Architect Drawings : A Selection of Sketches by World Famous Architects Through History

More documents

Recommendations

Info

Figure 8.9 / Gehry, Frank Process elevation sketches. Guggenheim Museum, Bilbao, Spain. 12.3 9.2 in.; October 1991. ©Gehry Partners, LLP. Figure 8.10 / Hadid, Zaha Preliminary sketch. Vitra Fire Station, Weil Am Rheim, Germany. 11.7 16.5 in.; acrylic and ink on tracing paper; 1991. ©Zaha Hadid. Figure 8.11 / Hara, Hiroshi Mid-Air City sketch. Umeda Sky Building, Kita-ku, Osaka, Japan, 1993. 3.6 2.1 in.; air brush, colored pencil; 1989. ©Hiroshi Hara. Figure 8.12 / Hecker, Zvi Spiral sketch. Spiral Apartment House, Ramat-Gan, Israel. 21 29 cm; black ink on white paper; 1986. ©Zvi Hecker. Figure 8.13 / Hollein, Hans Museum in der Rock of the Mönchsberg Competition 1989, 1st Prize which became: The Guggenheim Museum Salzburg 1990. Feasibility study and 2001 updating of project as Art Center Monchsberg. 75.5 55.5 cm; pencil, crayon on transparent paper; 1989. ©Hans Hollein. Figure 8.14 / Krier, Rob Spatial sequences sketch. Prager-platz, Berlin, Germany. 26 30 cm; oil chalk with pencil on canvas; 1978. ©Rob Krier. Figure 8.15 / Larsen, Henning Sketch featuring many of the studio’s most important buildings. Various projects. 21 29.7 cm; fountain pen on paper. ©Henning Larsen Tegnestue A/S. Figure 8.16 / Legorreta, Ricardo Section sketch. UCSF Mission Bay Campus Community Center, San Francisco, California. Felt marker on paper. ©Ricardo Legorreta. Figure 8.17 / Lynn, Greg Preliminary exploratory museum sketches. Ark of the World Museum and Interpretive Center, San Juan, Costa Rica. 11 14 in.; ink on Bristol paper; March 3, 2002. ©Greg Lynn FORM. Figure 8.18 / Miralles, Enric Preliminary plan sketch. Mollet del Valles, Park and Civic Center, Barcelona, Spain. Graffiti and crayon on paper; 1992–1995. ©Enric Miralles-EMBT Enric Miralles Benedetta Tagliabue Arquitectes Associats. Figure 8.19 / Murcutt, Glenn Sketch plan. Glenn Murcutt Collection: Marika Banduk [Alderton] House, Yirrikala (PXD 728/Roll 230/A 135). 26 37 cm; pencil sketch on butter (trace) paper; 1992. ©The Glenn Murcutt Collection, Mitchell Library, State Library of New South Wales. xvii
Figure 8.20 / Piano, Renzo Elevation sketch. Cultural Center Jean-Marie Tjibaou, Nouméa, New Caledonia. 8.3 11.7 in.; felt pen on paper; 1991. ©Renzo Piano. Figure 8.21 / Roche, Kevin View of Central Administration Building. Headquarters of Banco Santander, outside Madrid, Spain. ©Kevin Roche. Figure 8.22 / Safdie, Moshe Exploration Place sketch. Exploration Place Science Museum, Wichita, Kansas. ©Moshe Safdie. Figure 8.23 / Siza Vieira, Álvaro Joaquim Melo Process sketch. Galician Center for Contemporary Art, Santiago de Compostela, Spain. ©Álvaro Siza. Figure 8.24 / Soleri, Paolo Drawing of an early concept of Arcosanti. (from the Paolo Soleri sketchbook #7, page 333). Arcosanti Foundation, Mayer, Arizona. April 1971. ©Paolo Soleri. xviii
Page 2 and 3: ARCHITECTS’ DRAWINGS
Page 4 and 5: ARCHITECTS’ DRAWINGS A Selection
Page 6 and 7: CONTENTS Acknowledgements List of I
Page 8 and 9: ACKNOWLEDGEMENTS This book was supp
Page 10 and 11: ILLUSTRATIONS Figure 1.1 / Bramante
Page 12 and 13: Figure 3.3 / Boullée, Etienne-Loui
Page 14 and 15: Figure 5.7 / Lutyens, Edwin Landsee
Page 16 and 17: Figure 7.7 / Le Corbusier Plate #32
Page 20 and 21: INTRODUCTION Through history, archi
Page 22 and 23: with other architects or the client
Page 24 and 25: architect, and while they can be at
Page 26 and 27: necessary information. The museum o
