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[A composite volume : containing The ballads and songs of Ayrshire ...

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.'<br />

things<br />

'<br />

j<br />

i<br />

) Scottish in its character. Mr Finlay deserves credit for these addi-<br />

^<br />

tional stanzas, but we are not so national as to approve <strong>of</strong> his vei'bal<br />

\ emendations. As stated by our Editor, Mr Finlay, in his historical<br />

^ <strong>ballads</strong>, endeavoured to tln-ow some light on the traditional story <strong>of</strong><br />

> Johnie Faa. According to his account, a courtly knight, who was a<br />

< lover <strong>of</strong> the lady before her marriage, carried her <strong>of</strong>f in the disguise i<br />

<strong>of</strong> a gyi^sy. Ttiis stripped the ballad <strong>of</strong> much <strong>of</strong> its romance, but<br />

;<br />

rendered it more probable. This story set certain antiquaries upon <<br />

the search, <strong>and</strong> one <strong>of</strong> them soon settled the matter by making the \<br />

/ heroine Lady Jean Hamilton, a daughter <strong>of</strong> Thomas, first Earl <strong>of</strong> j<br />

s Haddington, who was married to John, sixth Earl <strong>of</strong> Cassillis. Had<br />

I<br />

> this statement been borne out by facts, the matter would have been I<br />

I set at rest. Unfortunately our Editor has thrown great doubts on I<br />

f this " very circumstantial story," by producing a letter <strong>of</strong> the Earl <strong>of</strong><br />

'/<br />

\<br />

Cassillis, addressed to Lord Eglinton, inviting him to attend the funeral<br />

<strong>of</strong> the above mentioned Countess, wherein she is styled " my ;<br />

s deir heclfelloiv." This letter is dated Cassillis, the 1.5th December, \<br />

1642. Lord Eglinton sympathises with the noble Earl, by sajang, ;<br />

I<br />

" I am sorrowfuU from my soul for yor. Lo. great losse <strong>and</strong> heavie vij<br />

< sitation." John, the sixth Earl <strong>of</strong> Cassillis, is described as " a stern<br />

\ covenanter," but unless he was one <strong>of</strong> the greatest hypocrites that<br />

< ever lived, he could not have addressed Lord Eglinton in this manner<br />

; nor could his lordship have condoled with the Earl on the loss<br />

<strong>of</strong> his " wanton lady." From all this, it may be inferred that many<br />

are put into the mouth <strong>of</strong> '• dark tradition" which her " waver-<br />

\<br />

ing tongue" never uttered. Burns, in his Memor<strong>and</strong>um on Scottish<br />

^<br />

Song, observes, " <strong>The</strong> castle is still remaining at Maybole where his<br />

\ lordship shut up his wayward spouse, <strong>and</strong> kept her for life." On this<br />

{ tradition, two modern <strong>songs</strong> have been written to suit the beautiful<br />

air <strong>of</strong> the old ballad; one by P. F. Tytler, Esq., for Mr Thomson's<br />

musical collection—the other by Captain Gray, R.M. We shall<br />

quote a stanza or two :—<br />

from each <strong>of</strong> these <strong>songs</strong><br />

\<br />

" <strong>The</strong> bright full moon yon massy tower<br />

In silver shower is steeping,<br />

AVhere Cassillis' lost hut lovely flower<br />

Her lonely watch is keeping.<br />

Unmov'd as marble there she sits,<br />

No sense <strong>of</strong> life revealing.<br />

Save where the hectic flush by fits<br />

O'er her pale cheek is stealing.<br />

i<br />

Her fix'd ej'e seeks the west afar, (<br />

Her hair is idly streaming,<br />

And on her casement's iron bar )<br />

<strong>The</strong> taper's light is gleaming.<br />

Oh ! could she in that dungeon's gloom<br />

From Heaven one blessing borrow,<br />

It were a speedy nameless tomb<br />

j<br />

To close upon her sorrow."<br />

f<br />

It will be owned that these verses are flowing <strong>and</strong> graceful, <strong>and</strong> can-<br />

\<br />

the shape <strong>of</strong> a Lament, <strong>and</strong> it must be confessed that he has not \

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