- Page 2 and 3:
ARCHITECTS’ DRAWINGS
- Page 4 and 5:
ARCHITECTS’ DRAWINGS A Selection
- Page 6 and 7:
CONTENTS Acknowledgements List of I
- Page 8 and 9:
ACKNOWLEDGEMENTS This book was supp
- Page 10 and 11:
ILLUSTRATIONS Figure 1.1 / Bramante
- Page 12 and 13:
Figure 3.3 / Boullée, Etienne-Loui
- Page 14 and 15:
Figure 5.7 / Lutyens, Edwin Landsee
- Page 16 and 17:
Figure 7.7 / Le Corbusier Plate #32
- Page 18 and 19:
Figure 8.9 / Gehry, Frank Process e
- Page 20 and 21:
INTRODUCTION Through history, archi
- Page 22 and 23: with other architects or the client
- Page 24 and 25: architect, and while they can be at
- Page 26 and 27: necessary information. The museum o
- Page 28 and 29: Although few sketches with architec
- Page 30 and 31: equired precise instrumentation, as
- Page 32 and 33: The Chinese and Japanese built soph
- Page 34 and 35: many examples as possible. Most ske
- Page 36 and 37: Coulin, C. (1962). Drawings by Arch
- Page 38 and 39: CHAPTER 1 RENAISSANCE (1500-1650) T
- Page 40 and 41: Simultaneously, these architects re
- Page 42 and 43: products. This was particularly imp
- Page 44 and 45: Bramante, Donato (1444-1514) Untitl
- Page 46 and 47: da Vinci, Leonardo (1452-1519) Code
- Page 48 and 49: Peruzzi, Baldassare (1481-1536) Stu
- Page 50 and 51: da Sangallo, Antonio the Younger (1
- Page 52 and 53: Buonarroti, Michelangelo (1475-1564
- Page 54 and 55: de L’Orme, Philibert (between 150
- Page 56 and 57: da Vignola, Giacomo Barozzi (1507-1
- Page 58 and 59: Palladio, Andrea (1508-1580) Sketch
- Page 60 and 61: Scamozzi, Vincenzo (1552-1616) Stud
- Page 62 and 63: Jones, Inigo (1573-1652) Studies of
- Page 64 and 65: Lowry, B. (1962). Renaissance Archi
- Page 66 and 67: craftsmen up to the time of the rev
- Page 68 and 69: MEDIA The materials trusted for ske
- Page 70 and 71: Mansart, François (1598-1666) Alte
- Page 74 and 75: Webb, John (1611-1672) Pavilion add
- Page 76 and 77: Bernini, Gianlorenzo (1598-1680) Sk
- Page 78 and 79: Hardouin-Mansart, Jules (1646-1708)
- Page 80 and 81: Fontana, Carlo (1638-1714) Design f
- Page 82 and 83: Fischer von Erlach, Johann Bernhard
- Page 84 and 85: Wren, Christopher (1632-1723) Studi
- Page 86 and 87: Juvarra, Filippo (1687-1736) Stage
- Page 88 and 89: Tinniswood, A. (2001). His Inventio
- Page 90 and 91: Architectural theory proliferated a
- Page 92 and 93: MEDIA Many media and techniques pre
- Page 94 and 95: Piranesi, Giovanni Battista (1720-1
- Page 96 and 97: Adam, Robert (1728-1792) House plan
- Page 98 and 99: Boullée, Etienne-Louis (1728-1799)
- Page 100 and 101: Latrobe, Benjamin Henry (1764-1820)
- Page 102 and 103: Jefferson, Thomas (1743-1826) Monti
- Page 104 and 105: Soane, Sir John (1753-1837) Sketch
- Page 106 and 107: Schinkel, Karl Friedrich (1781-1841
- Page 108 and 109: Pugin, A.W.N. (1812-1852) Details o
- Page 110 and 111: Paxton, Joseph (1801-1865) Crystal
- Page 112 and 113: Labrouste, Henri (1801-1875) Prelim
- Page 114 and 115: Kimball, F. Essay and Notes (1968).
