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Unsupported by husbands<br />

Absentee husbands are a significant feature in the lives <strong>of</strong> the<br />

girls and women in the entertainment industry. Although nearly<br />

one half <strong>of</strong> the girls and women are married, very few live<br />

with their husbands. 45 Most entertainment workers live with<br />

their friends, and fewer with family members. In interviews,<br />

girls and women frequently mention abandonment, bigamy,<br />

alcoholism and domestic violence as reasons for separating<br />

from their husbands. 46<br />

Nepal legislation does not punish the act <strong>of</strong> abandoning a wife,<br />

and as a result, many married women are abandoned by their<br />

husbands, 47 frequently when the men take a second wife. 48<br />

Often, abandonment results in women being unwelcome in<br />

or evicted from the household by in-laws, <strong>of</strong>ten with children<br />

in hand. For many women, returning to their own parents is<br />

not an option, and they are left with no choice other than to<br />

undertake sex work.<br />

Supporting children<br />

While husbands are absent, children are present. In interviews,<br />

many entertainment workers have stated that the primary<br />

reason for entering the occupation was to provide for their<br />

children, in the absence <strong>of</strong> a supporting husband. Although<br />

most people think <strong>of</strong> entertainment workers as ‘independent<br />

women’, a large proportion are working to support children<br />

in their care. Of all ever-married girls and women, approximately<br />

two thirds have one or more children. 49<br />

Although most<br />

entertainment workers state that the highest priority for the<br />

use <strong>of</strong> their income is for household food and rent, using their<br />

income for their children’s education is a low priority. 50 As<br />

entertainment workers work late hours, child care is a primary<br />

concern.<br />

THE CUSTOMERS<br />

© Tdh 2009<br />

The customers for the entertainment industry are primarily<br />

those with access to disposable income. The owners <strong>of</strong> the<br />

dance bars, dohoris and cabin restaurants earn their revenue<br />

from the sale <strong>of</strong> alcohol and snacks. The prices for a bottle<br />

<strong>of</strong> beer or a plate <strong>of</strong> ‘fruit salad’ (an ubiquitous dish in cabin<br />

2010 Terre des hommes www.tdh.ch 38

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