Page 28 and 29: Although few sketches with architec
Page 30 and 31: equired precise instrumentation, as
Page 32 and 33: The Chinese and Japanese built soph
Page 34 and 35: many examples as possible. Most ske
Page 36 and 37: Coulin, C. (1962). Drawings by Arch
Page 38 and 39: CHAPTER 1 RENAISSANCE (1500-1650) T
Page 40 and 41: Simultaneously, these architects re
Page 42 and 43: products. This was particularly imp
Page 44 and 45: Bramante, Donato (1444-1514) Untitl
Page 46 and 47: da Vinci, Leonardo (1452-1519) Code
Page 48 and 49: Peruzzi, Baldassare (1481-1536) Stu
Page 50 and 51: da Sangallo, Antonio the Younger (1
Page 52 and 53: Buonarroti, Michelangelo (1475-1564
Page 54 and 55: de L’Orme, Philibert (between 150
Page 56 and 57: da Vignola, Giacomo Barozzi (1507-1
Page 58 and 59: Palladio, Andrea (1508-1580) Sketch
Page 60 and 61: Scamozzi, Vincenzo (1552-1616) Stud
Page 62 and 63: Jones, Inigo (1573-1652) Studies of
Page 64 and 65: Lowry, B. (1962). Renaissance Archi
Page 66 and 67: craftsmen up to the time of the rev
Page 68 and 69:
MEDIA The materials trusted for ske
Page 70 and 71:
Mansart, François (1598-1666) Alte
Page 72 and 73:
Borromini, Francesco (1599-1667) Ro
Page 74 and 75:
Webb, John (1611-1672) Pavilion add
Page 76 and 77:
Bernini, Gianlorenzo (1598-1680) Sk
Page 78 and 79:
Hardouin-Mansart, Jules (1646-1708)
Page 80 and 81:
Fontana, Carlo (1638-1714) Design f
Page 82 and 83:
Fischer von Erlach, Johann Bernhard
Page 84 and 85:
Wren, Christopher (1632-1723) Studi
Page 86 and 87:
Juvarra, Filippo (1687-1736) Stage
Page 88 and 89:
Tinniswood, A. (2001). His Inventio
Page 90 and 91:
Architectural theory proliferated a
Page 92 and 93:
MEDIA Many media and techniques pre
Page 94 and 95:
Piranesi, Giovanni Battista (1720-1
Page 96 and 97:
Adam, Robert (1728-1792) House plan
Page 98 and 99:
Boullée, Etienne-Louis (1728-1799)
Page 100 and 101:
Latrobe, Benjamin Henry (1764-1820)
Page 102 and 103:
Jefferson, Thomas (1743-1826) Monti
Page 104 and 105:
Soane, Sir John (1753-1837) Sketch
Page 106 and 107:
Schinkel, Karl Friedrich (1781-1841
Page 108 and 109:
Pugin, A.W.N. (1812-1852) Details o
Page 110 and 111:
Paxton, Joseph (1801-1865) Crystal
Page 112 and 113:
Labrouste, Henri (1801-1875) Prelim
Page 114 and 115:
Kimball, F. Essay and Notes (1968).
Page 116 and 117:
CHAPTER 4 AMERICAN NEOCLASSICISM AN
Page 118 and 119:
an architect were dependent upon re
Page 120 and 121:
Richardson, Henry Hobson (1838-1886
Page 122 and 123:
Hunt, Richard Morris (1827-1895) Sk
Page 124 and 125:
White, Stanford (1853-1906) Freehan
Page 126 and 127:
Sullivan, Louis (1856-1924) Study o
Page 128 and 129:
Ferriss, Hugh (1889-1962) Crest of
Page 130 and 131:
CHAPTER 5 THE TURN OF THE CENTURY E
Page 132 and 133:
several of them organized a group c
Page 134 and 135:
traditional dipped pens. Industrial
Page 136 and 137:
Olbrich, Josef Maria (1867-1908) Sk
Page 138 and 139:
Wagner, Otto (1841-1918) Perspectiv
Page 140 and 141:
Gaudí, Antonio (1852-1926) Colonia
Page 142 and 143:
Mackintosh, Charles Rennie (1868-19
Page 144 and 145:
Loos, Adolf (1870-1933) Modena park
Page 146 and 147:
Guimard, Hector (1867-1942) Design
Page 148 and 149:
Lutyens, Edwin Landseer (1869-1944)
Page 150 and 151:
Horta, Victor (1861-1947) Sketch of
Page 152 and 153:
Ito, Chuta (1868-1954) Sketch of ga
Page 154 and 155:
Hoffmann, Josef (1870-1956) Synagog
Page 156 and 157:
Greene, Charles Sumner (1868-1957)
Page 158 and 159:
Macaulay, J. (1994). Hill House: Ch
Page 160 and 161:
CHAPTER 6 EARLY MODERN (1910-1930)
Page 162 and 163:
came the design not of aesthetic ob
