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[A composite volume : containing The ballads and songs of Ayrshire ...

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;'<br />

Cunningham<br />

—<br />

—<br />

—<br />

i the same in both versions. We think it is not unhkely that Allan<br />

may have seen this old song—tried his h<strong>and</strong> upon it,<br />

\ <strong>and</strong>, from the credulity <strong>of</strong> Cromek, palmed it oiF upon him as " <strong>The</strong><br />

J<br />

original <strong>of</strong> Burns's Carle <strong>of</strong> Kellj'hurn Braes." <strong>The</strong> similarity be-<br />

\<br />

tween the three versions is so apparent, that two <strong>of</strong> them, evidently,<br />

\<br />

must have sprung from the same stock. A few lines from each version,<br />

placed in juxtaposition, as Dr Chalmers would say, will prove<br />

this. We shall begin with the version given by Mr Dixon in the<br />

Percy publications<br />

" <strong>The</strong>re was an old farmer in Sussex did dwell,<br />

And he had a wife as many know well.<br />

<strong>The</strong>n Satan came to the old man at the plough.<br />

One <strong>of</strong> your family I must have now.<br />

It is not your eldest son that I crave,<br />

But it is your old wife, <strong>and</strong> she I will have.<br />

* * * »<br />

Now Satan has got the auld wife on his back,<br />

And he lugged her along, like a pedlar's pack.<br />

<strong>The</strong>y trudged away till they came to his hall gate, &c.<br />

» * * *<br />

She spied thirteen imps all dancing in chains,<br />

She up with her pattens, <strong>and</strong> beat out their brains !"<br />

<strong>The</strong> characteristic touch <strong>of</strong> the old shrew, in italics, has been overlooked<br />

in the versions <strong>of</strong> Burns <strong>and</strong> Cunningham. Perhaps the instruments<br />

<strong>of</strong> destruction not being peculiarly Scottish, was the occasion<br />

<strong>of</strong> this omission.<br />

<strong>The</strong> following is from Cromek's Remains, &c. :<br />

" <strong>The</strong>re was an auld man was h<strong>and</strong>ing his plow,<br />

By came the Devil, says, ' How do you do '<br />

It's neither your ox, nor your ass that I crave,<br />

But your auld scalding wife, man, <strong>and</strong> her I maun have.<br />

* * * *<br />

<strong>The</strong> Devil he mounted her on his back,<br />

And awa' like a pedlar he trudged wi' his pack.<br />

He carried her on till he came to h—I's door," &c.<br />

As Burns's version is so well known, it is needless to give any extracts<br />

from it. It ditfei's very little in the introductory lines from the<br />

specimens we have given above, <strong>and</strong> takes away all his claims to originality,<br />

if the version given by Mr Dixon is really ancient, which we<br />

are inclined to believe.* After all, the sparkling vrit, <strong>and</strong> the rough<br />

* <strong>The</strong> next song in Mr Dixon's Collection, No. XXV. p. 211, " <strong>The</strong> Wichet<br />

<strong>and</strong> his Wife," is an English version <strong>of</strong> " Our C4udeman cam hame at e'en." Mr<br />

Dixon '• cannot give an opinion as to which is the original, but the English set<br />

is <strong>of</strong> unquestionable antiquity." If the worst set <strong>of</strong> a song is to be held as the<br />

original, then this English one has high claims. <strong>The</strong> humour in it is wholly destroyed<br />

by the incidents being brought in, " by one, by two, <strong>and</strong> by three," until<br />

at last,<br />

"Oil went into the chamber, <strong>and</strong> there for to see.<br />

And there I saw three men ."<br />

After this, it is high time to drop the curtain.<br />

<strong>The</strong> Scots have it.

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