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Iaijutsu<br />
5 points<br />
Iaijutsu is the Japanese art of drawing a weapon and<br />
striking or parrying with it in a single motion. It rose to<br />
prominence during a period when samurai were routinely<br />
armed but not typically in combat. (In battle, they’d ready<br />
their weapons before engaging the enemy!) It fell into disfavor<br />
after “crossroad cuttings” – practicing Iaijutsu skills on<br />
convenient passersby – became common.<br />
Swordsmen often studied Iaijutsu alongside<br />
Kenjutsu (above) or Nito Ryu (below).<br />
Iaijutsuka (Iaijutsu stylists) focus on two<br />
sets of tactics. Defensively, they practice drawing<br />
the sword to fend off blows – especially surprise<br />
attacks. Offensively, they learn to draw<br />
and strike before their victim can react.<br />
The iaijutsuka doesn’t necessarily expect to<br />
win the fight with his initial strike. He remains<br />
poised to deliver second and later attacks<br />
should his foe survive the first one. After dispatching<br />
his enemy, he composes himself while<br />
remaining wary; treat this as a Wait maneuver.<br />
Once it’s clear that no further threat remains, the<br />
iaijutsuka cleans his blade before sheathing it.<br />
The motion used to clean blood from the blade is called<br />
chiburi. This automatically follows many Iaijutsu moves,<br />
whether or not the iaijutsuka plans to sheathe his weapon.<br />
It can consist of a broad, swinging motion, a wrist snap, or<br />
spinning the sword. Flicking the blood of a fallen enemy<br />
from the blade used to cut him down can impress onlookers<br />
and surviving foes – roll a free Intimidation attempt! In cinematic<br />
and fantasy games, chiburi is also useful for removing<br />
corrosive monster blood, incriminating poison, etc.<br />
Skills: Broadsword; Broadsword Art; Fast-Draw (Sword);<br />
Two-Handed Sword.<br />
Techniques: Back Strike (Broadsword or Two-Handed<br />
Sword); Low Fighting (Broadsword or Two-Handed<br />
Sword); Targeted Attack (Broadsword or Two-Handed<br />
Sword Swing/Arm); Targeted Attack (Broadsword or Two-<br />
Handed Sword Swing/Neck); Targeted Attack (Broadsword<br />
or Two-Handed Sword Swing/Skull); Targeted Attack<br />
(Broadsword or Two-Handed Sword Thrust/Neck); Targeted<br />
Attack (Broadsword or Two-Handed Sword Thrust/Vitals).<br />
Cinematic Skills: Mental Strength; Precognitive Parry.<br />
Cinematic Techniques: Springing Attack (Broadsword or<br />
Two-Handed Sword); Timed Defense (Broadsword or Two-<br />
Handed Sword).<br />
Perks: Grip Mastery (Katana); Quick-Sheathe (Sword);<br />
Shtick (Chiburi).<br />
Optional Traits<br />
Secondary Characteristics: Improved Basic Speed and<br />
Per.<br />
Advantages: Combat Reflexes; Danger Sense; Language<br />
(Japanese).<br />
Disadvantages: Reputation (For crossroad cutting).<br />
Skills: Meditation; Observation; Savoir-Faire (Dojo);<br />
Shortsword; Shortsword Art.<br />
Perks: Weapon Bond.<br />
Nito Ryu<br />
3 points<br />
Nito Ryu (“two swords school”) is a term used for Hyoho<br />
Niten Ichi Ryu, the Kenjutsu style founded by Musashi<br />
Miyamoto (pp. 21-22) in 17th-century Japan. Musashi felt<br />
that holding a sword in two hands restricted the wielder’s<br />
movements, limited his defensive and offensive options, and<br />
was impossible on horseback or when carrying a second<br />
weapon (such as a spear or bow) for battle.<br />
He developed a style that used the<br />
katana in one hand, freeing the other<br />
to use the wakizashi (shortsword)<br />
simultaneously or to hold another<br />
weapon. Although heavily identified<br />
with the sword, Musashi also learned<br />
to use the jitte (p. 217) from his family’s<br />
martial-arts training, and modern<br />
schools teach this to advanced<br />
students.<br />
Nito Ryu can be very aggressive,<br />
attacking with both blades at once or<br />
using them alternately to rain down<br />
blows. Stylists wield their weapons<br />
forcefully, using Committed Attack or<br />
even All-Out Attack (Double) to overwhelm their foe. When<br />
armed with two swords, they favor Dual-Weapon Attack –<br />
often using one blade to feint (or to Beat; see pp. 100-101)<br />
and the other to attack. Nito Ryu makes regular use of both<br />
weapons to fend off single-weapon attacks (see Cross Parry,<br />
p. 121), followed by a Counterattack. Overall, it eschews<br />
defensive tactics in favor of overpowering the foe.<br />
Musashi was known for his aggressiveness and his disdain<br />
for many of the trappings of the samurai. His impressive<br />
success record in mortal duels also gave him a reputation<br />
for bloodthirstiness. Nito Ryu stylists may choose to<br />
duplicate their style founder’s less-praiseworthy traits as<br />
well as his skills.<br />
Skills: Broadsword; Shortsword.<br />
Techniques: Counterattack (Broadsword or Shortsword);<br />
Feint (Broadsword or Shortsword); Targeted Attack<br />
(Broadsword or Shortsword Swing/Arm); Targeted Attack<br />
(Broadsword or Shortsword Swing/Neck); Targeted Attack<br />
(Broadsword or Shortsword Swing/Skull); Targeted Attack<br />
(Broadsword or Shortsword Thrust/Neck); Targeted Attack<br />
(Broadsword or Shortsword Thrust/Vitals).<br />
Cinematic Skills: Mental Strength; Power Blow.<br />
Cinematic Techniques: Dual-Weapon Attack (Broadsword<br />
or Shortsword); Dual-Weapon Defense (Broadsword or<br />
Shortsword); Timed Defense (Broadsword or Shortsword);<br />
Whirlwind Attack (Broadsword or Shortsword).<br />
Perks: Off-Hand Weapon Training (Shortsword);<br />
Unusual Training (Dual-Weapon Attack, Both attacks must<br />
target the same foe).<br />
Gada<br />
174 STYLES<br />
Optional Traits<br />
Advantages: Ambidexterity; Combat Reflexes; Language<br />
(Japanese).