- Page 116 and 117: CHAPTER 4 AMERICAN NEOCLASSICISM AN
- Page 118 and 119: an architect were dependent upon re
- Page 120 and 121: Richardson, Henry Hobson (1838-1886
- Page 122 and 123:
Hunt, Richard Morris (1827-1895) Sk
- Page 124 and 125:
White, Stanford (1853-1906) Freehan
- Page 126 and 127:
Sullivan, Louis (1856-1924) Study o
- Page 128 and 129:
Ferriss, Hugh (1889-1962) Crest of
- Page 130 and 131:
CHAPTER 5 THE TURN OF THE CENTURY E
- Page 132 and 133:
several of them organized a group c
- Page 134 and 135:
traditional dipped pens. Industrial
- Page 136 and 137:
Olbrich, Josef Maria (1867-1908) Sk
- Page 138 and 139:
Wagner, Otto (1841-1918) Perspectiv
- Page 140 and 141:
Gaudí, Antonio (1852-1926) Colonia
- Page 142 and 143:
Mackintosh, Charles Rennie (1868-19
- Page 144 and 145:
Loos, Adolf (1870-1933) Modena park
- Page 146 and 147:
Guimard, Hector (1867-1942) Design
- Page 148 and 149:
Lutyens, Edwin Landseer (1869-1944)
- Page 150 and 151:
Horta, Victor (1861-1947) Sketch of
- Page 152 and 153:
Ito, Chuta (1868-1954) Sketch of ga
- Page 154 and 155:
Hoffmann, Josef (1870-1956) Synagog
- Page 156 and 157:
Greene, Charles Sumner (1868-1957)
- Page 158 and 159:
Macaulay, J. (1994). Hill House: Ch
- Page 160 and 161:
CHAPTER 6 EARLY MODERN (1910-1930)
- Page 162 and 163:
came the design not of aesthetic ob
- Page 164 and 165:
Sant’Elia, Antonio (1888-1916) St
- Page 166 and 167:
de Klerk, Michel (1884-1923) Sketch
- Page 168 and 169:
Eiffel, Gustave (1832-1923) Eiffel
- Page 170 and 171:
Lissitzky, Lazar Markovich (1890-19
- Page 172 and 173:
Tatlin, Vladimir Evgrafovich (1885-
- Page 174 and 175:
Mendelsohn, Erich (1887-1953) Colum
- Page 176 and 177:
Morgan, Julia (1872-1957) Student r
- Page 178 and 179:
Rietveld, Gerrit Thomas (1888-1964)
- Page 180 and 181:
Finsterlin, Hermann (1887-1973) Ske
- Page 182 and 183:
Whitford, F. (1984). Bauhaus. Thame
- Page 184 and 185:
architecture and, in particular, ur
- Page 186 and 187:
and experience in their architectur
- Page 188 and 189:
Asplund, Erik Gunnar (1885-1940) Ar
- Page 190 and 191:
Terragni, Giuseppe (1904-1943) Monu
- Page 192 and 193:
Yasui, Takeo (1884-1955) Japanese N
- Page 194 and 195:
Wright, Frank Lloyd (1867-1959) Ann
- Page 196 and 197:
Griffin, Marion Mahony (1871-1961)
- Page 198 and 199:
Saarinen, Eero (1910-1961) David In
- Page 200 and 201:
Le Corbusier (1887-1965) Plate #322
- Page 202 and 203:
Gropius, Walter (1883-1969) Lorant
- Page 204 and 205:
Mies van der Rohe, Ludwig (1886-196
- Page 206 and 207:
Kahn, Louis (1901-1974) President
- Page 208 and 209:
Villanueva, Carlos Raúl (1900-1975
- Page 210 and 211:
Aalto, Alvar (1898-1976) Preliminar
- Page 212 and 213:
Gray, Eileen (1879-1976) Plan, sect
- Page 214 and 215:
Barrágan, Luis (1902-1988) Lomas V
- Page 216 and 217:
Moore, Charles Willard (1925-1993)
- Page 218 and 219:
Smithson, Alison (1928-1993) Sketch
- Page 220 and 221:
Candela, Felix (1910-1997) Paragnas
- Page 222 and 223:
Rossi, Aldo (1931-1997) Perspective
- Page 224 and 225:
Isaacs, R. (1991). Gropius. Little,
- Page 226 and 227:
CHAPTER 8 CONTEMPORARY (1980-) In a
- Page 228 and 229:
THEORETICAL EXPLORATIONS Postmodern
- Page 230 and 231:
Agrest, Diana (1945) Sport City, De
- Page 232 and 233:
Ando, Tadao (1941) Preliminary desi
- Page 234 and 235:
Botta, Mario (1943) Studies for the
- Page 236 and 237:
Calatrava, Santiago (1951) Sketch p
- Page 238 and 239:
Chen, Shi Min (1935) Section sketch
- Page 240 and 241:
COOP HIMMELB(L)AU Prix, Wolf D. (19
- Page 242 and 243:
Correa, Charles (1930) Housing sket
- Page 244 and 245:
Diller, Elizabeth (1954) Blur proce
- Page 246 and 247:
Gehry, Frank (1929) Process elevati
- Page 248 and 249:
Hadid, Zaha (1950) Preliminary sket
- Page 250 and 251:
Hara, Hiroshi (1936) Mid-Air City s
- Page 252 and 253:
Hecker, Zvi (1931) Spiral sketch, 1
- Page 254 and 255:
Hollein, Hans (1934) Museum in der
- Page 256 and 257:
Krier, Rob (1938) Spatial sequences
- Page 258 and 259:
Larsen, Henning (1925) Sketch featu
- Page 260 and 261:
Legorreta, Ricardo (1931) Section s
- Page 262 and 263:
Lynn, Greg (1964) Preliminary explo
- Page 264 and 265:
Miralles, Enric (1955-2000) Prelimi
- Page 266 and 267:
Murcutt, Glenn (1936) Sketch plan,
- Page 268 and 269:
Piano, Renzo (1937) Elevation sketc
- Page 270 and 271:
Roche, Kevin (1922) View of Central
- Page 272 and 273:
Safdie, Moshe (1938) Exploration Pl
- Page 274 and 275:
Siza Vieira, Álvaro Joaquim Melo (
- Page 276 and 277:
Soleri, Paolo (1919) Drawing of an
- Page 278 and 279:
30. Arcosanti Foundation publicity
- Page 280 and 281:
INDEX Aalto, Alvar, 191 A.A. Pope R
- Page 282 and 283:
Christ Church Newgate Street, 65 CI
- Page 284 and 285:
Hampton Court Palace (Middlesex), 6
- Page 286 and 287:
Moore, Charles Willard, 197 Moorish
- Page 288 and 289:
Scala Regia, 61 scale ruler (scale