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[A composite volume : containing The ballads and songs of Ayrshire ...

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J<br />

'',<br />

indulged<br />

—<br />

;<br />

;<br />

!<br />

;<br />

writings are extant, seems to have occupied a prominent place among the<br />

earlier poets <strong>of</strong> Scotl<strong>and</strong>.<br />

He is spoken <strong>of</strong> both by Douglas <strong>and</strong> Lindsay<br />

as an eminent contemporary. <strong>The</strong> former, in his " Court <strong>of</strong> the Muses,"<br />

|<br />

i styles him " <strong>The</strong> Greit Kennedie." He is now chiefly known, however,<br />

\<br />

I<br />

by his Flyting with Dunbar; which was published so early as 1508, <strong>and</strong><br />

] became very popular. This was a speci«s <strong>of</strong> poetical amusement frequently<br />

in both before <strong>and</strong> after his time. At a much later period, the<br />

\<br />

practice continued amongst the Highl<strong>and</strong> Bards, <strong>and</strong> gave rise occasionally<br />

|<br />

|<br />

|<br />

\ to no small local irritation. It must have been, at best, a dangerous pas- i<br />

X time. <strong>The</strong> great obj ect was to excel in ribaldi'y ; <strong>and</strong> he who could say \<br />

\ the most biting <strong>and</strong> derogatory things <strong>of</strong> his opponent, carried away the<br />

|<br />

\<br />

palm <strong>of</strong> victory. <strong>The</strong> " Flyting between Dunbar <strong>and</strong> Kennedie" affords }<br />

\<br />

a favourable specimen <strong>of</strong> the railing powers <strong>of</strong> both : indeed, it would be \<br />

difficult to determine on which side the mastery lies. <strong>The</strong> language, i<br />

however, is in many instances, too gross for modern ears. A single verse<br />

\<br />

from each may serve as a specimen. <strong>The</strong> orthography is somewhat \<br />

modernised :<br />

\<br />

(DuNBAB TO Kennedy.)<br />

|<br />

Thou speirs, dastard, if I dare with tliee fecht \<br />

Ye dagone, dovrbart, there<strong>of</strong> have thou no doubt \<br />

Wherever we meet thereto my h<strong>and</strong> I hecht<br />

|<br />

To red thy ribbald rhymings with a route<br />

Through all Britain it shall be blawn out,<br />

How that thou, poisoned pelour,* gat thy paiks<br />

With ane dog-leech I shape to gar thee shout.<br />

And neither to thee take knife, sword, nor ax<br />

!<br />

(Kennedy to<br />

Ddnbae.)<br />

'.<br />

Insensate sow, cease false Eustace air<br />

And knaw, keen scald, I hald <strong>of</strong> Alathia,<br />

And cause me not the cause lang to declare<br />

Of thy curst kin, Deulbeir <strong>and</strong> his Allia ;<br />

Come to the cross on knees, <strong>and</strong> mak a cria<br />

Confess thy crime, hald Kennedy thy king.<br />

And with a hawthorn scourge thyself <strong>and</strong> ding ;<br />

Thus dree thy penance with ' Deliquisti quia.'<br />

* Thief.<br />

84

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