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Common_Errors_in_English_usage

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a flat platform onto which goods are loaded.<br />

PARALLEL/SYMBOL<br />

Beg<strong>in</strong>n<strong>in</strong>g literature students often write sentences like this: "He uses<br />

the rose as a parallel for her beauty" when they mean "a symbol of her<br />

beauty." If you are tak<strong>in</strong>g a literature class, it's good to master the<br />

dist<strong>in</strong>ctions between several related terms relat<strong>in</strong>g to symbolism. An<br />

eagle clutch<strong>in</strong>g a bundle of arrows and an olive branch is a symbol of<br />

the US government <strong>in</strong> war and peace.<br />

Students often misuse the word "analogy" <strong>in</strong> the same way. An analogy has<br />

to be specifically spelled out by the writer, not simply referred to:<br />

"My mother's attempts to f<strong>in</strong>d her keys <strong>in</strong> the morn<strong>in</strong>g were like early<br />

expeditions to the South Pole: prolonged and mostly futile."<br />

A metaphor is a k<strong>in</strong>d of symbolism common <strong>in</strong> literature. When Shakespeare<br />

writes "That time of year thou mayst <strong>in</strong> me behold/When yellow leaves, or<br />

none, or few, do hang/Upon those boughs which shake aga<strong>in</strong>st the cold" he<br />

is compar<strong>in</strong>g his ag<strong>in</strong>g self to a tree <strong>in</strong> late autumn, perhaps even<br />

specifically suggest<strong>in</strong>g that he is go<strong>in</strong>g bald by referr<strong>in</strong>g to the tree<br />

shedd<strong>in</strong>g its leaves. This autumnal tree is a metaphor for the human<br />

ag<strong>in</strong>g process.<br />

A simile resembles a metaphor except that "like" or "as" or someth<strong>in</strong>g<br />

similar is used to make the comparison explicitly. Byron admires a<br />

dark­haired woman by say<strong>in</strong>g of her "She walks <strong>in</strong> beauty, like the<br />

night/Of cloudless climes and starry skies." Her darkness is said to be<br />

like that of the night.<br />

An allegory is a symbolic narrative <strong>in</strong> which characters may stand for<br />

abstract ideas, and the story convey a philosophy. Allegories are no<br />

longer popular, but the most commonly read one <strong>in</strong> school is Dante's<br />

"Div<strong>in</strong>e Comedy" <strong>in</strong> which the poet Virgil is a symbol for human wisdom,<br />

Dante's beloved Beatrice is a symbol of div<strong>in</strong>e grace, and the whole poem<br />

tries to teach the reader how to avoid damnation. Aslan <strong>in</strong> C. S. Lewis'<br />

Narnia tales is an allegorical figure meant to symbolize Christ: dy<strong>in</strong>g<br />

to save others and ris<strong>in</strong>g aga<strong>in</strong> ("aslan" is Turkish for "lion").<br />

PARALLELLED/PARALLELED<br />

The spell<strong>in</strong>g of the past tense of "parallel" is "paralleled."<br />

PARALLELISM IN A SERIES<br />

Phrases <strong>in</strong> a series separated by commas or conjunctions must all have<br />

the same grammatical form. "They loved mounta<strong>in</strong>­climb<strong>in</strong>g, to gather<br />

wild mushrooms, and first aid practice" should be corrected to someth<strong>in</strong>g<br />

like this: "They loved to climb mounta<strong>in</strong>s, gather wild mushrooms, and<br />

practice first aid" (all three verbs are dependent on that <strong>in</strong>itial<br />

"to"). Fear of be<strong>in</strong>g repetitious often leads writers <strong>in</strong>to awkward<br />

<strong>in</strong>consistencies when creat<strong>in</strong>g such series.<br />

PARALYZATION/PARALYSIS

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