To Light a Thousand Lamps - The Theosophical Society
To Light a Thousand Lamps - The Theosophical Society
To Light a Thousand Lamps - The Theosophical Society
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Karma / 67<br />
may not be so at all. Is it not conceivable, for example, that<br />
a returning entity — for we are primarily spirit-souls, not<br />
bodies — could be far enough advanced interiorly to<br />
‘‘choose’’ the karma of severe deprivation in order to gain a<br />
profound empathy with all who su¤er? Is it not also possible<br />
that a reincarnating ego, in need of temporary respite<br />
from certain mental and emotional pressures, selects a ‘‘retarded’’<br />
vehicle for an incarnation? Again, it could be that<br />
cruelty or selfishness had been so ingrained in the character<br />
that the surest means of removing the warp is to take birth<br />
in an impaired body so that empathy and compassion might<br />
be burned deep into the soul and the nature gentled.<br />
‘‘Judge not that ye be not judged’’ — only one able to<br />
read the spiritual history of an individual would be able to<br />
determine just what lines of karma had been traced in lives<br />
long gone that culminated in the precise conditions which<br />
the reincarnating ego now finds itself handling — or not<br />
handling — in this life. All of us have been weaving grandeur<br />
and baseness into the tapestry of our soul; but when we<br />
intuit, as many do, that we are linked with our divine parent<br />
and that whatever we experience of joy or pain is an intrinsic<br />
part of our destiny that we have been building for cycles<br />
beyond number, we know that there is a fitness and a beauty<br />
in even the most heartrending of circumstances.<br />
A letter typewritten with a mouth-stick by a friend, who<br />
from birth has weathered the trauma of severe disablement,<br />
bears this out. Viola Henne earns her living as an artist,<br />
and devotes what time and energy she can to working with<br />
children and young adults who are more incapacitated than<br />
she is. Viola is not concerned with what they can’t do; she