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[A composite volume : containing The ballads and songs of Ayrshire ...

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HAKDYKNUTE.<br />

<strong>of</strong> clues. A suspicion arose that it was liei' own composition. Some<br />

able judges asserted it [to] be modern.<br />

acknowledge it to be so.<br />

<strong>The</strong> lady did, in a manner,<br />

Being desired to show an additional stanza,<br />

as a pro<strong>of</strong> <strong>of</strong> this, she produced the three last, beginning with " loud<br />

<strong>and</strong> shiill," &c., which were not in the copy that was first printed.<br />

<strong>The</strong> late Lord President Forbes,* <strong>and</strong> Mr Gilbert Elliot <strong>of</strong> Minto<br />

(now Lord Justice-Clerk for Scotl<strong>and</strong>), who had believed it ancient,<br />

contributed to the expense <strong>of</strong> printing the first edition, which came<br />

out in folio about the year 1720. This account is transmitted from<br />

\ Scotl<strong>and</strong> by a gentleman <strong>of</strong> distinguished rank, learning, <strong>and</strong> genius,<br />

\ who yet is <strong>of</strong> opinion, that part <strong>of</strong> the ballad may be ancient, but re-<br />

\<br />

touched <strong>and</strong> much enlarged by the lady above mentioned. Indeed,<br />

he hath been informed that the late William Thomson, the Scottish<br />

musician, who published the Orpheus Caledonius, 1733, 2 vols. 8vo,<br />

declared he had heard fragments <strong>of</strong> it repeated during his infancy,<br />

before ever Mrs Wardlaws' copy was heard <strong>of</strong>."<br />

<strong>The</strong> suspicion thus hinted by Dr Percy has long<br />

as an established fact.<br />

since been held<br />

<strong>The</strong> way in which Lady Wardlaw played <strong>of</strong>f<br />

the hoax is thus related by more recent commentators :<br />

" She caused<br />

her brother-in-law, Sir John Bruce <strong>of</strong> Kinross, to communicate the \<br />

MS. to Lord Binning (son <strong>of</strong> the poetical Earl <strong>of</strong> Haddington, <strong>and</strong> s<br />

'<br />

himself a poet) with the following account : In perfoi-mance <strong>of</strong> my<br />

|<br />

promise, I send you a true copy <strong>of</strong> the manuscript I found, a few<br />

weeks ago, in an old vault at Dunfennline. It is written on vellum,<br />

in a fair Gothic character, but so much defaced by time, as you will<br />

find, that the tenth part is not legible.'" This is a different version<br />

from the finding <strong>of</strong> it in the " bottoms <strong>of</strong> clues."<br />

In confirmation <strong>of</strong><br />

the ballad being modern, it is said " that Mr Hepburn <strong>of</strong> Keith, a<br />

gentleman well known in the early part <strong>of</strong> last century, <strong>of</strong>ten declared<br />

that he was in the house with Lady Wardlaw at the time she wrote<br />

it ; <strong>and</strong> Mrs Wedderburn <strong>of</strong> Gasford, Lady Wardlaw's daughter, <strong>and</strong><br />

Mrs Menzies <strong>of</strong> Woodend, her sister-in-law, used to be equally positive<br />

as to the fact."t<br />

Notwithst<strong>and</strong>ing this testimony, there still seems to be some<br />

ground for the opinion <strong>of</strong> Dr Percy's correspondent, " that part <strong>of</strong><br />

* Duncan Forbes <strong>of</strong> Culloden.<br />

f<br />

Chambers' Ballads.<br />

46

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