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Optimod-Surround 8685 V1.0 Operating Manual - Orban

Optimod-Surround 8685 V1.0 Operating Manual - Orban

Optimod-Surround 8685 V1.0 Operating Manual - Orban

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3-32<br />

OPERATION ORBAN MODEL <strong>8685</strong><br />

without objectionable side effects, so the <strong>8685</strong> can create competitively loud masters.<br />

Radio-Style Presets<br />

The radio-style presets (Table 3-3 on page 3-33) have been named similarly to their<br />

radio counterparts in <strong>Orban</strong>’s OPTIMOD 8500 and 6300. Their basic audio texture is<br />

very similar to the presets in these products. The loudness controller is turned off.<br />

CLASSICAL: As their names imply, the CLASSICAL 5-BAND and CLASSICAL TWO-<br />

BAND presets are optimized for classical music, gracefully handling recordings with<br />

very wide dynamic range and sudden shifts in dynamics. The Five-Band version uses<br />

heavy inter-band coupling to prevent large amounts of automatic re-equalization,<br />

which could otherwise cause unnatural stridency and brightness in strings and horns<br />

and which could pump up very low frequency rumble in live recording venues.<br />

The Five-Band preset defeats the AGC, using only the five-band compressor for gain<br />

reduction. It also defeats phase rotation to ensure the most transparent Five-Band<br />

sound available.<br />

CLASSICAL-5B+AGC uses the AGC set for 2:1 compression ratio. Because of the<br />

AGC, it affects more of the total dynamic range of the recording than does the<br />

CLASSICAL-5 BAND preset. However, the AGC provides extremely smooth and unobtrusive<br />

compression because of the gentle ratio and window gating. This preset<br />

uses the Five-Band compressor very lightly with a fast release time as a peak limiter.<br />

The AGC does almost all of the compression.

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