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D W E L L I N G W I T H D E S I G N<br />

Summary<br />

246<br />

Some of the households in the sample were on occasions living in what<br />

really could be called a purgatory – not feeling good about not being able<br />

to act or make the types of decisions that they apparently would have wanted<br />

to make. More often, though, the term limbo is more to the point: the whole<br />

household or some designs in the apartment were on a waiting plane, waiting<br />

for someone to make a decision, for someone’s taste to change or, for example,<br />

for the children to grow up. The limbo needs not be painful; it can just<br />

be a calm and slow way of dwelling (Kopomaa 2009). That it is taken here<br />

to be a topic in its own stems from my realisation that passivity should also<br />

receive attention. Paying attention to not doing and to indifference in general,<br />

would probably require method development because people more easily can<br />

talk about what they have done rather than what they have not done; the list<br />

of actions is always of course finite, whereas the list of what has not been done<br />

is potentially indefinite. Nevertheless, even in my sample there were notions of<br />

passivity, indifference, forgetting and neglect connected with design. In many<br />

instances, this did not bother the interviewees at all. Not doing and not minding<br />

seems to be a part of the ordinary course of everyday life, and perhaps has<br />

to do with the complexity of how ordinary people typically dwell. To take an<br />

example, one of the interviewees (Anniina) could be seen as controlling her<br />

dwelling through design to an extent that there was very little design that she<br />

did not care about. She was exceptional, however, since the other interviewees<br />

could point to more examples of design that they did not like. Nevertheless,<br />

even Anniina found her laptop to be “ugly and thick”, but said that she was not<br />

interested enough to do anything about it.<br />

It seems to me that it is exceptional to live only with the types of designs<br />

that one is actually connected to. And, to invoke David Halle’s critique of<br />

acquisition being motivated by seeking a sense of status (Halle 1993), very

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