Dataton WATCHOUT User's Guide

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• Set “Connect Via” to “Ethernet”. • Set “Configure” to “Manually”. Enter IP address and subnet mask, as shown in the illustration above, changing the last group of IP address digits so that each display computer is assigned a unique address. As an example; in a stand-alone system consisting of one production computer and three display computers, you would end up with IP addresses assigned like this: 192.168.0.1 Production computer 192.168.0.10 192.168.0.11 192.168.0.12 Display computers If your <strong>WATCHOUT</strong> subnet is not stand-alone but connected to a larger network, you should consult your network administrator for the correct IP number, subnet mask, and other parameters. ▼ IMPORTANT: Each display computer must be manually assigned a unique IP address. Unlike the production computer, the display computers can not use automatic (dynamic) IP number assignment. 34 Chapter 4: Configuration
Memory • Open the “Memory” control panel. • Set “Virtual Memory” and “RAM Disk” to Off. • Set “Disk Cache” to “Default Setting”. Chapter 4: Configuration 35
Page 3 and 4: Table of Contents 1 Introduction...
Page 5: Dataton WATCHOUT software and this
Page 8 and 9: System Overview This section provid
Page 10 and 11: Software Overview Stage Window Time
Page 12 and 13: Related Technologies QuickTime Java
Page 14 and 15: 14 Chapter 1: Introduction
Page 16 and 17: Display Computer Network Displays T
Page 18 and 19: tors often results in grey banding
Page 20 and 21: Plasma Displays Plasma displays are
Page 22 and 23: Display Software Obtain the WATCHOU
Page 24 and 25: Network Hook-up Stand-alone System
Page 26 and 27: Using Switches The second option us
Page 28 and 29: Displays 15-pin Mini D-sub Connecto
Page 30 and 31: Projection Screens Sound Sound outp
Page 32 and 33: Next, choose the “IP Address” t
Page 36 and 37: Energy Saver • Open the “Energy
Page 38 and 39: Monitors • Open the “Monitors
Page 40 and 41: Control Strip • Open the “Contr
Page 42 and 43: Displays General Set-up Considerati
Page 44 and 45: A keystone-shaped image resulting f
Page 46 and 47: Sound The sound system should be pr
Page 48 and 49: Removing Unused Files All files tra
Page 50 and 51: The scalability allows you to creat
Page 52 and 53: Controlling the Environment Display
Page 54 and 55: These positions can be entered nume
Page 56 and 57: A large image spanning multiple dis
Page 58 and 59: Video playback requires powerful pl
Page 60 and 61: For photographic images (eg, scanne
Page 62 and 63: Using Adobe lllustrator Follow thes
Page 64 and 65: Using Adobe Photoshop Follow these
Page 66 and 67: 6. Set the options as shown to the
Page 68 and 69: • The origin of the movie; eg, co
Page 70 and 71: Computer Generated Material When us
Page 72 and 73: Using Transparency Computer generat
Page 74 and 75: Choosing a Codec Codec stands for e
Page 76 and 77: Pre-splitting Large Movies In order
Page 78 and 79: This is how you would split a movie
Page 80 and 81: to export the video in a “QuickTi
Page 82 and 83: sound files is usually not an issue
Page 84 and 85:
84 Chapter 6: Media Files them inde
Page 86 and 87:
multiple display areas will line up
Page 88 and 89:
WATCHOUT to use relative file acces
Page 90 and 91:
Timeline The Timeline window shows
Page 92 and 93:
Layering Media The horizontal track
Page 94 and 95:
Optimizing Playback of Large Videos
Page 96 and 97:
Tween Tracks Adding a Tween track T
Page 98 and 99:
Corners and Smooth Tween Points The
Page 100 and 101:
Editing Position Points Moving Alon
Page 102 and 103:
102 Chapter 7: Production
Page 104 and 105:
Downloading Media Whenever you go o
Page 106 and 107:
Looping the Presentation For a trad
Page 108 and 109:
108 Chapter 8: Presentation
Page 110 and 111:
Manipulating Windows All WATCHOUT w
Page 112 and 113:
Timeline Window The Timeline window
Page 114 and 115:
Media Window The Media window lists
Page 116 and 117:
Editing the Media File Refreshing M
Page 118 and 119:
118 Chapter 9: Windows
Page 120 and 121:
Open Opens an existing WATCHOUT pre
Page 122 and 123:
Edge-blend Curve External Serial Co
Page 124 and 125:
You can use the Replace function to
Page 126 and 127:
Outline Dimmed Images Online Update
Page 128 and 129:
described under “Pre-splitting La
Page 130 and 131:
Timeline Menu Add Pause Cue Timelin
Page 132 and 133:
132 Chapter 10: Menus
Page 134 and 135:
Removing and Duplicating Displays D
Page 136 and 137:
136 Chapter 11: Displays
Page 138 and 139:
To position selected cues, drag one
Page 140 and 141:
Cue Specifications To open a cue’
Page 142 and 143:
Tween Points Add points to a tween
Page 144 and 145:
Example; set frame 1234 as the stop
Page 146 and 147:
Code Name Description D* Acknowledg
Page 148 and 149:
148 Appendix A: Serial Protocol
Page 150 and 151:
control panel apple menu 40 date an
Page 152 and 153:
M Macromedia Director 80 Flash 80 F
Page 154 and 155:
stage adding displays 111 adding me
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