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Lataa ilmaiseksi

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for now, the study chair which, especially if you work on the computer<br />

for a bit longer, is very unpleasant. ( Janne 05 311-321)<br />

Janne uses the term “chain reaction” for those types of actions that often characterise<br />

dwelling activities. Most famously, the philosopher Denis Diderot has<br />

focused on the notion of a design-intensive chain reaction in an essay in which<br />

he describes receiving a tobacco coat as a gift, an elegant item that outshined<br />

everything else in his study and that subsequently forced him to replace nearly<br />

everything in his study, resulting a room where nothing felt familiar (Diderot<br />

1769). Grant McCracken coined the term “Diderot unity” to refer to a set of<br />

designs that the builder of the set thinks constitute a whole and into which<br />

something can intrude and even shatter the unity (McCracken 1988). The unity<br />

shattering chain reactions described here are less dramatic. Instead of a complete<br />

change, only a partial change would be required. However, the partial<br />

change is out of the question because it would mean not having a renovation,<br />

pets or children, for example, or it is not seen worth making, at least not just<br />

now since one prefers to do something else. Like Olavi explained the offending<br />

humidifier:<br />

6 D E S I G N L I M B O<br />

239<br />

O: the meaning of life is not in taking care of a parquet; there are other<br />

activities. (Olavi 05 336)<br />

Ruptures in the curating of a home are interesting because they make it evident<br />

that curating home is not just about furnishing home with designed items. The<br />

notion of curating points out that for most of us, domestic recreation does not<br />

stem solely from aesthetic perfection. A home is often curated as a comfortable<br />

place for the children and pets, for example, and when that is the case,<br />

households often make compromises. Furnishing an apartment according<br />

to the household’s standards can, of course, be central in the home’s moral<br />

economy and the household is not making any compromises. Such homes are<br />

motivated to remove any obstacles that prevent the household to dwell with<br />

design the way they want to. Willingness to make compromises seems to be<br />

more common, though, which, again, implies that household identities do not<br />

easily shatter in front of imperfect design.

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