.0<strong>2.</strong>..20.00Hz Sets <strong>the</strong> panning speed Dry:Wet Dry, 1:99...99:1, Wet Sets <strong>the</strong> balance between <strong>the</strong> effect and dry sounds L Fdback (L Feedback) –100...+100% Sets <strong>the</strong> feedback amount for <strong>the</strong> left channel R Fdback (R Feedback) –100...+100% Sets <strong>the</strong> feedback amount for <strong>the</strong> right channel *Depth (Panning Depth) 0...100 Sets <strong>the</strong> panning width L-R Phase (LFO L-R Phase) –180...+180deg Sets <strong>the</strong> LFO phase difference between <strong>the</strong> left and right LoDamp (Low Damp) THRU, 21Hz...8.00kHz Sets <strong>the</strong> damping amount in <strong>the</strong> low range HiDamp (High Damp) 53Hz...20.0kHz, THRU Sets <strong>the</strong> damping amount in <strong>the</strong> high range Waveform (LFO Waveform) Triangle, Sine Selects LFO Waveform LFO Shape –100...+100% Determines how much <strong>the</strong> LFO waveform is changed 156
Category: Modulation Modulation-type effects 14: Stereo Chorus This effect adds thickness and warmth to <strong>the</strong> sound by modulating <strong>the</strong> delay time of <strong>the</strong> input signal. You can control <strong>the</strong> spaciousness of <strong>the</strong> sound by offsetting <strong>the</strong> phase of <strong>the</strong> left and right LFOs from each o<strong>the</strong>r. *Speed (LFO Speed) 0.0<strong>2.</strong>..20.00Hz Sets <strong>the</strong> LFO speed *Depth 0...100 Sets <strong>the</strong> depth of LFO modulation L-R Phase (LFO L-R Phase) –180...+180deg Sets <strong>the</strong> LFO phase difference between <strong>the</strong> left and right Dry:Wet Dry, 1:99...99:1, Wet Sets <strong>the</strong> balance between <strong>the</strong> effect and dry sounds L PreDly (L Pre Delay) 0.0...50.0msec Sets <strong>the</strong> left delay time R PreDly (R Pre Delay) 0.0...50.0msec Sets <strong>the</strong> right delay time Waveform (LFO Waveform) Triangle, Sine Selects LFO Waveform Spread 0...100% Sets <strong>the</strong> width of <strong>the</strong> stereo image of <strong>the</strong> effect sound LoDamp (Low Damp) THRU, 21Hz...8.00kHz Sets <strong>the</strong> damping amount in <strong>the</strong> low range HiDamp (High Damp) 53Hz...20.0kHz, THRU Sets <strong>the</strong> damping amount in <strong>the</strong> high range : L Pre Delay [msec], : R Pre Delay [msec] Setting <strong>the</strong> left and right delay time individually allows you to control <strong>the</strong> stereo image. 15: Stereo Flanger This effect gives a significant swell and movement of pitch to <strong>the</strong> sound. It is more effective when applied to a sound with a lot of harmonics. This is a stereo flanger. You can add spread to <strong>the</strong> sound by offsetting <strong>the</strong> phase of <strong>the</strong> left and right LFOs from each o<strong>the</strong>r. *Speed (LFO Speed) 0.0<strong>2.</strong>..20.00Hz Sets <strong>the</strong> LFO speed *Depth 0...100 Sets <strong>the</strong> depth of LFO modulation Fdback (Feedback) –100...+100% Sets <strong>the</strong> feedback amount Dry:Wet Dry, 1:99...99:1, Wet Sets <strong>the</strong> balance between <strong>the</strong> effect and dry sounds Waveform (LFO Waveform) Triangle, Sine Selects LFO Waveform LFO Shape (LFO Shape) –100...+100% Determines how much <strong>the</strong> LFO waveform is changed Fb HiCut (Feedback High Cut) 53Hz...20.0kHz, THRU Sets <strong>the</strong> feedback damping amount in <strong>the</strong> high range L-R Phase (LFO L-R Phase) –180...