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[A composite volume : containing The ballads and songs of Ayrshire ...

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i<br />

names<br />

—:<br />

REMARKS.<br />

overcome all the difficulties to which this mode <strong>of</strong> composition has<br />

subjected him. At the same time, it will be owned that it is mvich<br />

easier to sing about the captive lady than to put words in her mouth :<br />

" O let not woman after me<br />

Exult in youth <strong>and</strong> beauty.<br />

My een, that once were bonnie blue,<br />

Love's saftest glances flinging.<br />

Are dimm'd, alas ! by sorrowing dew<br />

From misery's fountain springing<br />

My hair that once was lang <strong>and</strong> sleek,<br />

Wi' grief is fast decaying :<br />

And tears find channels down that cheek<br />

Where rosy smiles were playing.<br />

Now spring has flung o'er field <strong>and</strong> flower<br />

<strong>The</strong> garment <strong>of</strong> her gladness :<br />

While here I sit in prison tower<br />

In mair than winter's sadness :<br />

<strong>The</strong> wild birds flit frae tree to tree<br />

<strong>The</strong> grove's wi' music ringing :<br />

O I was ance as blythe <strong>and</strong> free<br />

As onie bird that's singing !"<br />

<strong>The</strong> ballad entitled Gypsy Davie, first printed by Motherwell, in his<br />

Minstrelsy, is evidently a modern <strong>of</strong>fshoot from the old version, <strong>of</strong> no<br />

value ;—vulgar in its language, <strong>and</strong> reckless in its rhymes,<br />

" We wonder how the d—1 it got there !"<br />

It is just such a copy as might have been picked up by a certain antiquary<br />

in the " North Countrie."<br />

<strong>The</strong> Editor still believes—^<strong>and</strong> we agree with him in thinking—^that<br />

\ this ballad was founded upon a reality ; but if so, it is clear, that the<br />

antiquaries must search for some one else as the heroine than Lady<br />

Jean Hamilton, the sixth Countess <strong>of</strong> Cassillis.<br />

^<br />

( " Johnie Faa was no imaginary character. He was the acknow-<br />

\ ledged head <strong>of</strong> the Egyptians, or Gypsies, in Scotl<strong>and</strong> ;" <strong>and</strong> the Edi-<br />

/ tor produces a letter under the Privy Seal, by King James V., in fa-<br />

vour<br />

j<br />

<strong>of</strong> " Johnie Faa, Lord <strong>and</strong> Erie <strong>of</strong> Litill Egypt." February 15, |<br />

1540. This curious document, which is given at length, contains the '<br />

I<br />

<strong>of</strong> twelve <strong>of</strong> Johnie's company <strong>and</strong> folks—all <strong>of</strong> them, appar-<br />

\<br />

|<br />

|<br />

J<br />

ently, <strong>of</strong> foreign extraction, who, if caught, were to be " pvmist con- ]<br />

< forme to the lawis <strong>of</strong> Eigpt." We know not what " the lawis <strong>of</strong><br />

> Eigpt " were, but doubt not, that if any <strong>of</strong> Johnie's rebellious sub-<br />

\ jects had fallen into his h<strong>and</strong>s, he would have executed the said lawis<br />

J<br />

\<br />

upon them in as summary a manner as King James the Fifth did<br />

upon Johnie Armstrong <strong>and</strong> his men—as disgraceful an act <strong>of</strong> treach-<br />

! ery as ever was perpetrated by Turk or tyrant ; not that the riever<br />

\<br />

did not deserve his fate, but that "the deed was foully done." Truth<br />

in those days must have been lying at the bottom <strong>of</strong> an unfathom-<br />

J<br />

\ able well, when even the tvord <strong>of</strong> a King could not be trusted ! In<br />

this case, while justice grasped the sword, she must have dropped her<br />

balance.<br />

Lady Mary Ann, <strong>The</strong> Editor does not seem to be aware that we<br />

|<br />

^<br />

|

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