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Architect Drawings : A Selection of Sketches by World Famous Architects Through History

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NOTES<br />

1. While Carmen Bambach (p. 170) argues that ‘Both extant designs <strong>by</strong> Leonardo coincide closely in<br />

their outlines, but not precisely, proving that they are not direct prickings <strong>of</strong> each other.’ I believe that<br />

irregularities <strong>of</strong> the points line up in some areas so precisely that they must have been pricked at the<br />

same time. Although I would concede that the drawing may have been initially and partially pricked<br />

and later altered as Leonardo’s thinking process allowed him to transform ideas using the sketch.<br />

2. As to attribution, I am apt to agree with Anthony Blunt’s suggestion and am willing to ascribe<br />

the sketch to de L’Orme with the caveat that more research would decide the controversy (Blunt,<br />

1958).<br />

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Alberti, L.B. translated <strong>by</strong> Rykwert, J., Leach, N. and Tavernor, R. (1988). On the Art <strong>of</strong> Building in Ten<br />

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Allsopp, B. (1959). A <strong>History</strong> <strong>of</strong> Renaissance <strong>Architect</strong>ure. Pitman and Sons.<br />

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44

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