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[A composite volume : containing The ballads and songs of Ayrshire ...

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HARDYKNUTE.<br />

the ballad may be ancient." Mi* Hepburn <strong>and</strong> the ladies mentioned<br />

I<br />

I<br />

may have seen Lady Wardlaw writing copies <strong>of</strong> Hardyknute, but it<br />

is very questionable if they saw her in the act <strong>of</strong> composing the<br />

\<br />

verses. <strong>The</strong> presence <strong>of</strong> people is not usually favourable to the<br />

cogitations <strong>of</strong> the muse. On the other h<strong>and</strong>, we have the positive<br />

assurance <strong>of</strong> the author <strong>of</strong> " Orpheus Caledonius," that he had frequently<br />

heard fragments <strong>of</strong> the ballad in his youth. <strong>The</strong>re is, indeed,<br />

/ an air <strong>of</strong> antiquity in the very conception <strong>of</strong> it, <strong>and</strong> a degree <strong>of</strong> unin-<br />

< telligibloness about the story, which could scarcely fall to be devised<br />

\ by a modern writer. Lady Wardlaw is not known to have produced<br />

j<br />

any other poem, ballad, or song <strong>of</strong> any merit—<strong>and</strong> we hold the<br />

i authorship at all times questionable, where an individual has produced<br />

one good thing <strong>and</strong> no more. Lady Wardlaw, at the same<br />

time, cannot be denied the merit <strong>of</strong> having retouched <strong>and</strong> enlarged<br />

the fragment, which she has done in admirable keeping with the<br />

spirit <strong>of</strong> the original.<br />

<strong>The</strong> set <strong>of</strong> the ballad we have given, is a literal copy from the<br />

original folio edition, " printed by James Watson, Printer to the<br />

King's most Excellent Majesty, mdccxix"—^the edition referred<br />

to in the note <strong>of</strong> Dr Percy. It seems to be very rare—<strong>and</strong> is an<br />

excellent specimen <strong>of</strong> the art <strong>of</strong> typography in Scotl<strong>and</strong> at the time.<br />

<strong>The</strong> copy—rescued from the rapacious h<strong>and</strong>s <strong>of</strong> a snuff-dealer—came<br />

accidentally into our possession. <strong>The</strong>re are Hvelve additional verses<br />

in the ballad in the Reliques— a fact which Dr Percy does not<br />

seem to have been aware <strong>of</strong>, in referring to the " three last," beginning<br />

with " loud <strong>and</strong> shrill," &c., as those produced by Lady Wardlaw<br />

in pro<strong>of</strong> <strong>of</strong> the ballad being modern. We have chosen to abide<br />

by the fragment as it st<strong>and</strong>s in the folio edition. It is, perhaps,<br />

worthy <strong>of</strong> remark, that the spelling is much more modern than it is<br />

in the Reliques, or in any subsequent collection. A single verse will<br />

show this :<br />

" Robin <strong>of</strong> Rothsay, bend thy bow.<br />

Thy arrows schute sae leil,<br />

Mony a comely countenance<br />

<strong>The</strong>y half turn 'd to deidly pale.<br />

Brade Thomas tak ze but zour lance,<br />

Ze neid nae weapons niair,<br />

Gif ze ficht weit as ze did anes<br />

'Gainst Westmorl<strong>and</strong>'s fers heir."<br />

What object there was in thus affecting the antique in subsequent<br />

editions does not appear.<br />

47

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