Moore, Charles Willard, 197 Moorish, 121 Morgan, Julia, 141, 157 Morris, William, 112 Moser House, 135 Musée des Beaux Arts, 131 Musée des Confluences, 221 Municipal Museum Abteiberg, 235 Murcutt, Glenn, 247 Museum <strong>of</strong> Contemporary Art, 241 Museum <strong>of</strong> Modern Art, 235 Museum <strong>of</strong> the Serralves Foundation, 255 mysticism, 141 myth, 3, 12 Nan Hai Hotel, 219 Nash, John, 89 National Campus for the Archaeology <strong>of</strong> Israel, 253 Nationale-Nederlanden Building, 227 National Fascist Party, 171 Neoclassical, 13, 73, 70 –96, 98, 114 Neo-Grec, 103 Neo-Gothic, 70, 103 Nerdinger, Winifred, 191 Neue Freie Presse, 125 Neue Wache, 87 Neumann Department Store, 119 Neumann, Sharon and Alfred, 233 New Downtown (Shenzhen), 219 New Urbanism, 237 Newton, Sir Isaac, 10 New York Life Insurance Building, 105 Norberg-Schultz, Christian, 215 Nordic, 169 Novocomum Apartment Building, 171 Nuova Tendenze, 141, 142, 145 Ny Carlsberg Glyptotek, 239 Oakland Museum, 251 Oechslin, Werner, 4, 119 Okura Shukokan Museum, 133 Olbrich, Josef Maria, 113, 117, 119 Olivetti Office Building, 249 Olympic Stadium, 189 Opera (Copenhagen), 239 Opera House at Essen, 191 Opera House (Gunagzhon), 221 order, 70, 71 organic, 175 Orthographia (elevation), 8 orthographic projection, 14, 49 Osterly House, 77 ostraka, 7 Otto, Frei, 237 outline, 4, 51, 59 Palais des Beaux Arts, 131 Palais Stoclet, 135 Palace Mazarin, 93 Palacio de las Artes, 217 Palazzo Baldassini, 31 Palazzo dei Congressi, 171 Palazzo Contarini (San Trovaso), 41 Palazzo dei Conservatori, 33 Palazzo Farnese, 33 Palazzo Farnesina, 29 Palazzo Madama, 67 Palazzo Massimo alle Colonne, 29 Palazzo Palma-Baldassini, 31 Palazzo Pollini, 29 Palazzo Porto-Breganze, 39 Palazzo della Ragione, 39 Palazzo Sacchetti, 31 Palazzo della Sapienza, 53 Palazzo dei Senatore, 33 Palazzo Stupinigi, 67 Palazzo Thiene-Bonin, 41 palimpsest, 53 Palladio, Andrea, 16, 21, 25, 39, 43, 55, 75, 83 Palladian, 77 Palmach Museum <strong>of</strong> <strong>History</strong>, 233 Pantheon, 25, 63, 81 paper architecture, 141, 145, 161 papyrus, 6 parabolic arches, 121 paradigma, 7 parallel rules, 49 parchment, 8 parti, 3, 71, 72, 93, 99, 101, 185, 199, 215, 239 patina, 175 pattern book, 8, 13, 55, 99 Paul, Bruno, 185 Pavillon de la Bibliothéque (Louvre), 103 Paxton, Joseph, 91 Peacock, James, 85 The Peak, 229 Pehnt, Wolfgang, 147, 161 pentimento, 39 Perkins, Dwight, 177 Pernon House, 79 Perret, Auguste, 181 perspective, 9, 11, 171, 237 Peruzzi, Baldassare, 21, 25, 29 Philadelphia Waterworks, 81 Phillips Exeter Academy Library, 187 physiognomy, 8 Piazza d’Italia, 197 Piano & Rogers, 249 Piano, Renzo, 249 Pierce, James Smith, 5 piloti, 193 Pin ~ on, Helio, 245 267
Pinós, Carme, 245 Piranesi, Gian Battista, 47, 49, 72, 73, 75, 77, 85, 143, 233 Pinturicchio, 29 Pla del Palau, 121 Placa Reial, 121 Place Vendôme, 59 Place des Victoires, 59 play, 105, 197, 203, 233 Poelzig, Hans, 141, 142 polyfunicular model, 121 Portoghesi, Paolo, 203 Portuguese Pavilion for Expo 98, 255 Postal Savings Bank Office, 119 Postmodern, 209, 235 Power in Building, 109 Prairie Style House, 175, 177 Prager-Platz, 237 pre-esquisse, 71 President’s Estate, the First Capital <strong>of</strong> Pakistan, 187 Prince Albert, 91 Prix de Rome, 71, 72 Prix, Wolf D., 221 Procuratie Nuove, 41 pr<strong>of</strong>ile, 249 Propaganda Fide, 53 proportion, 9, 10, 11, 20, 39, 55, 71–73, 77, 79, 121, 149, 173 protractor, 49 Proun, 151 Prouvé, Jean, 249 Pugin, Auguste Wel<strong>by</strong> Northmore, 89, 111 pure possibility, 161 Pyrmont Incinerator, 177 Quebec Museum <strong>of</strong> Civilization, 253 quickness, 117 quill pen, 21, 73 Rabin Memorial Center, 253 raiment, 119 Rainaldi, Carlo, 61 Raphael, Sanzio, 11, 29 Reader’s Circle Headquarters, 245 Red Blue Chair, 159 reed pen, 21 Reliance Building, 98 Renaissance, 5, 6, 8-13, 15, 19– 48, 51, 59, 70, 77, 143, 157, 209 Renaissance Revival, 97 Renaissance workshop, 21, 22 Renaixenca, 121 Renascenta, 19 rendu, 73, 93 Renfro, Charles, 225 Renzo Piano Workshop, 249 Revett, Nicholas, 70 Rice, Peter, 249 Richards Medical Research Building, 187 Richardson, Henry Hobson, 97, 99, 101, 105 Richardson Romanesque, 101, 105 Rietveld, Gerrit Thomas, 141, 159 Robie House, 175 Robin Hood Gardens, 199 Roche, Kevin, 251 Rococo, 13, 46, 63 Rogers, Richard, 249 Rokko Housing, 213 Roman Antiquities, 46 Roman Catholic Cathedral <strong>of</strong> St. George (Southwark), 89 Roman Catholic Cathedral <strong>of</strong> St. Wilford (Hulme), 89 Romanesque, 101 Roman Revival, 70 Romano, Guilio, 39 Root, John Wellborn, 98, 99 Rossi, Aldo, 203, 209 Roth, Leland, 98, 105 rough draft, 85, 209 Rousseau, 70 Royal Academy <strong>of</strong> Building, 119 Royal Naval Hospital, 65 Royal Palace (Greenwich), 55 ruling pens, 8 Ruskin, John, 111, 112 Rykwert, Joseph, 70 Saarinen, Eero, 179, 251 Saarinen, Eliel, 179 Sacramento Public Market, 157 Safdie, Moshe, 253 Salk Institute Laboratory Building, 187 Saltworks at Arc-et Senans, 72 San Antonio Library, 241 San Cristobal Stable, 195 San Lorenzo, 33 San Marcello al Corso, 61 San Nicolò, 29 Sanquine, 22, 59 San Simeon, 157 Sansovino, Jacopo, 39 San Spirito dei Napolitani, 61 Santa Maria delle Grazie, 27 Santa Maria (Trastevere), 61 Sant’Elia, Antonio, 109, 141, 142, 145 Sapporo Dome, 231 sarcophagus, 29 Sayamaike Historical Museum, 213 Säynätsalo Town Hall, 191 S. Biagio Campitelli, 61 Scaenographia (perspective), 8 268
