Architect Drawings : A Selection of Sketches by World Famous Architects Through History

NOTES
1. The whole body is involved in the act of memory, since memory, and especially body memory, is
a priori; constantly at work, never inoperative. See Casey, E. (1987). Remembering: A Phenomenological
Study. Indiana University Press, and the suggestion of the body as ‘habitual,’ Merleau-Ponty, M. (1962).
Phenomenology of Perception. The Humanities Press. Also see Yates, F. (1966). The Art of Memory.
University of Chicago Press.
BIBLIOGRAPHY
Atterbury, P. and Wainwright, C. (1994). Pugin: A Gothic Passion. Yale University Press.
Atterbury, P. ed. (1995). A.W.N. Pugin: Master of Gothic Revival. Yale University Press.
Beaver, P. (1986). The Crystal Palace: A Portrait of Victorian Enterprise. Phillimore.
Benevolo, L. (1971). History of Modern Architecture. MIT Press.
Broadbent, G. (1980). Neo-classicism. Architectural Design, 25, 2–25.
Calvino, I. (1988). Six Memos for the Next Millennium. Harvard University Press.
Carter, E.C., Van Horne, J.C. and Brownell, C.E. eds (1985). Latrobe’s View of America, 1795–1820:
Selections from the Watercolors and Sketches. Maryland Historical Society by Yale University Press.
Casey, E. (2000). Imagining: A Phenomenological Study. Indiana University Press.
Casey, E. (1987). Remembering: A Phenomenological Study. Indiana University Press.
Chadwick, G.F. (1961). The Work of Sir Joseph Paxton. Architectural Press.
Cohen, J.A. and Brownell, C.E. (1994). The Architectural Drawings of Benjamin Henry Latrobe, Vol. 2. Yale
University Press.
Dal Co, F. and Mazzariol, G. (1985). Carlo Scarpa: The Complete Works. Electa/Rizzoli.
Darley, G. (1999). John Soane, An Accidental Romantic. Yale University Press.
De Biasi, P. (1989). What is a Literary Draft? Toward a Functional Typology of Genetic Documentation.
Yale French Studies, 89, 26–58.
De la Ruffinière du Prey, P. (1982). John Soane: The Making of an Architect. The University of Chicago Press.
Dean, P. (1999). Sir John Soane and the Country Estate. Ashgate.
Denison, C.D., Rosenfeld, M.N. and Wiles, S. (1993). Exploring Rome: Piranesi and His Companions. The
Pierpont Morgan Library and the Canadian Centre for Architecture.
Drexler, A. ed. (1977). The Architecture of the Ecole Des Beaux-Arts. The Museum of Modern Art.
Egbert, D.D. (1980). The Beaux-Arts in French Architecture. Princeton University Press.
Fleming, John (1962). Robert Adam and His Circle. Harvard University Press.
Gordon, D.J. (1975). The Renaissance Imagination: Essays and Lectures. University of California Press.
Guinness, D. and Sadler, J.T. (1973). Mr. Jefferson, Architect. Viking Press.
Hamlin, T. (1955). Benjamin Henry Latrobe. Oxford University Press.
Harbeson, J.F. (1927). The Study of Architectural Design. Pencil Points Press.
Harpham, G.G. (1982). On the Grotesque: Strategies of Contradiction in Art and Literature. Princeton University
Press.
Hind, A.M. (1922). Giovanni Battista Piranesi: A Critical Study. Holland Press.
Hofer, P. (1973). Giovanni Battista Piranesi. Dover.
Hutter, H. (1968). Drawing: History and Technique. McGraw-Hill.
Jenny, L. (1989). Genetic Criticism and its Myths. Yale French Studies, 89, 9–25.
Kaufmann, E. (1939). Etienne Louis Boullée. Art Bulletin, 21, 3, 212–227.
Kaufmann, E. (1952). Three Revolutionary Architects: Boullée, Ledoux and Lequeu. Transactions of the
American Philosophical Society, 42, 431–564.
Kaufmann, E. (1955). Architecture in the Age of Reason. Harvard University Press.
94