[A composite volume : containing The ballads and songs of Ayrshire ...
[A composite volume : containing The ballads and songs of Ayrshire ...
[A composite volume : containing The ballads and songs of Ayrshire ...
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J<br />
'',<br />
indulged<br />
—<br />
;<br />
;<br />
!<br />
;<br />
writings are extant, seems to have occupied a prominent place among the<br />
earlier poets <strong>of</strong> Scotl<strong>and</strong>.<br />
He is spoken <strong>of</strong> both by Douglas <strong>and</strong> Lindsay<br />
as an eminent contemporary. <strong>The</strong> former, in his " Court <strong>of</strong> the Muses,"<br />
|<br />
i styles him " <strong>The</strong> Greit Kennedie." He is now chiefly known, however,<br />
\<br />
I<br />
by his Flyting with Dunbar; which was published so early as 1508, <strong>and</strong><br />
] became very popular. This was a speci«s <strong>of</strong> poetical amusement frequently<br />
in both before <strong>and</strong> after his time. At a much later period, the<br />
\<br />
practice continued amongst the Highl<strong>and</strong> Bards, <strong>and</strong> gave rise occasionally<br />
|<br />
|<br />
|<br />
\ to no small local irritation. It must have been, at best, a dangerous pas- i<br />
X time. <strong>The</strong> great obj ect was to excel in ribaldi'y ; <strong>and</strong> he who could say \<br />
\ the most biting <strong>and</strong> derogatory things <strong>of</strong> his opponent, carried away the<br />
|<br />
\<br />
palm <strong>of</strong> victory. <strong>The</strong> " Flyting between Dunbar <strong>and</strong> Kennedie" affords }<br />
\<br />
a favourable specimen <strong>of</strong> the railing powers <strong>of</strong> both : indeed, it would be \<br />
difficult to determine on which side the mastery lies. <strong>The</strong> language, i<br />
however, is in many instances, too gross for modern ears. A single verse<br />
\<br />
from each may serve as a specimen. <strong>The</strong> orthography is somewhat \<br />
modernised :<br />
\<br />
(DuNBAB TO Kennedy.)<br />
|<br />
Thou speirs, dastard, if I dare with tliee fecht \<br />
Ye dagone, dovrbart, there<strong>of</strong> have thou no doubt \<br />
Wherever we meet thereto my h<strong>and</strong> I hecht<br />
|<br />
To red thy ribbald rhymings with a route<br />
Through all Britain it shall be blawn out,<br />
How that thou, poisoned pelour,* gat thy paiks<br />
With ane dog-leech I shape to gar thee shout.<br />
And neither to thee take knife, sword, nor ax<br />
!<br />
(Kennedy to<br />
Ddnbae.)<br />
'.<br />
Insensate sow, cease false Eustace air<br />
And knaw, keen scald, I hald <strong>of</strong> Alathia,<br />
And cause me not the cause lang to declare<br />
Of thy curst kin, Deulbeir <strong>and</strong> his Allia ;<br />
Come to the cross on knees, <strong>and</strong> mak a cria<br />
Confess thy crime, hald Kennedy thy king.<br />
And with a hawthorn scourge thyself <strong>and</strong> ding ;<br />
Thus dree thy penance with ' Deliquisti quia.'<br />
* Thief.<br />
84