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Optimod-Surround 8685 V1.0 Operating Manual - Orban

Optimod-Surround 8685 V1.0 Operating Manual - Orban

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OPTIMOD SURROUND PROCESSOR TROUBLESHOOTING 5-3<br />

• If the Loudness Controller is active but, based on its gain reduction meter, you do<br />

not believe it is working hard enough, set its threshold lower using the LOUDNESS<br />

CONTROLLER THRESH control.<br />

Note that the Loudness Controller controls subjective loudness to an absolute<br />

threshold and does not understand the context of the program.<br />

Therefore, if a commercial follows a piece of very quiet program material,<br />

the commercial may still seem loud even though the Loudness Controller<br />

is working properly.<br />

See Loudness Control on page 3-14.<br />

LFE channel is unbalanced with respect to the rest of the audio spectrum<br />

• Adjust the LFE COMPRESSION THRESHOLD control.<br />

• Adjust the B1>LFE COUPLING control.<br />

• Adjust the LC BASS COUPLING control.<br />

Dialog is buried by music and/or effects<br />

• In the surround processing, set the BX MAIN>CENTER MAX –DELTA GR controls to a<br />

higher value. This will allow the center channel compressor to have more gain<br />

with respect to the other channels.<br />

Dialog is muffled<br />

• Use the five-band structure and set the B3>B4 COUPLING and B4>B5 COUPLING<br />

controls to a higher value. This will allow the processing to apply more dynamic<br />

high frequency boost. In the surround processing, adjust these controls in the<br />

center channel compressor.<br />

• Set the B4 COMPRESSOR THRESHOLD control to a higher value (i.e., closer to 0 dB).<br />

This will produce less gain reduction in the presence region.<br />

• Try using the <strong>8685</strong>’s HF Enhancer. To do so, LOCATE to the EQUALIZER screen and<br />

set the HF ENHANCE control to taste. For most TV programming, very low settings<br />

(like 0.25) are appropriate because they minimize the possibility of increasing<br />

noise.<br />

Shrill, harsh sound<br />

• This problem can be caused by excessive HF boost in the HF Equalizer and HF Enhancer.<br />

It could also be caused by an excessively high setting of the band 4 or<br />

band 5 compression threshold control (if you are using the Five-Band Structure),<br />

or by excessively high settings of the BAND 4 MIX and BAND 5 MIX controls (located<br />

in Full and Advanced Modify).<br />

Dull sound<br />

• If you are using the Two-Band structure, dull-sounding source material will<br />

sound dull on the air. The Five-Band Structure will automatically re-equalize such<br />

dull-sounding program material to make its spectral balance more consistent<br />

with other program material.

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