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ARCHITECTS’ DRAWINGS
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ARCHITECTS’ DRAWINGS A Selection
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CONTENTS Acknowledgements List of I
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ACKNOWLEDGEMENTS This book was supp
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ILLUSTRATIONS Figure 1.1 / Bramante
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Figure 3.3 / Boullée, Etienne-Loui
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Figure 5.7 / Lutyens, Edwin Landsee
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Figure 7.7 / Le Corbusier Plate #32
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Figure 8.9 / Gehry, Frank Process e
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INTRODUCTION Through history, archi
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with other architects or the client
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architect, and while they can be at
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necessary information. The museum o
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Although few sketches with architec
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equired precise instrumentation, as
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The Chinese and Japanese built soph
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many examples as possible. Most ske
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Coulin, C. (1962). Drawings by Arch
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CHAPTER 1 RENAISSANCE (1500-1650) T
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Simultaneously, these architects re
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products. This was particularly imp
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Bramante, Donato (1444-1514) Untitl
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da Vinci, Leonardo (1452-1519) Code
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Peruzzi, Baldassare (1481-1536) Stu
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da Sangallo, Antonio the Younger (1
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Buonarroti, Michelangelo (1475-1564
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de L’Orme, Philibert (between 150
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da Vignola, Giacomo Barozzi (1507-1
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Palladio, Andrea (1508-1580) Sketch
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Scamozzi, Vincenzo (1552-1616) Stud
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Jones, Inigo (1573-1652) Studies of
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Lowry, B. (1962). Renaissance Archi
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craftsmen up to the time of the rev
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MEDIA The materials trusted for ske
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Mansart, François (1598-1666) Alte
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Borromini, Francesco (1599-1667) Ro
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Webb, John (1611-1672) Pavilion add
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Bernini, Gianlorenzo (1598-1680) Sk
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Hardouin-Mansart, Jules (1646-1708)
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Fontana, Carlo (1638-1714) Design f
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Fischer von Erlach, Johann Bernhard
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Wren, Christopher (1632-1723) Studi
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Juvarra, Filippo (1687-1736) Stage
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Tinniswood, A. (2001). His Inventio
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Architectural theory proliferated a
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MEDIA Many media and techniques pre
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Piranesi, Giovanni Battista (1720-1
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Adam, Robert (1728-1792) House plan
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Boullée, Etienne-Louis (1728-1799)
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Latrobe, Benjamin Henry (1764-1820)
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Jefferson, Thomas (1743-1826) Monti
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Soane, Sir John (1753-1837) Sketch
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Schinkel, Karl Friedrich (1781-1841
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Pugin, A.W.N. (1812-1852) Details o
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Paxton, Joseph (1801-1865) Crystal
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Labrouste, Henri (1801-1875) Prelim
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Kimball, F. Essay and Notes (1968).
