Architect Drawings : A Selection of Sketches by World Famous Architects Through History

Coulin, C. (1962). Drawings by Architects. Reinhold.
Coulton, J.J. (1977). Ancient Greek Architects at Work. Cornell University Press.
Currie, S. (1998). Drawing 1400–1600. Invention and Innovation. Ashgate.
Dal Co, F. and Mazzariol, G. (1984). Carlo Scarpa: The Complete Works. Electa/Rizzoli.
Dalley, T. (1980). The Complete Guide to Illustration and Design: Techniques and Materials. Chartwell.
Evans, R. (1986). Translations from Drawing to Building. AA Files, 12.
Filarete translated by J. R. Spencer (1965). Treatise on Architecture. Yale University Press.
Gebhard, D. and Nevins, D. (1977). 200 Years of American Architectural Drawings. Whitney Library of Design.
Gibson, J.J. (1979). The Ecological Approach to Visual Perception. Houghton Mifflin Company.
Gibson, J.J. edited by Reed, E. and Jones, R. (1982). Reasons for Realism: Selected Essays of James J. Gibson.
Lawrence Erlbaum Associates.
Gombrich, E.H. (1985). The Story of Art. Prentice-Hall.
Gordon, D.J. (1975). The Renaissance Imagination. University of California Press.
Halse, A.O. (1952). A History of the Development in Architectural Drafting Technique. Doctor of Education
Dissertation. New York University.
Hambly, M. (1988). Drawing Instruments, 1580–1980. Sotheby’s Publications/Philip Wilson Publishers.
Hammond, J.H. (1981). The Camra Obscura. Adam Hilger.
Hewitt, M. (1985). Representational Forms and Modes of Conception: An Approach to the History of
Architectural Drawing. Journal of Architectural Education, 39/2.
Hutter, H. (1968). Drawing: History and Technique. McGraw-Hill.
Kearney, R. (1988). The Wake of the Imagination: Toward a Postmodern Culture. University of Minnesota Press.
Kostof, S. ed. (1977). The Architect. Oxford University Press.
Kostof, S. (1985). A History of Architecture: Settings and Rituals. Oxford University Press.
Kris, E. and Kurz, O. (1979). Legend, Myth, and Magic in the Image of the Artist. Yale University Press.
Lauer, D. (1979). Design Basics. Holt, Rinehart and Winston.
McQuaid, M. (2002). Envisioning Architecture: Drawings from the Museum of Modern Art. The Museum of
Modern Art.
Meisenheimer, W. (1987). The Functional and the Poetic Drawing. Daidalos, 25.
Merleau-Ponty, M. (1964). Primacy of Perception. Northwestern University Press.
Oechslin, W. (1982). The Well-Tempered Sketch. Daidalos, 5.
Péréz-Gómez, A. and Pelletier, L. (1997). Architectural Representation and the Perspective Hinge. MIT Press.
Pierce, J.S. (1967). Architectural Drawings and the Intent of the Architect. Art Journal, 27.
Porter, T. (1979). How Architects Visualize. Van Nostrand Reinhold.
Price, L. (1982). The Plan of St. Gall in Brief. University of California Press.
Randall, L. (1966). Images in the Margins of Gothic Manuscripts. University of California Press.
Robbins, E. (1994). Why Architects Draw. MIT Press.
Scheller, R.W. (1995). Exemplum: Model-Book Drawings and the Practice of Artistic Transmission in the Middle
Ages. Amsterdam University Press.
Serrato-Combe, A. (2001). The Aztec Templo Mayor: A Visualization. University of Utah Press.
Smith, A. (2004). Architectural Model as Machine. Architectural Press.
Stewart, D.B. (1987). The Making of a Modern Japanese Architecture, 1868 to the Present. Kodansha
International.
de Tolnay, C. (1972). History and Technique of Old Masters Drawings. Hacker Art Books.
Trachtenberg, M. and Hyman, I. (1986). Architecture: From Prehistory to Post-Modernism. Harry N. Abrams.
Vasari, G. abridged and edited by Burroughs, B. (1946). The Lives of the Artists. Simon and Schuster.
Vitruvius translated by Granger, F. (1934). On Architecture. William Heinemann.
Warnock, M. (1976). Imagination. The University of California Press.
White, J. (1972). The Birth and Rebirth of Pictorial Space. Harper and Row.
Wittkower, R. (1949). Architectural Principles in the Age of Humanism. University of London.
Wittkower, R. (1980). Art and Architecture in Italy 1600–1750. Penguin Books.
Wollheim, R. (1971). Art and Its Objects. Harper and Row.
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