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Lataa ilmaiseksi

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ic, which in this case was their relationship with design. Rather, I got glimpses,<br />

fragments, exaggerations, lapses, mistakes and downplaying, which is common<br />

to all human communication, and the interview, though a special situation, is<br />

no exception. Therefore, I want to emphasise that, though the data and my<br />

interpretation hopefully tell about the interesting and general aspects of living<br />

with design, they are not intended to serve as portraits of the interviewees and<br />

their lives. In addition, I mostly interviewed one member of the household (the<br />

exceptions are the Ylinen family, Sakari & Elisa, Kalle & Emma, and Sanna &<br />

Kalevi). Therefore, the data does not encourage discussion about social meaning-making<br />

or direct observations about the negotiations that take place over<br />

design. Perhaps as a consequence, the picture is a comparatively peaceful one,<br />

as opposed to, for example, domestication studies on the use of technologies<br />

where members of a family may fight over the time and place that computers<br />

should be used (Nieminen-Sundell & Pantzar 2003). Similar to the notion of<br />

the moral economy of the household, the perspective of symbolic interactionism<br />

is not a topic of research in and of itself (“how meanings are interpreted<br />

and negotiated”). To summarize, both perspectives guiding the analysis – the<br />

moral economy of the household framework and symbolic interactionism – are<br />

very much about negotiations, but I have not studied those negotiations as<br />

such. Instead, I have studied the context within which the negotiations take<br />

place when design is making itself a part of people’s everyday lives. My definition<br />

of what can be seen as a designed consumer good was so loose that I<br />

assumed everybody would have some types of designed products, but I did not<br />

assume that the design would have necessarily had any particular meaning. I<br />

assumed, though, that all designs have some meaning to the people living with<br />

them because the existing literature easily causes one to think that all products<br />

are meaningful. That assumption, I am suggesting here, is often misguided.<br />

1 I N T R O D U C T I O N<br />

63

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