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Unsupported by husbands<br />
Absentee husbands are a significant feature in the lives <strong>of</strong> the<br />
girls and women in the entertainment industry. Although nearly<br />
one half <strong>of</strong> the girls and women are married, very few live<br />
with their husbands. 45 Most entertainment workers live with<br />
their friends, and fewer with family members. In interviews,<br />
girls and women frequently mention abandonment, bigamy,<br />
alcoholism and domestic violence as reasons for separating<br />
from their husbands. 46<br />
Nepal legislation does not punish the act <strong>of</strong> abandoning a wife,<br />
and as a result, many married women are abandoned by their<br />
husbands, 47 frequently when the men take a second wife. 48<br />
Often, abandonment results in women being unwelcome in<br />
or evicted from the household by in-laws, <strong>of</strong>ten with children<br />
in hand. For many women, returning to their own parents is<br />
not an option, and they are left with no choice other than to<br />
undertake sex work.<br />
Supporting children<br />
While husbands are absent, children are present. In interviews,<br />
many entertainment workers have stated that the primary<br />
reason for entering the occupation was to provide for their<br />
children, in the absence <strong>of</strong> a supporting husband. Although<br />
most people think <strong>of</strong> entertainment workers as ‘independent<br />
women’, a large proportion are working to support children<br />
in their care. Of all ever-married girls and women, approximately<br />
two thirds have one or more children. 49<br />
Although most<br />
entertainment workers state that the highest priority for the<br />
use <strong>of</strong> their income is for household food and rent, using their<br />
income for their children’s education is a low priority. 50 As<br />
entertainment workers work late hours, child care is a primary<br />
concern.<br />
THE CUSTOMERS<br />
© Tdh 2009<br />
The customers for the entertainment industry are primarily<br />
those with access to disposable income. The owners <strong>of</strong> the<br />
dance bars, dohoris and cabin restaurants earn their revenue<br />
from the sale <strong>of</strong> alcohol and snacks. The prices for a bottle<br />
<strong>of</strong> beer or a plate <strong>of</strong> ‘fruit salad’ (an ubiquitous dish in cabin<br />
2010 Terre des hommes www.tdh.ch 38