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[A composite volume : containing The ballads and songs of Ayrshire ...

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;<br />

HUGHIE GRAHAM.<br />

Thy weeping's sairer on my heart<br />

Than a' that they can do to me.<br />

And ye may gi'e my brother John<br />

My sword that's bent in the middle clear,<br />

And let him come at twelve o'clock,<br />

And see me pay the bishop's mare.<br />

And ye may gi'e my brother James<br />

My sword that's bent in the middle brown,<br />

And bid him come at four o'clock,<br />

And see his brother Hugh cut down.<br />

Remember me to Maggie my wife.<br />

<strong>The</strong> neist time ye gang o'er the muir.<br />

Tell her she staw the bishop's mare.<br />

Tell her she was the bishop's w—e.<br />

And ye may tell my kith <strong>and</strong> kin,<br />

I never did disgrace their blood<br />

And when they meet with the bishop's cloak,<br />

To mak' it shorter by the hood.<br />

Burns says, in his " Notes on Scottish Song," " there are several editions<br />

<strong>of</strong> this ballad.<br />

This here inserted is from oral tradition in <strong>Ayrshire</strong>, where,<br />

when I was a boy, it was a popular song.<br />

It originally had a simple old<br />

tune, which I have forgotten."<br />

<strong>The</strong> poet is somewhat mistaken, however.<br />

He makes the scene <strong>of</strong> the tragedy Stirling, whereas it should be Carlisle.<br />

<strong>The</strong> Bishop <strong>of</strong> Carlisle, it is said, about 1560, seduced the wife <strong>of</strong> Hughie<br />

Graham, a Scottish borderer. In revenge Graham stole from the bishop<br />

a fine mare, but was taken <strong>and</strong> executed, the bishop being resolved to remove<br />

the main obstacle to the indulgence <strong>of</strong> his guilty passion. " Burns<br />

did not cJioose," says Cromek, " to be quite correct in stating, that this<br />

copy <strong>of</strong> the ballad <strong>of</strong> Hughie Graham is<br />

printed from oral tradition in<br />

<strong>Ayrshire</strong>. <strong>The</strong> truth is, that four <strong>of</strong> the stanzas are either altered or supper-added<br />

by himself. Of this number the third <strong>and</strong> eighth are original;<br />

the ninth <strong>and</strong> tenth have received his original corrections. Perhaps pathos<br />

49

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