Page 164 and 165:
Sant’Elia, Antonio (1888-1916) St
Page 166 and 167:
de Klerk, Michel (1884-1923) Sketch
Page 168 and 169:
Eiffel, Gustave (1832-1923) Eiffel
Page 170 and 171:
Lissitzky, Lazar Markovich (1890-19
Page 172 and 173:
Tatlin, Vladimir Evgrafovich (1885-
Page 174 and 175:
Mendelsohn, Erich (1887-1953) Colum
Page 176 and 177:
Morgan, Julia (1872-1957) Student r
Page 178 and 179:
Rietveld, Gerrit Thomas (1888-1964)
Page 180 and 181:
Finsterlin, Hermann (1887-1973) Ske
Page 182 and 183:
Whitford, F. (1984). Bauhaus. Thame
Page 184 and 185:
architecture and, in particular, ur
Page 186 and 187:
and experience in their architectur
Page 188 and 189:
Asplund, Erik Gunnar (1885-1940) Ar
Page 190 and 191:
Terragni, Giuseppe (1904-1943) Monu
Page 192 and 193:
Yasui, Takeo (1884-1955) Japanese N
Page 194 and 195:
Wright, Frank Lloyd (1867-1959) Ann
Page 196 and 197:
Griffin, Marion Mahony (1871-1961)
Page 198 and 199:
Saarinen, Eero (1910-1961) David In
Page 200 and 201:
Le Corbusier (1887-1965) Plate #322
Page 202 and 203:
Gropius, Walter (1883-1969) Lorant
Page 204 and 205:
Mies van der Rohe, Ludwig (1886-196
Page 206 and 207:
Kahn, Louis (1901-1974) President
Page 208 and 209:
Villanueva, Carlos Raúl (1900-1975
Page 210 and 211:
Aalto, Alvar (1898-1976) Preliminar
Page 212 and 213:
Gray, Eileen (1879-1976) Plan, sect
Page 214 and 215:
Barrágan, Luis (1902-1988) Lomas V
Page 216 and 217:
Moore, Charles Willard (1925-1993)
Page 218 and 219:
Smithson, Alison (1928-1993) Sketch
Page 220 and 221:
Candela, Felix (1910-1997) Paragnas
Page 222 and 223:
Rossi, Aldo (1931-1997) Perspective
Page 224 and 225:
Isaacs, R. (1991). Gropius. Little,
Page 226 and 227:
CHAPTER 8 CONTEMPORARY (1980-) In a
Page 228 and 229:
THEORETICAL EXPLORATIONS Postmodern
Page 230 and 231:
Agrest, Diana (1945) Sport City, De
Page 232 and 233:
Ando, Tadao (1941) Preliminary desi
Page 234 and 235:
Botta, Mario (1943) Studies for the
Page 236 and 237:
Calatrava, Santiago (1951) Sketch p
Page 238 and 239:
Chen, Shi Min (1935) Section sketch
Page 240 and 241:
COOP HIMMELB(L)AU Prix, Wolf D. (19
Page 242 and 243:
Correa, Charles (1930) Housing sket
Page 244 and 245:
Diller, Elizabeth (1954) Blur proce
Page 246 and 247:
Gehry, Frank (1929) Process elevati
Page 248 and 249:
Hadid, Zaha (1950) Preliminary sket
Page 250 and 251:
Hara, Hiroshi (1936) Mid-Air City s
Page 252 and 253:
Hecker, Zvi (1931) Spiral sketch, 1
Page 254 and 255:
Hollein, Hans (1934) Museum in der
Page 256 and 257:
Krier, Rob (1938) Spatial sequences
Page 258 and 259:
Larsen, Henning (1925) Sketch featu
Page 260 and 261:
Legorreta, Ricardo (1931) Section s
Page 262 and 263:
Lynn, Greg (1964) Preliminary explo
Page 264 and 265:
Miralles, Enric (1955-2000) Prelimi
Page 266 and 267:
Murcutt, Glenn (1936) Sketch plan,
Page 268 and 269:
Piano, Renzo (1937) Elevation sketc
Page 270 and 271:
Roche, Kevin (1922) View of Central
Page 272 and 273:
Safdie, Moshe (1938) Exploration Pl
Page 274 and 275:
Siza Vieira, Álvaro Joaquim Melo (
Page 276 and 277:
Soleri, Paolo (1919) Drawing of an
Page 278 and 279:
30. Arcosanti Foundation publicity
Page 280 and 281:
INDEX Aalto, Alvar, 191 A.A. Pope R
Page 282 and 283:
Christ Church Newgate Street, 65 CI
Page 284 and 285:
Hampton Court Palace (Middlesex), 6
Page 286 and 287:
Moore, Charles Willard, 197 Moorish
Page 288 and 289:
Scala Regia, 61 scale ruler (scale
show all

Architect Drawings : A Selection of Sketches by World Famous Architects Through History

Create successful ePaper yourself

Delete template?

Save as template?