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Wings Fall 09 - St. Scholastica Academy

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B E C O M E S A R E A L I T Y . . .<br />

er of Perpetual Help Chapel<br />

Cambre Dwyer ’80, alum parents Karen and Larry Bucksbarg and Betty and Jean<br />

Champagne. Lighting of the Sanctuary Light was by faculty member Bill Gallop.<br />

SSA School Board Chair Matt Voelkel performed the Welcome. Remarks were given by<br />

Mary Kathryn Villere, SSA Principal, Sr. Kathleen Finnerty, OSU, Superintendent of Schools,<br />

Archdiocese of New Orleans Sr. Jeanne d’Arc Kernion ’53 (SSA Principal 1972-79) and<br />

Marguerite S. Celestin, SSA President.<br />

A wonderful reception was held after the dedication with delicious food prepared by local<br />

restaurants. Thank you to our chapel dedication reception chairs Jane Harvey, Beth<br />

Lambert, Cheryl Murphy, and Karen Spell. The reception cake made in the likeness of the<br />

chapel was created by Lynell Manning Dupepe ’78.<br />

Our Chapel<br />

The chapel was initially conceived as a replacement for the original chapel that graced the<br />

old school building torn down in the 1960’s. We have chosen the title of our Blessed<br />

Mother “Our Mother of Perpetual Help” for several reasons. She is “Our Mother,” an<br />

important role model for our young women (for whom motherhood is highly valued).<br />

Mary is always there for us, thus “Perpetual Help.” Through devotion to Our Mother of<br />

Perpetual Help, our students will learn that Mary, our Mother, will help them in time of need<br />

and be their intercessor before the throne of God. This new chapel fulfills a long-time<br />

dream of the return of a true chapel to our campus.<br />

General Description<br />

The placement of the chapel within the campus serves as the centerpiece for the campus.<br />

lt stands at the terminus of two orientations of the campus, the front entrance promenade<br />

and the campus green.<br />

The intent of the exterior design was to provide a contemporary interpretation in line and<br />

form of the original school building that had mission revival influences from the Beaux Arts<br />

movement. The entry experience includes layered faces that define the entrance portal, a<br />

courtyard and then the main entrance.<br />

The interior was meant to be straightforward with strong horizontal planes reinforced by<br />

the warmth of the wood floor and ceiling. The wall behind the altar is also layered. The<br />

forefront is a series of pylons that screen natural light, reflected on the back of the pylons.<br />

The pylons have been painted blue. A darker blue toward the edges moves to a lighter blue<br />

at the center directly behind the altar, thus highlighting and focusing the axis. The tower<br />

allows filtered light into the space that highlights a devotional space for the titular icon, Our<br />

Mother of Perpetual Help. The wood grilles at the main entry and the entry to the tower<br />

are the supporting accents to the space that recalls the mission style.<br />

The chapel will hold 180 people and will be used for class level Masses, adoration, prayer<br />

services, communion services, rosaries, and individual meditation. Unfortunately, it will not<br />

be large enough for the entire school at one time; therefore, we will still hold “all-school”<br />

Masses in the gym. In time to come, the chapel will hold special memories and meaning for<br />

our students as they grow and develop in their faith. It will also be a place where some of<br />

them will choose to hold their weddings.<br />

Note: Some of the interior appointments were not ready at the time of Dedication and<br />

will be installed later. They include the permanent tabernacle, font, presider’s chair and the<br />

icons of Our Mother of Perpetual Help, Visitation, and Holy Family. The outdoor prayer<br />

garden which will feature the <strong>St</strong>ations of the Cross will also be completed in the near<br />

future.<br />

Photos courtesy of Expressions, Times Picayune and SSA <strong>St</strong>aff.<br />

D O V E W I N G S 35

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