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The EPFL MOOC Factory<br />
Patrick Jermann, Gwenaël Bocquet, Gilles Raimond and Pierre Dillenbourg<br />
Teacher independence<br />
At a beginning of a recording session, a video specialist<br />
from the Center for Digital Education sets up the lighting<br />
and the audio. Critical steps include setting the exposure<br />
for the camera to over-expose the white background and<br />
tuning the audio gain so as to avoid clipping. After the<br />
setup, the teachers start and stop the recording by themselves<br />
through a button press on the tablet. After each<br />
take, they can watch their recording and choose whether<br />
they want to keep the take or not. This tremendously facilitates<br />
the work of the video editors. A session lasts 3-4<br />
hours during which teachers produce 1-2 hours of useable<br />
video material. At the end of the session, the material<br />
is copied onto an external storage for further processing.<br />
High quality<br />
We strive for professional picture and audio quality. This<br />
requires the use of professional equipment. The price of<br />
professional audio and video equipment can become very<br />
high depending on the level of quality. Since we are still developing<br />
the studio, some of our equipment is not yet up<br />
to the standards that we set ourselves. For example, the<br />
lighting kits and backdrops that we currently use, work<br />
well, but will progressively be enhanced and replaced by<br />
more robust and reliable material. A good approach is to<br />
rent material to test before purchase. Audio quality has<br />
been our main focus during early developments. The use<br />
of two decent microphones, a mixer and the isolation of<br />
the room with echo absorbent foam have tremendously<br />
enhanced the sound quality.<br />
Figure 2. The MOOC studio in the Rolex Learning Center.<br />
Multisource<br />
One of the “tricks” that is featured on EPFL MOOCs consists<br />
of the “invisible hand” effect (see links for a video<br />
tutorial). The hand of the teacher is recorded from above<br />
the tablet and mixed with the slide content by the video<br />
editors. As a result, students see the teacher writing and<br />
pointing at the content (See Figure 3). Eye-tracking experiments<br />
show that the deictic gestures are very efficient to<br />
attract students’ attention to the important aspects of the<br />
slides (see link for a video demonstration).<br />
Flexibility<br />
Some teachers want to sit, other want to stand. Some<br />
teachers want to appear a lot on the recordings while<br />
others simply want to annotate slides. Some want a green<br />
screen set because they want appear “standing” inside<br />
their content, while others need a white background. The<br />
studio has to be reconfigured for each session in a short<br />
time frame while retaining full functionality. To facilitate<br />
these transitions, we installed an aluminum structure in<br />
the studio that allows fixing lighting and cameras on “magic<br />
arms” (moveable holders which can be clamped to any<br />
structure, see Figure 2). Small custom-built tables are<br />
placed on the main table and allow teachers to place their<br />
laptop nearby.<br />
Figure 3. Invisible hand effect. In the course “L’Art des Structures”<br />
by Olivier Burdet and Aurelio Muttoni, the teacher is drawing<br />
a construction by using a protractor. The image from a camera<br />
placed above the tablet is mixed with the screen capture from the<br />
presentation software.<br />
The studio we have used to record our first MOOCs is<br />
based on off-the-shelf screen recording software that allows<br />
the simultaneous recording of a camera and a screen.<br />
A single computer was used to produce (i.e. run the presentation<br />
software) and to record the course (i.e. run the<br />
screen recording). This solution, while economical and<br />
simple, has presented some limitations. First, the recording<br />
of the teachers’ hand and face along with the screen<br />
capture involves three video sources and is not suited for<br />
a basic screen recording solution. Second, screen-record-<br />
Experience Track |232