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Ramayana_VOLUME V with index

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<strong>Ramayana</strong>: A Divine Drama – Vol. V<br />

Maya-sakthi (maayaa-shakthi). Power of illusion, the veiling and<br />

projecting power of God. (Ibid)<br />

Maya is inescapable for anyone however great. It will turn them upside<br />

down in a moment. It will not loosen its grasp so long as the victim is<br />

engrossed in the belief that he is the ‘body’. It will not be frightened by<br />

the name or fame, the skill or intelligence of the person it seeks to<br />

possess. Only when the individual discards name and form, releases<br />

himself from body consciousness and establishes himself in the Atma,<br />

can he escape from the misconception that Maya inflicts. (RKRV Part I<br />

p.97)<br />

Maya, by means of its power of (1) hiding the real nature and (2)<br />

imposing the unreal over the real, makes the one-and-only Brahmam<br />

appear as Jiva, Easwara and Jagath, three entities where there is only<br />

one! The Maya faculty is latent but when it becomes patent, it takes the<br />

form of the Mind. It is then that the seedling of the huge tree (which is<br />

the Jagath) starts sprouting, putting forth the leaves of mental impulses<br />

or vasanas, and mental conclusions or sankalpas. So, all this objective<br />

world is but the proliferation or vilasa of the mind.<br />

Jiva and Easwara are caught up in this proliferation and they are<br />

inseparably intertwined in the Jagath and so, they too, are creations of<br />

mental processes like the things appearing in the dream-world. Imagine<br />

Jiva, Easwara and Jagath as having been painted. The pictorial Jagath<br />

has both Jiva and Easwara incorporated in it and all three appear as<br />

different entities though, created by the same paint. So also the same<br />

mental process creates the appearance of Jiva and Easwara as pervading<br />

and immanent, in the background of Jagath.<br />

It is Maya that produces the illusion of Jiva and Easwara and Jagath: this<br />

is declared by the Sruthis. Has not the Vasishtasmrithi made clear that<br />

mental processes are responsible for the magic dance of He and I, This<br />

and That, and Mine and His The expression “Sohamidam” found in that<br />

text indicates Jiva, Easwara and Jagath. “Sah” means He, the<br />

Unmanifested, the Super-soul, the Power beyond and Above, the<br />

Easwara.<br />

“Aham” means “I,” the entity enveloped by the consciousness of doer,<br />

etc., “Idam” means this objective world, the perceivable sense-world. So,<br />

454

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