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BAJUTSU<br />

3 points<br />

Bajutsu was the traditional Japanese art of horsemanship.<br />

It taught the horseman how to control his mount. He<br />

had to study fighting from his mount separately. Other cultures<br />

that employed cavalry took a similar approach and<br />

had identical styles. Riders trained in Bajutsu or its equivalent<br />

should study an armed style separately or merge its<br />

techniques with those of Bajutsu via the Style Adaptation<br />

perk. For candidate styles, see Armatura Equestris (p. 150),<br />

Furusiyya (pp. 159-161), Knightly Mounted Combat (pp. 175-<br />

177), and Yabusame (p. 181).<br />

Cinematic Bajutsu masters often have fantastic mounts<br />

and/or high levels of Animal Friend. They can also learn<br />

unique specialties of certain cinematic skills that enable<br />

them to augment their mount’s abilities. These skills can’t<br />

exceed the horseman’s Riding skill, and work on the horse –<br />

not the rider.<br />

Skills: Animal Handling (Equines); Riding (Horse).<br />

Techniques: Combat Riding; Hands-Free Riding; Quick<br />

Mount; Staying Seated.<br />

Cinematic Skills: Flying Leap (Horse); Immovable Stance<br />

(Horse); Light Walk (Horse).<br />

Perks: Style Adaptation (Any mounted style).<br />

Optional Traits<br />

Advantages: Ally (Mount); Animal Empathy; Animal<br />

Friend; Signature Gear (Mount); Speak With Animals<br />

(Horses, -80%).<br />

Disadvantages: Sense of Duty (Animals).<br />

Skills: Acrobatics; Savoir-Faire (Dojo).<br />

Techniques: Cavalry Training; Horse Archery; Mounted<br />

Shooting.<br />

BANDO<br />

Bando is one of a range of Burmese martial arts that fall<br />

under the umbrella term Thaing. Prior to World War II,<br />

there were nine regional Bando styles. After WWII, most of<br />

these merged into ABA Bando, which is now common<br />

worldwide. This style appears below, along with the rarer<br />

Kachin Bando.<br />

Bando is famous for its many animal forms, each of<br />

which represents an aspect of the style. Only the master’s<br />

family learns the full style. This helps keep the style “pure”<br />

and prevents outsiders from learning all of the master’s<br />

tricks.<br />

All Bando styles practice physical toughening techniques<br />

such as striking tree trunks, heavy bags, or other hard<br />

objects. Physical fitness is emphasized – as is heedlessness<br />

of death.<br />

ABA Bando<br />

4 points<br />

Dr. Maung Gyi – son of one of the men who developed<br />

Bando after World War II – introduced Bando to the U.S. in<br />

1959, formed the American Bando Association (ABA), and<br />

founded its namesake style. ABA Bando is a powerful style<br />

meant for self-defense and combat situations. The ABA<br />

Bando Animal<br />

Forms<br />

Bando contains various animal forms, the exact<br />

number of which depends on the specific school.<br />

There are typically 12 in ABA Bando (boar, bull,<br />

cobra, deer, eagle, monkey, paddy bird, panther,<br />

python, scorpion, tiger, and viper) and 16 in Kachin<br />

Bando (barking deer, boar, bull, cobra, crocodile,<br />

eagle, monkey, paddy bird, panther, python, scorpion,<br />

sun bear, tiger, viper, white elephant, and white<br />

rhino). These forms aren’t sub-styles! They describe<br />

the personality, tactics, and favored techniques of the<br />

fighter – not of Bando itself. They also differ from<br />

kung fu animal forms, which aim to replicate the animal’s<br />

tactics.<br />

The lineage holder and his immediate family train<br />

in all of Bando’s techniques and skills. Outsiders,<br />

even trusted students, learn only the small subset of<br />

moves appropriate to their animal form. This makes<br />

them effective fighters . . . but they lack the gamut of<br />

skills necessary to defeat the lineage holder and his<br />

family. A student who wishes to learn the full style<br />

must persuade his master to part with a family secret<br />

– or to let him join the family.<br />

The GM may wish to treat each animal form as a<br />

separate Style Familiarity – e.g., Style Familiarity<br />

(Kachin Bando, Bull Form) – and reserve the full version<br />

– e.g., Style Familiarity (Kachin Bando) – for the<br />

lineage holder and his family.<br />

describes it as the “Jeep of martial arts”: practical and reliable,<br />

but free of frills.<br />

Stylists are known for their aggressiveness. Attacks are<br />

fast and continuous, aimed at overwhelming and defeating<br />

the foe. Rapid Strike and All-Out Attack (Double) are very<br />

common as the practitioner rains down blows on his adversary.<br />

He’ll attack the legs in order to disable his opponent,<br />

and then switch his attention to the skull, face, and body to<br />

finish him. The goal is a rapid and decisive victory. The precise<br />

methodology depends on the fighter’s animal form.<br />

Deer emphasizes flight and escape, snake focuses more on<br />

grapples and chokes, boar prefers a full-bore, head-on<br />

attack heedless of injury, and so on; see Bando Animal<br />

Forms (see above).<br />

ABA Bando has a belt system like that of the Japanese<br />

martial arts, and students also wear the gi. Many techniques<br />

are adaptations from non-Burmese systems. This makes the<br />

system more eclectic and flexible but subjects it to claims<br />

that it’s “watered down.” Instruction in ABA Bando is available<br />

worldwide.<br />

Skills: Judo; Karate; Savoir-Faire (Dojo).<br />

Techniques: Aggressive Parry (Karate); Arm Lock;<br />

Counterattack (Karate); Elbow Strike; Hammer Fist; Head<br />

Butt; Head Lock; Knee Strike; Stamp Kick.<br />

Cinematic Skills: Breaking Blow; Mental Strength; Power<br />

Blow.<br />

Cinematic Techniques: Roll with Blow.<br />

STYLES 151

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