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261<br />

P 261. Sanna & Kalevi’s<br />

living room<br />

6 D E S I G N L I M B O<br />

243<br />

there were lots of projects that had been started but not finished. One example<br />

was the living room wall (P 261):<br />

S: in the first morning, I started to tear away the plastic flooring. It has<br />

boards underneath, under this, too. And I tore down some wall. So<br />

we’ll see how it’ll be done but (pause) This is going to be (pause) it<br />

was so horrible that wall, it was like that, this whole wall was full of<br />

these little handprints. I thought I’m tired of looking at it, and tore it<br />

down. (Sanna & Kalevi 04 6-10)<br />

Dwelling work without plan is not necessarily disastrous. Constant exploring<br />

can be a dwelling style, like for example in the Asta’s household. But whereas<br />

Asta was tuning products and painting walls and enjoying every moment, Sanna<br />

and Kalevi were fighting the numerous and displeasing designs left by the<br />

previous owners. Due to the sheer size of the house, they were still far from<br />

the starting point from which it would be possible to start to curate the home.<br />

Daniel Miller has studied Londoners living on rent in a council estate and<br />

found that the tenants put different amounts of effort into personalising the<br />

apartment, up to the point of complete transformation (Miller 1990). Living<br />

on rent, as such, does not paralyse curating. In my sample, though, the three<br />

households living in rented apartments, Liisa, Sakari & Elisa and Mervi, had<br />

not invested in the present apartments, even though they had lived in them<br />

for several years. All also thought that the apartments are temporary and that<br />

someday they will move out and buy their own apartments. Mervi was certain<br />

that then she would invest time in dwelling work:

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