16.11.2012 Views

Optimod-Surround 8685 V1.0 Operating Manual - Orban

Optimod-Surround 8685 V1.0 Operating Manual - Orban

Optimod-Surround 8685 V1.0 Operating Manual - Orban

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

3-58<br />

OPERATION ORBAN MODEL <strong>8685</strong><br />

Bx Compression Threshold sets the compression threshold for each band in units<br />

of dB. We recommend making small changes around the factory settings to preserve<br />

the internal headroom built into the processing chain. These controls will affect the<br />

spectral balance of the processing above threshold.<br />

You can use the Bx SPEECH COMPRESSION THRESHOLD control to set independent frequency<br />

balances for music and speech in the 2.0 processing chain, (page 3-6). The Bx<br />

CENTER COMPRESSION THRESHOLD control performs a similar function in the surround<br />

processing. It is particularly useful when setting up the center channel to de-ess dialog.<br />

The SPEECH and CENTER controls appear only in Advanced Control.<br />

MB Gate Threshold control determines the lowest input level that will be recognized<br />

as program by OPTIMOD <strong>8685</strong>; lower levels are considered to be noise or<br />

background sounds and cause the AGC or multiband compressor to gate, effectively<br />

freezing gain to prevent noise breathing.<br />

The multiband gate only works appropriately when the KNEE and RATIO controls of<br />

all bands are set identically, which is typically true in broadcast applications. We recommend<br />

turning off the multiband gate if the individual KNEE and RATIO settings<br />

are unequal.<br />

There are two independent gating circuits in the <strong>8685</strong>. The first affects the AGC and<br />

the second affects the multiband compressor. Each has its own threshold control.<br />

The multiband silence gate causes the gain reduction in bands 2 and 3 of the multiband<br />

compressor to move quickly to the average gain reduction occurring in those<br />

bands when the gate first turns on. This prevents obvious midrange coloration un-<br />

MB Attack/Release/Threshold<br />

Full Name Advanced Name Range<br />

MB Release Multiband Release Slow, Slow2, Med, Med2, MFast, MFast2,<br />

Fast<br />

--- Speech Multiband Release Slow, Slow2, Med, Med2, MFast, MFast2,<br />

Fast [2.0 only]<br />

--- Center Multiband Release Slow, Slow2, Med, Med2, MFast, MFast2,<br />

Fast [surround only]<br />

Bx THR Bx Compression Threshold –16.00 … 0.0, Off<br />

--- Bx Speech Compression Thresh –16.00 … 0.0, Off [2.0 only]<br />

--- Bx Center Compression Thresh –16.00 … 0.0, Off [surround only]<br />

--- Bx Attack 4.0 … 50.0 ms, Off<br />

--- Bx Speech Attack 4.0 … 50.0 ms, Off [2.0 only]<br />

--- Bx Center Attack 4.0 … 50.0 ms, Off [surround only]<br />

--- Bx Limiter Attack 0 … 100%<br />

--- Bx Delta Release –6 … 6<br />

--- Bx Compression Ratio 1:1 … ∞:1<br />

--- Bx Knee 0 … 50 dB<br />

--- Bx Break 1 … 50 dB<br />

--- Bx Main>Center Max +Delta GR 0…24 dB, Off<br />

--- Bx Main>Center Max –Delta GR 0…24 dB, Off<br />

--- Transient Enhance 0 … 10 ms<br />

Table 3-9: MB Attack/Release Controls

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!