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Lataa ilmaiseksi

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Appropriating design<br />

with confused care<br />

Common to all households in this section was that very little appropriation of<br />

design had taken place even though there were desires for appropriation and<br />

even plans about what the changes could be. But the changes, to a great extent,<br />

had not happened because of the complex context of the appropriation. For<br />

Ilmari, the complexity stemmed from his two apartments and the things he<br />

owned, but had not made up his mind what to do with them. Sakari & Elisa<br />

were also having lots of stuff that they did not quite know what to do with.<br />

Liisa did not have that much products but nevertheless she could not made up<br />

her mind about what to do with them and what sort of items she should buy.<br />

Sanna & Kalevi wanted to renovate their house but they lacked resources, skills<br />

and clear ideas of what they would want the house to become. Mervi did not<br />

want to invest time to a rented apartment but neither was she investing time<br />

to buy her own flat because finding it would have required decisions she had<br />

no time to make.<br />

Ultimately, though, the complexity of appropriation stems from the importance<br />

or weight these households put to it. Rather than efficiently planning and<br />

executing, like the households who appropriate with ease, these households<br />

care so much about the success of appropriation that the process becomes very<br />

slow. The households who appropriate with confused care feel that there are<br />

lots of aspects that one should want to take into account in the appropriation<br />

of nearly anything but, at the same time, it is not (yet) clear what the important<br />

aspects are to a particular household: what do we want and how we want to<br />

live can remain open questions for years. In the meantime, it is better to settle<br />

on what there already is rather than invest in changes that may turn sour after<br />

a while.<br />

3 D E S I G N E N T E R S H O M E<br />

127

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