+180deg Sets <strong>the</strong> LFO phase difference between <strong>the</strong> left and right Delay 0...50.0ms Sets <strong>the</strong> left/right delay time LoDamp (Low Damp) THRU, 21Hz...8.00kHz Sets <strong>the</strong> damping amount in <strong>the</strong> low range HiDamp (High Damp) 53Hz...20.0kHz, THRU Sets <strong>the</strong> damping amount in <strong>the</strong> high range : LFO Shape Changing <strong>the</strong> LFO waveform shape controls <strong>the</strong> peak sweep of flanging effects. : Feedback, : Dry:Wet The peak shape of <strong>the</strong> positive and negative “Feedback” value is different. The harmonics will be emphasized when <strong>the</strong> effect sound is mixed with <strong>the</strong> dry sound if you set a positive value for both “Feedback” and “Dry:Wet”, and if you set a negative value for both “Feedback” and “Dry:Wet”. : Feedback High Cut This parameter sets <strong>the</strong> amount of damping of <strong>the</strong> feedback in <strong>the</strong> high range. Increasing <strong>the</strong> value will cut high-range harmonics. 16: Stereo Phaser This effect creates a swell by shifting <strong>the</strong> phase. It is very effective on electric piano sounds. This is a stereo effect, and you can control <strong>the</strong> spaciousness of <strong>the</strong> sound by offsetting <strong>the</strong> phase of <strong>the</strong> left and right LFOs from each o<strong>the</strong>r. *Speed (LFO Speed) 0.0<strong>2.</strong>..20.00Hz Sets <strong>the</strong> LFO speed Depth 0...100 Sets <strong>the</strong> depth of LFO modulation Resonance –100...+100% Sets <strong>the</strong> resonance amount Dry:Wet Dry, 1:99...99:1, Wet Sets <strong>the</strong> balance between <strong>the</strong> effect and dry sounds Manual 0...100 Sets <strong>the</strong> frequency to which <strong>the</strong> effect is applied LFO Shape –100...+100 Determines how much <strong>the</strong> LFO waveform is changed Reso HiCut (Resonance High Cut) 53Hz...20.0kHz, THRU Sets <strong>the</strong> resonance damping amount in <strong>the</strong> high range L-R Phase (LFO L-R Phase) –180...+180deg Sets <strong>the</strong> LFO phase difference between <strong>the</strong> left and right Waveform (LFO Waveform) Triangle, Sine Selects LFO Waveform Type Blue, U-VB Selects <strong>the</strong> type of phaser : Resonance, : Dry:Wet The peak shape of <strong>the</strong> positive and negative Feedback value is different. The harmonics will be emphasized when <strong>the</strong> effect sound is mixed with <strong>the</strong> dry sound, if you set a positive value for both “Resonance” and “Dry:Wet”, and if you set a negative value for both “Resonance” and “Dry:Wet”. : Resonance High Cut This parameter sets <strong>the</strong> amount of damping of <strong>the</strong> resonance in <strong>the</strong> high range. Increasing <strong>the</strong> value will cut high-range harmonics. 17: Stereo Vibrato This effect cyclically varies <strong>the</strong> pitch of <strong>the</strong> input signal. You can use an envelope to control <strong>the</strong> width of <strong>the</strong> modulation. *Speed (LFO Speed) 0.0<strong>2.</strong>..20.00Hz Sets <strong>the</strong> LFO speed Depth 0...100 Sets <strong>the</strong> depth of LFO modulation Env.Control (Envelope Control) 0...100% Sets <strong>the</strong> amount of depth that will be controlled by <strong>the</strong> envelope Dry:Wet Dry, 1:99...99:1, Wet Sets <strong>the</strong> balance between <strong>the</strong> effect and dry sounds Thresold –48.0...0.0dB Sets <strong>the</strong> level at which <strong>the</strong> envelope control effect will be applied Attack 0...1.00sec Sets <strong>the</strong> attack time for level control Effect Monaural type Stereo type Effect program list Algorithm list Algorithm Algorithm 157
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E 3
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Handling of the in
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Table of Contents IMPORTANT SAFETY
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Rhythm.............................
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4-5. Master EFF2..