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CHAPTER 4 AMERICAN NEOCLASSICISM AN
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an architect were dependent upon re
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Richardson, Henry Hobson (1838-1886
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Hunt, Richard Morris (1827-1895) Sk
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White, Stanford (1853-1906) Freehan
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Sullivan, Louis (1856-1924) Study o
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Ferriss, Hugh (1889-1962) Crest of
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CHAPTER 5 THE TURN OF THE CENTURY E
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several of them organized a group c
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traditional dipped pens. Industrial
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Olbrich, Josef Maria (1867-1908) Sk
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Wagner, Otto (1841-1918) Perspectiv
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Gaudí, Antonio (1852-1926) Colonia
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Mackintosh, Charles Rennie (1868-19
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Loos, Adolf (1870-1933) Modena park
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Guimard, Hector (1867-1942) Design
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Lutyens, Edwin Landseer (1869-1944)
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Horta, Victor (1861-1947) Sketch of
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Ito, Chuta (1868-1954) Sketch of ga
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Hoffmann, Josef (1870-1956) Synagog
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Greene, Charles Sumner (1868-1957)
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Macaulay, J. (1994). Hill House: Ch
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CHAPTER 6 EARLY MODERN (1910-1930)
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came the design not of aesthetic ob
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Sant’Elia, Antonio (1888-1916) St
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de Klerk, Michel (1884-1923) Sketch
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Eiffel, Gustave (1832-1923) Eiffel
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Lissitzky, Lazar Markovich (1890-19
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Tatlin, Vladimir Evgrafovich (1885-
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Mendelsohn, Erich (1887-1953) Colum
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Morgan, Julia (1872-1957) Student r
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Rietveld, Gerrit Thomas (1888-1964)
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Finsterlin, Hermann (1887-1973) Ske
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Whitford, F. (1984). Bauhaus. Thame
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architecture and, in particular, ur
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and experience in their architectur
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Asplund, Erik Gunnar (1885-1940) Ar
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Terragni, Giuseppe (1904-1943) Monu
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Yasui, Takeo (1884-1955) Japanese N
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Wright, Frank Lloyd (1867-1959) Ann
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Griffin, Marion Mahony (1871-1961)
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Saarinen, Eero (1910-1961) David In
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Le Corbusier (1887-1965) Plate #322
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Gropius, Walter (1883-1969) Lorant
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Mies van der Rohe, Ludwig (1886-196
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Kahn, Louis (1901-1974) President
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Villanueva, Carlos Raúl (1900-1975
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Aalto, Alvar (1898-1976) Preliminar
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Gray, Eileen (1879-1976) Plan, sect
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Barrágan, Luis (1902-1988) Lomas V
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Moore, Charles Willard (1925-1993)
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Smithson, Alison (1928-1993) Sketch
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Candela, Felix (1910-1997) Paragnas
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Rossi, Aldo (1931-1997) Perspective
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Isaacs, R. (1991). Gropius. Little,
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CHAPTER 8 CONTEMPORARY (1980-) In a
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THEORETICAL EXPLORATIONS Postmodern
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Agrest, Diana (1945) Sport City, De
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Ando, Tadao (1941) Preliminary desi
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Botta, Mario (1943) Studies for the
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- Page 238 and 239: Chen, Shi Min (1935) Section sketch
- Page 240 and 241: COOP HIMMELB(L)AU Prix, Wolf D. (19
- Page 242 and 243: Correa, Charles (1930) Housing sket
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- Page 252 and 253: Hecker, Zvi (1931) Spiral sketch, 1
- Page 254 and 255: Hollein, Hans (1934) Museum in der
- Page 256 and 257: Krier, Rob (1938) Spatial sequences
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- Page 262 and 263: Lynn, Greg (1964) Preliminary explo
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- Page 266 and 267: Murcutt, Glenn (1936) Sketch plan,
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- Page 276 and 277: Soleri, Paolo (1919) Drawing of an
- Page 278 and 279: 30. Arcosanti Foundation publicity
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