Lataa ilmaiseksi
Lataa ilmaiseksi
Lataa ilmaiseksi
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than saying that they were intentionally furnishing the apartment. For example,<br />
they made a pop-up kitchen out of the fireplace room during the renovation of<br />
the kitchen proper, which meant clearing fragile designs out of the way and, for<br />
instance, moving the Wirkkala lamp to Janne’s study (P 250–251).<br />
That Janne’s household was not systematically changing the decoration, in<br />
the sense of seasonal furnishing for example, is a mild version of a surprisingly<br />
common antipathy towards change. Kalle & Emma’s comment to this effect is<br />
illustrative:<br />
5 U S I N G D E S I G N<br />
E: I think it’s somehow amazing how people, like there often are interior<br />
decoration magazines, like they say decorate your home to go with the<br />
season like get new stuff in the Spring; I think it’s somehow pointless.<br />
I don’t understand it at all. On the other hand, what does make sense<br />
is that if you bring the old things back, like, create change, but if it’s<br />
really like four times a year you buy new stuff to replace the old stuff,<br />
that doesn’t make any sense. (Kalle & Emma 04 776-780)<br />
223<br />
Emma grounded her aversion to (complete) change in her sense of environmental<br />
responsibility. In a somewhat similar vein, Olavi said that he is willing<br />
to invest both time and money in getting products that will last, which he<br />
would not need to replace for a long time.<br />
O: it is not the object, they are just objects after all, you’ll get more of<br />
them from the store, but to not acquire them any more, that takes<br />
effort. (Olavi 04 48-50)<br />
For Olavi, this means acquiring both functionally and aesthetically lasting<br />
products, which in turn means the careful curating of, for example, materials.<br />
His approach towards interior decoration resembles that of Tiina and Anniina,<br />
who talked about finished interior decoration as being final, or so good that<br />
there is no need to change it again. Tiina mentioned how her three previous<br />
apartments, especially the kitchens, had been more or less similar and how<br />
some of her furniture was several decades old. There was no point to acquiring<br />
new pieces of furniture when the current furniture was great. Finally, Hannele,<br />
even though she likes to change the interior decoration, proceeds in her furnishing<br />
projects in order to get them “off your mind”.<br />
Anniina, Olavi, Hannele and Tiina were in their own ways putting together<br />
interior decorations with the idea that it would be possible for them to relax<br />
because they would no longer need to think about interior decoration once it