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Introduction Thank you for purchasi
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TouchView LCD Both the</str
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♦ Installable ADAT I/O board (DIB
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Parts and their fu
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8 PAN knobs (1...16) ----------- <s
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automation turned on, the</
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Removing a disc (1) Press t
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Items and functions in the<
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Basic operation 1. Selecting <stron
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Quick Start This Quick Start is des
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Step 2: Quick recording 1. Create a
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D16XD (1)
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Applying EQ to the
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6. Playback (1)Press the</s
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Step 4: Mixdown and mastering “Mi
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Selecting a master effect (1)Press
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(3)The Select EFF Program dialog bo
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4. Writing to a CD You can use <str
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: Move the cursor
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(3) Press one of the</stron
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3. Song editing Songs you record ca
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D16XD (2)
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• Set the CH ON/
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Alternatively, you can press <stron
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(6) Use the EQ kno
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You can also turn “Rhythm” on b
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4-5. Editing and overwriting a scen
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(3) (4) (6) If you select Send, eve
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If you use a size-8 effect for inse
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4. Editing the eff
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The D32XD/
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(3) Verify that the</strong
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(9) Put the <stron
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(6) Begin recording. • When you p
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2-3. Playing back an album CD proje
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Insert blank space (InsertTrk) This
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Reverse a track (ReverseTrk) This c
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If you specified two or more tracks
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Creating a fade-out Fading-out <str
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(5) (5) Write the
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Press the Add butt
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(6) Execute the ba
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2. Audio files Aud
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Exporting multiple audio files If y
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3. Checking the ha
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To erase A and B that remain from <
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MIDI MIDI stands for Musical Instru
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Upgrading the syst
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Editing a name Using the</s
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Here you can adjust the</st
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3a-2. Sub Mixer 1-
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D32XD 3b-2
Page 115 and 116: 1. Set View Press this button to op
Page 117 and 118: The EFF 1/2 Return button enables/d
Page 119 and 120: 9. OverWrite Overwrites the
Page 121 and 122: D16XD 1. PHASE [N,
Page 123 and 124: D32XD 3e-5. Aux3 S
Page 125 and 126: 3g. ANALOG COMP 3g-1. Analog Compre
Page 127 and 128: 5. FinalEFF Here you can select a p
Page 129 and 130: 4-3. Insert EFF You can apply inser
Page 131 and 132: 4-6. Final EFF The final effect is
Page 133 and 134: CD PLAYER 1. CD Monitor When this i
Page 135 and 136: 5-2. CD Utility He
Page 137 and 138: D16XD 12.<
Page 139 and 140: 6-3. Edit PC File Here you can view
Page 141 and 142: 6-6. Word Clock The “Word Clock
Page 143 and 144: Here you can make settings for <str
Page 145 and 146: 8-3. Tempo Track Here you can recor
Page 147 and 148: Before moving Song name Song number
Page 149 and 150: 4. Exec. When you press this button
Page 151 and 152: For D32XD 48 kHz/2
Page 153 and 154: Erase Punch Noise This minimizes
Page 155 and 156: FadeTrk This operation fades-in or
Page 157 and 158: 10-5. Export File Audio track data
Page 159 and 160: 1. Track selection Press th
Page 161 and 162: 6. AutoPunch Auto punch-in/out reco
Page 163 and 164: 45 Master CD 26 MultiBandLimiter 46
Page 165: EQ Trim -15...+15dB Sets th
Page 169 and 170: 22: Stereo Limiter This effect appl
Page 171 and 172: L-R Phase (LFO L-R Phase) -180...+1
Page 173 and 174: Reso HiCut (Resonance High Cut) 53H
Page 175 and 176: 51: Mic Simulator This effect simul
Page 177 and 178: Can’t hear rhythm sound “Rhythm
Page 179 and 180: MIDI CD-R/RW MIDI sequencer won’t
Page 181 and 182: File List data error. There is an e
Page 183 and 184: More about drives and files Drives
Page 185 and 186: WAV-format audio files You can use
Page 187 and 188: Installing the 8-c
Page 189 and 190: Cautions when replacing the
Page 191 and 192: Checking after installation When yo
Page 193 and 194: Display: 320 × 240 pixel, four-lev
Page 195 and 196: Various lists Rhythm Pattern List F
Page 197 and 198: Glossary 16-bit → Bit depth 24-bi
Page 199 and 200: MIDI Clock A MIDI message used to s
Page 201 and 202: WAV The filename extension for a Wa
Page 203 and 204: F Fade Track 76, 145 Fader Channel
Page 205 and 206: Block diagram 195
Page 207 and 208: [Digital Recording Studio] Model <s
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