Digesting Jung: Food for the Journey - Inner City Books
Digesting Jung: Food for the Journey - Inner City Books
Digesting Jung: Food for the Journey - Inner City Books
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110 More on Fantasies<br />
“Yes, <strong>the</strong> ‘poor me’ syndrome,” he nodded, “heavily laced with<br />
inflation, <strong>the</strong> feeling of being special—nobody suffers as much as<br />
you do. As if depression played favorites.”<br />
I swallowed that and worked on it.<br />
Every time I went to analysis I took something new. Once I<br />
made a pair of clay penises. One was tiny, a shriveled little thing;<br />
<strong>the</strong> o<strong>the</strong>r was erect and powerful. We set <strong>the</strong>m up between us.<br />
“David and Goliath?” said my analyst.<br />
“Bud Abbott and Lou Costello?” I suggested. “Mutt and Jeff?”<br />
One of my first sketches showed a woman tied to a rock. Right<br />
away I tagged it as <strong>the</strong> feminine fused with matter, which I knew<br />
related symbolically to <strong>the</strong> Eve stage of anima development—being<br />
mo<strong>the</strong>r-bound. I described it to my analyst as my mountain-anima<br />
because it reminded me of fairy tales where <strong>the</strong> princess is imprisoned<br />
on top of a mountain.<br />
“A real swee<strong>the</strong>art,” he observed. “But she has no feet.”<br />
I took this to mean that my feelings weren’t grounded, and I<br />
worked on that too.<br />
Writing is <strong>for</strong> many <strong>the</strong> most satisfying <strong>for</strong>m of active imagination.<br />
You have a dialogue with what’s going on inside. You conjure<br />
up an image of what you’re feeling, personify it and talk to it, <strong>the</strong>n